Various_Artists-Hospitality_Festival_Drum_and_Bass-NHS189-VINYL-2011-sour

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MP3/FLAC
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sour
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0 B
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0
Date
2011-05-31

NFO

                                                                                 
                                                                                 
                                                                                 
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:   :  release no     ( 10810 )                            \    rating        |  
:   :                                                       \_____.           |  
:   :  artist         (Various Artists                   )         |   .---.  |  
:   :  title          (Hospitality Festival Drum & Bass  )         | 0 |%%%|  |  
:   :  record label   (Hospital (NHS189)                 )         | 9 |%%%|  |  
:   :  genre          (Drum & Bass                       )         | 8 |%%%|  |  
:   :  release date   (2011/05/28)                                 | 7 |%%%|  |  
:   :  street date    (2011/07/04)                                 | 6 |%%%|  |  
:   :                                                              | 5 |%%%|  |  
:   :  media type     vinyl (x) tape ( ) cd  ( ) radio ( )         | 4 |%%%|  |  
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  :      :     :.:    (04 tracks)  (21:52 min)  ( 39,3 mb)         |   `---'  |  
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  nr   times   track titles                                                      
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|  A    5:07   S.P.Y. - Turn The Lights Off                                   |  
|  B    5:28   Muffler - Dribbler                                             |  
|  C    6:02   D*Minds - Visions                                              |  
|  D    5:15   N3GUS - Fill Yer Boots                                         |  
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        |       |                                               |       |        
        |       | Hospitality kicks off the summer festival     |       |        
        |       | season in style with four bonafide bangers on |       |        
        |       | a double 12 vinyl release aimed squarely at   |       |        
        |       | the discerning DJ.                            |       |        
        |       | First of all, forget your wellies and         |       |        
        |       | waterproofs; Brazilian superstar S.P.Ys       |       |        
        |       | radiant release Turn The Lights Off adds      |       |        
        |       | plenty of shimmering sunlight and warm,       |       |        
        |       | weather to the proceedings. With uplifting    |       |        
        |       | atmospherics, rippling melodies and rolling   |       |        
        |       | jungle breaks S.P.Y eases us into the         |       |        
        |       | festival spirit slowly and gently. Murmuring  |       |        
        |       | vocal snippets add to the hazy, drifting      |       |        
        |       | atmospheres making this the perfect           |       |        
        |       | soundtrack for those long, lazy, dappled      |       |        
        |       | afternoons.                                   |       |        
        |       | So youve had your sunny spell. Next it?s over |       |        
        |       | to Muffler with Dribbler for a superb slice   |       |        
        |       | of synth-led, serotonin-inducing sublimity    |       |        
        |       | with pelting drums, soaring instrumentals and |       |        
        |       | dreamy piano keys. This one is a classic rave |       |        
        |       | moment and peaktime killer - all euphoria and |       |        
        |       | feel-good fuzziness with enormous builds,     |       |        
        |       | dramatic drops and melodic rushes a-plenty.   |       |        
        |       | As the sun goes down and dusk approaches,     |       |        
        |       | it?s time to draw for the third cut of the    |       |        
        |       | EP, the aptly named Visions. Bristol based    |       |        
        |       | duo D*Minds bring back the old skool vibes    |       |        
        |       | here, with a more stripped back approach than |       |        
        |       | the T-10s and Maniac Cops of this world.      |       |        
        |       | Think tough rattling breaks, a bleepy melody  |       |        
        |       | and a slightly nostalgic air. Out to the      |       |        
        |       | junglists!                                    |       |        
        |       | Last but by no means least is a superb late   |       |        
        |       | night roller Fill Yer Boots from N3GUS. After |       |        
        |       | an intro peppered by piquant bleeps and       |       |        
        |       | accelerating blips, the tune drops into a     |       |        
        |       | bass heavy destroyer with gentle percussion,  |       |        
        |       | buckets of fun factor, to keep the party      |       |        
        |       | started long after the lights go down.        |       |        
        |       |                                               |       |        
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.-----------------------------------------------------------------------------.  
|                                                                             |  
|   This release may contain copyrighted material, however SOUR guarantees    |  
|   that this material was at least available to one person "on the street"   |  
|     and that the possession of this material is in no way privileged.       |  
|                                                                             |  
| SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to |  
|    the internet drum'n'bass public since summer 1999. Originally a small    |  
|       operation, we have now reached levels of international acclaim.       |  
|                                                                             |  
|  SOUR is dedicated to both the availability and promotion of music to the   |  
|  public, and our rips are intended to reflect these ideals. Specifically:   |  
|                                                                             |  
| . SOUR is dedicated to the promotion of new music that is currently         |  
|   available to buy. If you like something you hear, you are obliged to      |  
|   attempt to purchase an original copy.                                     |  
|                                                                             |  
| . SOUR is dedicated to the promotion of old music that may no longer be     |  
|   available to buy.                                                         |  
|                                                                             |  
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass        |  
|   worldwide! We provide a service where none is available, specifically in  |  
|   many remote countries where traditional distributors can not afford to    |  
|   target. Also, the availability of drum'n'bass in an easily accessible     |  
|   form expands the potential for real world sales to people who may not     |  
|   otherwise have considered buying drum'n'bass.                             |  
|                                                                             |  
| . SOUR is dedicated to the expansion of the online and offline real world   |  
|   scenes. With more listeners enjoying what they hear, clubs and venues can |  
|   only expect MORE people to attend events; DJ's can only expect MORE       |  
|   people to pay to see THEM.                                                |  
|                                                                             |  
| By accident of today's current real world distribution arrangements, many   |  
|   artists will find that SOUR releases IMPROVE their real world sales;      |  
|  especially for items only on vinyl. This is the basis upon which SOUR      |  
|                                 operates.                                   |  
|                                                                             |  
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                      [ sour productions(c) 1999-2011 ]                          

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