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▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
░▓█████▓░░░ ░ ╚═════╗ ╔════════╝▀ ░ ░░░▓█████▓░
▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
▄▀░████▓╔═══════════════════════╩═════════════════════════╩══════════════════════════╗▓████░▀▄
▐░ ▀▓████║ Todtgelichter-Angst-2010-DeBT_iNT ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
▀ ▀▀█████▀░████ ▄ ▄ ░▓████░▀ ████▀▀ ▀
▄ ░░▓████▀▀░ ░▀▀████▓░░ ▄ ▄
▄▄▀▀███████████▀▀▀ ▀▀████████████▀▀ ░
▄░▓███████▄▄▄░ ARTiST.... Todtgelichter ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... Angst █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... Code 666 ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Black Metal ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-05-01 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2010-00-00 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 279 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 8 / 54:42 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 117.50 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
░▓█████▄░░ ▄ ▄ ░░▄█████▓░
▄░▓███████▄▄▄░ ░▄▄▄███████▓░▀
░▀▀ ▀▀████████████▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄████████████▀▀▀▀
▀ ▄ ░░▓█▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀████▓░░ ▄
▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 Caf¿ª Of Lost Dreams 6:44 ████▓▄ ░
░ ▄▓████ 2 Bestie 8:02 ████▓▄ ░
░ ▄▓████ 3 Oblivion 9:00 ████▓▄ ░
░ ▄▓████ 4 Phobos & Deimos 3:58 ████▓▄ ░
░ ▄▓████ 5 Neon 7:40 ████▓▄ ░
░ ▄▓████ 6 Subway 7:58 ████▓▄ ░
░ ▄▓████ 7 Moloch 8:10 ████▓▄ ░
░ ▄▓████ 8 Allmahlich 3:10 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 54:42 MIN ████▓░
░▓███████▄ TOTAL SIZE: 117.50 MB▄█████▓░
▀░▀████████▄ ▄█████▀░▀▀
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▄▄░▀█████╔════════════════════════════════════════════════════╗██████▀░▄▀
░▓█████▓░╟─────────────────────────────────────RELEASE NOTES╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ Even though I was unfamiliar with Todtgelichter, ║▀░▓████░▀▄
▄▀░████▓░▀║ I'm a fan of avant-garde German black metal like ║▀░▓████░▀▄
▄▀░████▓░▀║ Secrets of the Moon and most of Aural Music/Code ║▀░▓████░▀▄
▄▀░████▓░▀║ 666í»s releases, so Angst was a blind review ║▀░▓████░▀▄
▄▀░████▓░▀║ sign-up for me, and it was well worth it. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ Angst clocks in at 54 minutes and 8 songs, with 1 ║▀░▓████░▀▄
▄▀░████▓░▀║ being an outro. And take one look at that cover ║▀░▓████░▀▄
▄▀░████▓░▀║ artwork and the band's press shots, and you'll ║▀░▓████░▀▄
▄▀░████▓░▀║ know that you arení»t in for your typical ║▀░▓████░▀▄
▄▀░████▓░▀║ church-burning, spikes-and-corpse-paint black ║▀░▓████░▀▄
▄▀░████▓░▀║ metal affair, but a far more intellectual and ║▀░▓████░▀▄
▄▀░████▓░▀║ progressive take on the genre. Angst certainly ║▀░▓████░▀▄
▄▀░████▓░▀║ fulfills that promise as a rangy, experimental ║▀░▓████░▀▄
▄▀░████▓░▀║ and forward-thinking album. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ Apparently Todtgelichter was a more ║▀░▓████░▀▄
▄▀░████▓░▀║ straight-forward black metal outfit earlier in ║▀░▓████░▀▄
▄▀░████▓░▀║ their three-album discography, and strains of ║▀░▓████░▀▄
▄▀░████▓░▀║ that litter the album, as fans of regular black ║▀░▓████░▀▄
▄▀░████▓░▀║ metal will be pleased to hear there are plenty of ║▀░▓████░▀▄
▄▀░████▓░▀║ brittle, frosty blasts scattered throughout the ║▀░▓████░▀▄
▄▀░████▓░▀║ album. But for the most part, this is an album ║▀░▓████░▀▄
▄▀░████▓░▀║ thatí»s directed at the more open-minded black ║▀░▓████░▀▄
