Juana_Molina-Segundo-SP-2003-k4_int

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MP3/FLAC
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k4_int
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Date
2011-06-10

NFO

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                                                                        ::k4:

         a r t i s t :: Juana Molina
           t i t l e :: Segundo
             d a t e :: 2003-07-01
           l a b e l :: Acqua Records
           g e n r e :: Indie
         s o u r c e :: CD
       b i t r a t e :: 219 kbps avg
       e n c o d e r :: LAME
         t r a c k s :: 15
     p l a y t i m e :: 68:58
             s i z e :: 113  MB


        tracklist

  1   Martφn Fierro                           4:56
  2   ┐QuiΘn?                                 2:40
  3   El Perro                                6:41
  4   íQue Llueva!                            3:51
  5   La Visita                               2:16
  6   Quiero                                  2:39
  7   Mantra Del Bicho Feo                    7:57
  8   El Desconfiado                          3:07
  9   El Zorzal                               3:05
  10  El Pastor Mentiroso                     4:51
  11  Misterio Uruguayo                       4:20
  12  Vaca Que Cambia De Querencia            3:47
  13  Medlong                                 3:46
  14  Sonamos                                 8:05
  15  (Bonus Track)                           6:57



        releasenotes

  America doesn't have a lock on all the off-kilter singer/songwriters. Take a
  listen to the very individual Argentine Juana Molina. On her second album, she
  explores electronic and acoustic textures, treading through them like rooms in
  an empty house while inspecting details and corners. She's equally comfortable
  with detuned synths (as on "Medlong") or acoustic guitar ("El Zorzal"), but
  whatever she uses, her music keeps taking the path less traveled. Her unusual,
  minimal touches transport lovely melodies into different dimensions. Molina is
  like a Latin Lisa Germano: both make small, intimate albums and think outside
  the box. But originality should be treasured, especially when it's wrapped in
  glistening little melodies. Molina can have an almost childlike simplicity at
  times in the way her voice glides between the blips and bloops, although her
  sensuality comes to the surface in other moments. She utilizes minimal
  arrangements and the production might sound more like work from home than the
  big recording studio, but this na∩vetΘ suits the songs. There's an
  irresistible charm about both this disc and Molina's approach. Even if you
  don't speak Spanish, you'll still be smiling.

  http://www.juanamolina.com/

  This one goes out to the loney one in the VPR. the Virtual Private Reality.



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Juana_Molina-Segundo-SP-2003-k4_int

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