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▄ █▀▀███████╔════════════════════█═══════════════════╗████████▀▀█░ ▄▓▄
▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
░▓█████▓░░░ ░ ╚═════╗ ╔════════╝▀ ░ ░░░▓█████▓░
▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
▄▀░████▓╔═══════════════════════╩═════════════════════════╩══════════════════════════╗▓████░▀▄
▐░ ▀▓████║ The_Roots-Rising_Down-2008-DeBT_iNT ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
▀ ▀▀█████▀░████ ▄ ▄ ░▓████░▀ ████▀▀ ▀
▄ ░░▓████▀▀░ ░▀▀████▓░░ ▄ ▄
▄▄▀▀███████████▀▀▀ ▀▀████████████▀▀ ░
▄░▓███████▄▄▄░ ARTiST.... The Roots ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... Rising Down █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... Def Jam ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Rap ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-05-26 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2008-04-29 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 233 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 15 / 47:15 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 83.84 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
░▓█████▄░░ ▄ ▄ ░░▄█████▓░
▄░▓███████▄▄▄░ ░▄▄▄███████▓░▀
░▀▀ ▀▀████████████▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄████████████▀▀▀▀
▀ ▄ ░░▓█▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀████▓░░ ▄
▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 The Pow Wow 1:15 ████▓▄ ░
░ ▄▓████ 2 Rising Down (Feat. Mos Def & Styles P) 3:40 ████▓▄ ░
░ ▄▓████ 3 Get Busy (Feat. Dice Raw & Peedi Peedi) 3:29 ████▓▄ ░
░ ▄▓████ 4 @15 0:51 ████▓▄ ░
░ ▄▓████ 5 Bars (Black's Reconstruction) 3:15 ████▓▄ ░
░ ▄▓████ 6 Becoming Unwritten 0:36 ████▓▄ ░
░ ▄▓████ 7 Criminal (Feat. Truck North & Saigon) 4:08 ████▓▄ ░
░ ▄▓████ 8 I Will Not Apologize (Feat. Porn & Dice 4:34 ████▓▄ ░
░ ▄▓████ Raw) ████▓▄ ░
░ ▄▓████ 9 I Can't Help It (Feat. Malik B., Porn, 4:39 ████▓▄ ░
░ ▄▓████ Mercedes Martinez & Dice Raw) ████▓▄ ░
░ ▄▓████ 10 Singing Man (Feat. Porn, Truck North & 4:07 ████▓▄ ░
░ ▄▓████ Dice Raw) ████▓▄ ░
░ ▄▓████ 11 Unwritten (Feat. Mercedes Martinez) 1:22 ████▓▄ ░
░ ▄▓████ 12 Lost Desire (Feat. Malik B. & Talib Kweli) 3:58 ████▓▄ ░
░ ▄▓████ 13 The Show (Feat. Common & Dice Raw) 3:44 ████▓▄ ░
░ ▄▓████ 14 Rising Up (Feat. Wale & Chrisette Michele) 4:19 ████▓▄ ░
░ ▄▓████ 15 Hidden Track 3:18 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 47:15 MIN ████▓░
░▓███████▄ TOTAL SIZE: 83.84 MB▄█████▓░
▀░▀████████▄ ▄█████▀░▀▀
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▄▄░▀█████╔════════════════════════════════════════════════════╗██████▀░▄▀
░▓█████▓░╟─────────────────────────────────────RELEASE NOTES╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ It would've been easy for the Roots to sell out. ║▀░▓████░▀▄
▄▀░████▓░▀║ Already one of the few groups whose fans extend ║▀░▓████░▀▄
▄▀░████▓░▀║ beyond the typical alternative rap base, tacking ║▀░▓████░▀▄
▄▀░████▓░▀║ on the acoustic-guitary pop-rap song "Birthday ║▀░▓████░▀▄
▄▀░████▓░▀║ Girl" -- which leaked the month before Rising ║▀░▓████░▀▄