▄▀░████▓░▀║ metal fan who enjoys the challenging array of ║▀░▓████░▀▄
▄▀░████▓░▀║ black metal like In the Woods, Enslaved, Altar of ║▀░▓████░▀▄
▄▀░████▓░▀║ Plagues, Cobalt, Amesoeurs, Sorgeldom, Alcest ║▀░▓████░▀▄
▄▀░████▓░▀║ and, dare I say, Agalloch. And with some female ║▀░▓████░▀▄
▄▀░████▓░▀║ vocals and blues/jazzy bass runs liberally ║▀░▓████░▀▄
▄▀░████▓░▀║ sprinkled throughout, Fleurety came to mind ║▀░▓████░▀▄
▄▀░████▓░▀║ numerous times. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ Opener í░Caf¿ª of Lost Dreamsí▒ is a perfect ║▀░▓████░▀▄
▄▀░████▓░▀║ precedent setter, with a stuttering proggy ║▀░▓████░▀▄
▄▀░████▓░▀║ opening riff and female vocals. However, purists ║▀░▓████░▀▄
▄▀░████▓░▀║ will delight in the subsequent black metal ║▀░▓████░▀▄
▄▀░████▓░▀║ explosions that occur at the 2:16 and 3:15 mark, ║▀░▓████░▀▄
▄▀░████▓░▀║ it shows the band can bare its teeth, but the ║▀░▓████░▀▄
▄▀░████▓░▀║ jangly subtexts keep things progressive and ║▀░▓████░▀▄
▄▀░████▓░▀║ adventurous. And that duality continues for much ║▀░▓████░▀▄
▄▀░████▓░▀║ of the album, as the band balances between ║▀░▓████░▀▄
▄▀░████▓░▀║ haughty progression, sneakily feral black metal, ║▀░▓████░▀▄
▄▀░████▓░▀║ angst-filled wails and a despondent sense of ║▀░▓████░▀▄
▄▀░████▓░▀║ moody introspection. Angst is not stuffy, ║▀░▓████░▀▄
▄▀░████▓░▀║ wandering in the woods, misty forests and gray ║▀░▓████░▀▄
▄▀░████▓░▀║ palettes, but a more colorful and varied array of ║▀░▓████░▀▄
▄▀░████▓░▀║ textures, as if Opeth or Edge of Sanity played ║▀░▓████░▀▄
▄▀░████▓░▀║ depressive black metal. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ Of course, the long songs are not for the ║▀░▓████░▀▄
▄▀░████▓░▀║ impatient, but the payoff is well worth it, as ║▀░▓████░▀▄
▄▀░████▓░▀║ you aurally wade through the encompassing builds ║▀░▓████░▀▄
▄▀░████▓░▀║ and atmospherics to be often blindsided by shards ║▀░▓████░▀▄
▄▀░████▓░▀║ of blackened spite. The nine-minute í░Oblivioní▒ ║▀░▓████░▀▄
▄▀░████▓░▀║ is another perfect example, which takes its sweet ║▀░▓████░▀▄
▄▀░████▓░▀║ time to lurch and sputter into any sort of ║▀░▓████░▀▄
▄▀░████▓░▀║ rhythm, bordering on pretentious prog rock, but ║▀░▓████░▀▄
▄▀░████▓░▀║ when it does peak with an Ulver Bergtatt-like ║▀░▓████░▀▄
▄▀░████▓░▀║ swathe of clean vocals and melodic blasting, ║▀░▓████░▀▄
▄▀░████▓░▀║ ití»s fucking righteous, if short-lived. The ║▀░▓████░▀▄
▄▀░████▓░▀║ album's shortest track í░Phobos & Deimosí▒ gets ║▀░▓████░▀▄
▄▀░████▓░▀║ to it much quicker, though, with the record's ║▀░▓████░▀▄
▄▀░████▓░▀║ most intense moments a mere two minutes in, and ║▀░▓████░▀▄
▄▀░████▓░▀║ ití»s a doozy. The most relaxing track on Angst, ║▀░▓████░▀▄
▄▀░████▓░▀║ í░Neoní▒, returns to a more amicable gait with ║▀░▓████░▀▄
▄▀░████▓░▀║ sultry, gravelly female vocals and a gorgeous ║▀░▓████░▀▄
▄▀░████▓░▀║ bridge at 4:40. The most í«mehí» track on hand, ║▀░▓████░▀▄
▄▀░████▓░▀║ í░Subwayí▒, has a melodic death metal structure ║▀░▓████░▀▄
▄▀░████▓░▀║ and chorus before the last í«realí» track, ║▀░▓████░▀▄
▄▀░████▓░▀║ í░Molochí▒, and its shimmery, slithery ║▀░▓████░▀▄
▄▀░████▓░▀║ discordance and svelte croons signal the album's ║▀░▓████░▀▄
▄▀░████▓░▀║ gradual wind-down. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ í░Allm?hlichí▒ closes the album out appropriately ║▀░▓████░▀▄
▄▀░████▓░▀║ and despondently, saying farewell to the crisp ║▀░▓████░▀▄
▄▀░████▓░▀║ production, engaging songwriting, emotive vocals ║▀░▓████░▀▄
▄▀░████▓░▀║ and altogether relatively un-black metal presence ║▀░▓████░▀▄
▄▀░████▓░▀║ that Todtgelichter has crafted. ║▀░▓████░▀▄
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