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████ ■ ███▓█ █▓███ ■ ████
████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ .···. P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ Deadbeat - Drawn And Quartered ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ARTiST..[ Deadbeat ▓▓▓▓█
█▓▓▓▓ TiTLE...[ Drawn And Quartered ▓▓▓▓█
████ GENRE...[ Techno GRABBER.[ EAC ████
████ LABEL...[ BLKRTZ ENCODER.[ Lame 3.98.4 ████
████ YEAR....[ 2011 QUALiTY.[ vbr 239kbps ████
████ SOURCE..[ CDDA MODE....[ Joint-Stereo ████
████ PLAYTIME[ 57:40 min REL.DATE[ 06.17.2011 ████
████ TRACKS..[ 05 RiPPER..[ TEAM OMA ████
████ SiZE....[ 98,8 MB SUPPLiER[ TEAM OMA ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ NR. TRACK. TiME. ▀███
█▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ 01 First Quarter 11:40 ████
████ 02 Second Quarter 12:00 ████
████ 03 Third Quarter (The Vampire Of Mumbai) 10:40 ████
████ 04 Fourth Quarter (Cala's House) 11:36 ████
████ 05 Plateau Quarter (Hope In Numbers) 11:44 ████
████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████
████ TOTAL: 57:40 ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ In the context of electronic music, 12 years ████
████ is damn near eternity, and though those who ████
████ have lived it may not remember all the stops ████
████ along the way, the ones who have kept on top ████
████ of Scott Monteith's Deadbeat music project ████
████ will tell you he's been no slouch. Through 6 ████
████ critically acclaimed albums for Scape and ████
████ Wagon Repair, as well as countless singles, ████
████ remixes, compilation appearances, and last ████
████ year's Radio Rothko DJ mix, Monteith has ████
████ explored the art of dub in a staggering array ████
████ of contexts, and staked his claim as one of ████
████ its strongest champions. And while the last ████
████ few years have seen him concentrate on the ████
████ more dance floor oriented side of things, his ████
████ latest album and first release on his new ████
████ BLKRTZ imprint sees Monteith returning to his ████
████ roots in the headiest and heaviest of dub ████
████ business. A concept album by any other name ████
████ Drawn and Quartered sees Monteith wrestling ████
████ with the idea of time and it's illusions in a ████
████ myriad of ways. Over 5 extended tracks, ████
████ classic steppers rhythms act as the cesium ████
████ beam clock for a undulating, ever changing sea ████
████ of granular synthesis, field recordings, ████
████ analog modular experiments and recorded ████
████ instruments. First Quarter starts things off ████
████ with a sea of black metal ambiance and over ████
████ driven instrumentation set against floating ████
████ granular clouds and a collected filed ████
████ recording by Montrealer Cristobal Urbina, ████
████ sounding very much like a successful summoning ████
████ of the ghost of Bryn Jones, complete with one ████
████ of the heaviest, lowest frequency bass drops ████
████ in recent memory. Second Quarter is, in ████
████ Monteith's own words " a homage to the ████
████ recently deceased Scape label, and the ████
████ wonderful sound world they created that was on ████
████ the border of so many places and yet so ████
████ amazingly very much its own dub laden, space ████
████ echoed, unique place." And like a rising ████
████ Phoenix from those hollowed ashes, Montieth ████
████ delivers a cut of slow burning spaciousness; ████
████ sure to appeal to fans of a catalog he was so ████
████ instrumental in building. Third Quarter (The ████
████ Vampire of Mumbai) sees Monteith revisiting ████
████ the rhythm from the B side of his acclaimed ████
████ Vampire single for Echocord, adding live horns ████
████ from fellow Berliner David Koch as well as ████
████ live bass and conga, and extending the mix to ████
████ infinitely vast cinematic proportions. BLKRTZ ████
████ goes Black Ark in truly heavyweight style. ████
████ Fourth Quarter (Cala's House) lightens the ████
████ mood with the requisite homage of any new ████
████ musical father to his now one year old baby ████
████ girl, an elated pastoral sea of warm chords, ████
████ analog sequences and a deeper than deep house ████
████ groove, sure to put a smile on many a punter's ████
████ face in the wee hours of the morning in the ████
████ coming months. Finally, Plateau Quarter (Hope ████
████ in Numbers) sees Monteith paying tribute to ████
████ the city of Montreal which was so instrumental ████
████ in his musical development and where he will ████
████ be debuting his new performance with video ████
████ artist Lillevan as part of this year's Mutek ████
████ festival. A musical journey of truly epic ████
████ proportions, Drawn and Quartered once again ████
████ shows Monteith to be one of modern dub's true ████
████ masters, and serves as a great sign of things ████
████ to come from his new BLKRTZ imprint. ████
████ ████
████ ████
████ URL: www.myspace.com/deadbeatcomputermusic ████
████ ████
████ ████
████ ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ MAiL: oma@never-ever.com ▓ │▀▀▀█▓▄▄ █████
█▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█
██▄██▀ ▀██▄██
████▀ The only thing that really matters is music!!! ▀████
▀██▓ ▓██▀
▀██▓▄ ▄▓██▀
.▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀
. ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ .
▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀
▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀
▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .