Les_Shelleys-Les_Shelleys-2010-CFD
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MP3/FLAC
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- Date
- 2011-07-12
NFO
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▒ . .. C F D . a k a . C R O S S F A D E R . p r e s e n t s .. .
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Les_Shelleys-Les_Shelleys-2010-CFD
ARtiSt...... : Les Shelleys
AlbUM....... : Les Shelleys
GENRE....... : Acoustic
lAbEl....... : Fat Cat Records
CAtNR....... : FATCD96
SoURcE...... : CDDA
StREEt.dAtE. : 16-11-2010
QUAlitY..... : VBR/44.1kHz/Joint Stereo
URl......... : http://www.amazon.com/Shelleys-Lee/dp/B003TE9BGI/
SiZE........ : 48.24MB
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01. The World Is Waiting For The Sunrise 1:39
02. The Late John Garfield Blues 2:29
03. Green Door 1:28
04. Cocktails For Two 2:31
05. The Band Played On 2:19
06. Rum And Coca Cola 2:38
07. Billy 2:59
08. The Lonesome Death Of Hattie Carroll 3:14
09. Oh Babe, It Ain't No Lie 3:03
10. Pastures Of Plenty 3:32
11. Deep Purple 2:00
12. Wheel Of Fortune 2:50
Runtime..: 30:42 min
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▄▓▄ █ █▓ ▀ .. R E L E A S E .. ▀ ▓▓ █ ▄▓▄
▀ █ █▓ ▄ .. i N F O .. ▄ █▓ █ ▀
█ █▓ █▓ █
█ █▓ █▓ █
█ █▓ █▓ █
█ █▓ Listening to Les Shelleys, itÆs █▓ █
█ █▓ hard not to be charmed by Tom █▓ █
█ █▓ Brosseau and Angela Correa. Both █▓ █
█ █▓ accomplished musicians in their own █▓ █
█ █▓ rightùBrosseau with his solo work █▓ █
█ █▓ and Correa in her band █▓ █
█ █▓ Correatownùthe two have been █▓ █
█ █▓ singing partners in Los Angeles for █▓ █
█ █▓ a while now, and Les Shelleys is a █▓ █
█ █▓ carefully selected cross-section of █▓ █
█ █▓ their recorded output. The two have █▓ █
█ █▓ recorded countless folk songs at █▓ █
█ █▓ BrosseauÆs home, straight to █▓ █
█ █▓ minidisc recorder, and the results █▓ █
█ █▓ are hushed and intimate. █▓ █
█ █▓ █▓ █
█ █▓ For most of the record, youÆll only █▓ █
█ █▓ faintly hear BrosseauÆs acoustic █▓ █
█ █▓ guitar, with the exception of █▓ █
█ █▓ ôGreen Doorö, which is built on █▓ █
█ █▓ thigh slaps and finger snaps and █▓ █
█ █▓ nothing else. Over these simply █▓ █
█ █▓ constructed tunes, the two can █▓ █
█ █▓ harmonize sweetly. BrosseauÆs high █▓ █
█ █▓ warble meshes well with CorreaÆs █▓ █
█ █▓ breathy voice, and on tracks like █▓ █
█ █▓ ôThe World Is Waiting for the █▓ █
█ █▓ Sunriseö and the excellent █▓ █
█ █▓ ôPastures OÆ Plentyö, the two █▓ █
█ █▓ manage a balance between the charm █▓ █
█ █▓ of the songÆs intimacy and the █▓ █
█ █▓ melancholy of its subject matter. █▓ █
█ █▓ █▓ █
█ █▓ This focus on voice is partly due █▓ █
█ █▓ to the recording (the minidisc █▓ █
█ █▓ doesnÆt always pick up what █▓ █
█ █▓ BrosseauÆs plucking), but it also █▓ █
█ █▓ seems intentional. They mix it up █▓ █
█ █▓ just enough, with Brosseau and █▓ █
█ █▓ Correa each taking short solo turns █▓ █
█ █▓ singingùin fact, CorreaÆs singing █▓ █
█ █▓ alone on both ôThe Band Played Onö █▓ █
█ █▓ and ôDeep Purpleö are album █▓ █
█ █▓ highlightsùbut this album rises and █▓ █
█ █▓ falls with the way these two sing █▓ █
█ █▓ together. █▓ █
█ █▓ █▓ █
█ █▓ Of course, what also matters to █▓ █
█ █▓ that equation is what theyÆre █▓ █
█ █▓ singing, and some of their riskier █▓ █
█ █▓ attempts here give away the █▓ █
█ █▓ limitations of the album. What we █▓ █
█ █▓ start to realize, when they try █▓ █
█ █▓ their hand at John PrineÆs ôThe █▓ █
█ █▓ Late John Garfield Bluesö or █▓ █
█ █▓ DylanÆs ôThe Lonesome Death of █▓ █
█ █▓ Hattie Carrollö, is that the tone █▓ █
█ █▓ of the record never changes. While █▓ █
█ █▓ it is a hushed, pleasant listen █▓ █
█ █▓ altogether, these darker songs █▓ █
█ █▓ sound too precious in their sweet █▓ █
█ █▓ voices. ôThe Late John Garfield █▓ █
█ █▓ Bluesö lacks the biting edge Prine █▓ █
█ █▓ gave it, and sounds na∩ve as a █▓ █
█ █▓ result, while ôThe Lonesome Death █▓ █
█ █▓ of Hattie Carrollö just sounds odd, █▓ █
█ █▓ particularly because they made the █▓ █
█ █▓ perplexing choice to cut out the █▓ █
█ █▓ songÆs angry chorus, throwing the █▓ █
█ █▓ tone way off. ôRum and Coca Colaö █▓ █
█ █▓ sounds out of place and overly █▓ █
█ █▓ playful, while ôCocktails for Twoö █▓ █
█ █▓ comes off as self-knowing in its █▓ █
█ █▓ stately delivery, which cuts █▓ █
█ █▓ against the effortless flow of the █▓ █
█ █▓ albumÆs stronger tracks. █▓ █
█ █▓ █▓ █
█ █▓ You may not catch these moments █▓ █
█ █▓ right off on Les Shelleys, because, █▓ █
█ █▓ as a whole, it is a breezy and █▓ █
█ █▓ enjoyable half-hour of music. But █▓ █
█ █▓ the more you live with the record, █▓ █
█ █▓ the more it sounds like Brosseau █▓ █
█ █▓ and Correa undersold themselves █▓ █
█ █▓ here. In crafting a delicate, quiet █▓ █
█ █▓ atmosphere, the two constrained █▓ █
█ █▓ themselves too much. In fact, itÆs █▓ █
█ █▓ almost hard to believe these are █▓ █
█ █▓ hand-picked highlights of their █▓ █
█ █▓ material, since you would think █▓ █
█ █▓ theyÆd assemble a set that showed █▓ █
█ █▓ off a bit more range. In the past, █▓ █
█ █▓ both have shown themselves capable █▓ █
█ █▓ of dynamic and affecting singing, █▓ █
█ █▓ but here we just get a honeyed █▓ █
█ █▓ whisper that wins you over for only █▓ █
█ █▓ so long. ItÆs clear this kind of █▓ █
█ █▓ stripped-down folk duo delivery is █▓ █
█ █▓ well within their wheelhouse, but █▓ █
█ █▓ you might find yourself wishing █▓ █
█ █▓ they stepped outside of that a █▓ █
█ █▓ little more. █▓ █
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