▄▀░████▓░▀║ Down's release and features Patrick Stump ║▀░▓████░▀▄
▄▀░████▓░▀║ crooning "What is it we want to do, now that I'm ║▀░▓████░▀▄
▄▀░████▓░▀║ allowed to be alone with you?" -- could've been a ║▀░▓████░▀▄
▄▀░████▓░▀║ natural, and maybe even excusable move. Excusable ║▀░▓████░▀▄
▄▀░████▓░▀║ as a way to show that the Roots can be ║▀░▓████░▀▄
▄▀░████▓░▀║ lighthearted, fun, and tongue-in-cheek (though ║▀░▓████░▀▄
▄▀░████▓░▀║ anyone who's heard any of their interviews or has ║▀░▓████░▀▄
▄▀░████▓░▀║ frequented ?uestlove's blog already knows this to ║▀░▓████░▀▄
▄▀░████▓░▀║ be true); not excusable, however, as the ║▀░▓████░▀▄
▄▀░████▓░▀║ crossover track the label wanted it to be (and in ║▀░▓████░▀▄
▄▀░████▓░▀║ fact, in Japan and Europe, as well as on iTunes, ║▀░▓████░▀▄
▄▀░████▓░▀║ it remains as such). Fortunately, the Roots were ║▀░▓████░▀▄
▄▀░████▓░▀║ smart and thoughtful enough -- the very qualities ║▀░▓████░▀▄
▄▀░████▓░▀║ of whose criticism led to the creation of ║▀░▓████░▀▄
▄▀░████▓░▀║ "Birthday Girl" -- to realize that its inclusion, ║▀░▓████░▀▄
▄▀░████▓░▀║ even as an afterthought, a bonus track, was ║▀░▓████░▀▄
▄▀░████▓░▀║ detrimental to the effect of the entire album, ║▀░▓████░▀▄
▄▀░████▓░▀║ dumbing down their thoughts on poverty and race ║▀░▓████░▀▄
▄▀░████▓░▀║ and politics with poppy melodies and creepy ║▀░▓████░▀▄
▄▀░████▓░▀║ (albeit ironic) jokes about statutory rape and ║▀░▓████░▀▄
▄▀░████▓░▀║ predatory old men. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ Because as it stands, Rising Down acts as a ║▀░▓████░▀▄
▄▀░████▓░▀║ powerful statement on contemporary society, a ║▀░▓████░▀▄
▄▀░████▓░▀║ society in which even though the specific issues ║▀░▓████░▀▄
▄▀░████▓░▀║ may have changed (global warming, BET, new ║▀░▓████░▀▄
▄▀░████▓░▀║ technologies), the problems remain the same. For ║▀░▓████░▀▄
▄▀░████▓░▀║ this reason the album begins and ends with a ║▀░▓████░▀▄
▄▀░████▓░▀║ discussion from 1994, where Black Thought and ║▀░▓████░▀▄
▄▀░████▓░▀║ ?uestlove are arguing about then-label Geffen ║▀░▓████░▀▄
▄▀░████▓░▀║ with their managers, and other bits of the past ║▀░▓████░▀▄
▄▀░████▓░▀║ are also spread throughout -- the 1987 freestyle ║▀░▓████░▀▄
▄▀░████▓░▀║ "@15," which complements "75 Bars (Black's ║▀░▓████░▀▄
▄▀░████▓░▀║ Reconstruction)," the reflection found in ║▀░▓████░▀▄
▄▀░████▓░▀║ "Unwritten" and especially in the cover itself, ║▀░▓████░▀▄
▄▀░████▓░▀║ which nods to the crude caricatures from early ║▀░▓████░▀▄
▄▀░████▓░▀║ America, the black devil wreaking havoc on the ║▀░▓████░▀▄
▄▀░████▓░▀║ white pilgrims below. But it is these very ║▀░▓████░▀▄
▄▀░████▓░▀║ reminders that make the Roots and their message ║▀░▓████░▀▄
▄▀░████▓░▀║ in 2008 so much more relevant: they give context. ║▀░▓████░▀▄
▄▀░████▓░▀║ So when Black Thought says "It is what it is, ║▀░▓████░▀▄
▄▀░████▓░▀║ because of what it was/I did what I did 'cause it ║▀░▓████░▀▄
▄▀░████▓░▀║ does what it does" in "Criminal," he's not just ║▀░▓████░▀▄
▄▀░████▓░▀║ looking as his character's current situation, ║▀░▓████░▀▄
▄▀░████▓░▀║ he's drawing from history, and his conclusions ║▀░▓████░▀▄
▄▀░████▓░▀║ are based upon lifetimes of "it being it" and ║▀░▓████░▀▄
▄▀░████▓░▀║ "doing what it does," of struggling and fighting ║▀░▓████░▀▄
▄▀░████▓░▀║ and trying to get by, to make it however he can. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ These same thoughts are echoed by the Roots' MC ║▀░▓████░▀▄
▄▀░████▓░▀║ and the myriad talented guests who add their own ║▀░▓████░▀▄
▄▀░████▓░▀║ equally hard-hitting verses to the album's ║▀░▓████░▀▄
▄▀░████▓░▀║ tracks. "My life is on a flight that's going ║▀░▓████░▀▄
▄▀░████▓░▀║ down/My mother had an abortion for the wrong ║▀░▓████░▀▄
▄▀░████▓░▀║ child/...I felt love, that's gone now" Porn ║▀░▓████░▀▄
▄▀░████▓░▀║ rhymes in the disquieting "I Can't Help It" (the ║▀░▓████░▀▄
▄▀░████▓░▀║ other rappers on the song tackle ideas of ║▀░▓████░▀▄
▄▀░████▓░▀║ chemical and monetary addictions), while on ║▀░▓████░▀▄
▄▀░████▓░▀║ "Singing Man," the dark, reticent production ║▀░▓████░▀▄
▄▀░████▓░▀║ gurgles with the pain and anger heard and stated ║▀░▓████░▀▄
▄▀░████▓░▀║ more overtly in the three MCs' voices (Porn, ║▀░▓████░▀▄
▄▀░████▓░▀║ Black Thought, and Truck North) as they present ║▀░▓████░▀▄
▄▀░████▓░▀║ the sympathetic -- but not condoning -- ║▀░▓████░▀▄
▄▀░████▓░▀║ perspectives of suicide bombers and campus ║▀░▓████░▀▄
▄▀░████▓░▀║ shooters and child soldiers. It's dark and ║▀░▓████░▀▄
▄▀░████▓░▀║ serious and intense, but Rising Down does offer ║▀░▓████░▀▄
▄▀░████▓░▀║ hope, too, mostly in the form of the closing ║▀░▓████░▀▄
▄▀░████▓░▀║ track, "Rising Up," which features Def Jam ║▀░▓████░▀▄
▄▀░████▓░▀║ backing vocals queen Chrisette Michele, D.C. ║▀░▓████░▀▄
▄▀░████▓░▀║ upstart Wale, and a Jay-Z-friendly beat. "We ║▀░▓████░▀▄
▄▀░████▓░▀║ 'bout to dominate the world like Oprah did it," ║▀░▓████░▀▄
▄▀░████▓░▀║ Black Thought says to end the song, an optimism ║▀░▓████░▀▄
▄▀░████▓░▀║ that's far more powerful than anything "Birthday ║▀░▓████░▀▄
▄▀░████▓░▀║ Girl" can provide. Those words, confident but not ║▀░▓████░▀▄
▄▀░████▓░▀║ cocky, are the final punctuation -- an ellipsis, ║▀░▓████░▀▄
▄▀░████▓░▀║ though, leading to a yet-completed thought -- on ║▀░▓████░▀▄
▄▀░████▓░▀║ an album that's both revelatory and full of ║▀░▓████░▀▄
▄▀░████▓░▀║ questions, an album that understands its spot in ║▀░▓████░▀▄
▄▀░████▓░▀║ the Roots' history and American history, and an ║▀░▓████░▀▄
▄▀░████▓░▀║ album that continues to place the group as one of ║▀░▓████░▀▄
▄▀░████▓░▀║ the country's most talented and relevant in any ║▀░▓████░▀▄
▄▀░████▓░▀║ genre, no calculated crossover necessary. ║▀░▓████░▀▄
░ ▀▓████▀ ║ ║▄░████▓▀ ░
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▀░▓███████▄▄║ It is not length of life, but depth of life. ║▄▄███████▓░▀
▀░▓███████▄▄║ ║▄▄███████▓░▀
▀░▓███████▄▄║ -- Ralph Waldo Emerson ║▄▄███████▓░▀
░▓█████▄░░ ▄║ ║▄ ░░▄█████▓░
░▄▄ ▀▀██████╟──────────────────────────────────────────────────╢██████▀▀ ▄▄░
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▄ ░░▓███║ you the best of the old, new and forgotten in a ║███▓░░ ▄ ▄
▄▄▀▀██████║ ║██████▀▀ ▄▄░
▄░▓███████▄║ variety of sections. If you think you have ║▄▄███████▓░▀
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