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▐░ 1 R E A L P R E S E N T S ░▀▀███▀
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░ Phil Hartnoll (Orbital) - Live at Haoman17 Jerusale
RIPPER...: 1REAL TEAM GRABBER..: WaveLab 4.0
RIP DATE.: 05.12.2003 QUALITY..: 192kbps/44.1kHz
ENCODER..: LAME 3.92 GENRE....: Electronic
SOURCE...: Live Session YEAR.....: 2003
TRACKS...: 01 LABEL....: none
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Phil Hartnoll the half of Orbital in his first
DJ set appearance in Israel.
Enjoy 1REAL Team
about Orbital
Named after Greater London's own circular
autobahn, the M25 -- central to the early Rave
scene and party network in the South East
during the halcyon 'daze' of Acid House --
Orbital are manned by brothers Phil (b. 09 Jan
64) and Paul Hartnoll (b. 19 May 68). .
From their relatively humble beginnings
producing simple but infectious top 20 Pop-
Dance tunes to their more recent sophisticated
top 5 Pop-Dance tunes, classic albums, film &
TV scores and beyond, Orbital have crafted some
of the most innovative yet accessible
electronic music since their inception in 1989
whilst at the same time retaining great respect
for their live work due to their extraordinary
shows around the globe which pay as much
attention to the live mixing of visuals and
choice of imagery, as to the live sound itself.
Perhaps, though, one of their greatest
achievements is their longevity which is firmly
based on a sound that is recognizably their
own, coupled with a will to proceed at their
own pace and on their own terms with little
regard to the industry machinations that
surround them or the musical fads and trends
that come and go.
Originally from Sevenoaks (a suburban 'commuter
reservation' somewhere in deepest Kent) the
Hartnolls grew up listening to second
generation punk (Crass, Dead Kennedys,
Crucifix...), mutant-electro (Severed Heads,
Hula, Adrian Sherwood...) and early Hip Hop
(Phil went over to New York in the mid-eighties
in order to 'find' Hip Hop). By 1988 Paul had
contributed two electro pieces (!) to FFrr's
'House Sound Of London Volume 4' under the name
D.S.Building Contractors, but it wasn't until
the following year that the first true Orbital
release emerged: the single 'Chime'.
The original 1,000 copies released through
Jazzy M's Oh-Zone label sold out immediately
through word of mouth alone and the track was
picked up by London Records subsidiary FFrr
with whom it soon became a nationwide Dance
anthem. This translated into a number 17
singles chart position and gained the Hartnolls
a 'Top Of The Pops' appearance where they
'performed' (ie. reluctantly) whilst sporting
anti Poll Tax T-shirts. A decade later, the
often sampled and bootlegged 'Chime' is still
regarded as a classic and has remained one of
the highlights of many a live set over the
years.s
In the period 1990-1991 the burgeoning UK dance
scene was still very much perceived as a short
-lived phenomena with limited crossover
potential and the very idea of a 'dance' artist
producing an album as opposed to an endless
stream of 12' cuts for club consumption was
still a relatively uncommon occurrence, yet
when Orbital released their untitled debut long
player, or 'green' album, it was to unanimous
critical approval and was early proof that
dance/electronic music could after all produce
albums that would have to be taken as seriously
as those produced by conventional Rock acts.
Over the coming months remixes carried out by
Orbital became further evidence that the
Hartnoll brothers had by now established a
distinctive sound of their own whilst retaining
a characteristically diverse approach to their
work.
In the summer of '93 they became instrumental
in setting-up and then went on to headline the
Midi Circus Tour, a roaming electronic
extravaganza which traveled the UK spreading
the latest word on live dance music. Next came
the release of their second album. Once again
an untitled double LP, it became a resident in
the upper reaches of the UK Indie album charts
for the next few months. The 'brown' album, as
it's now generally referred to, bore the now
classic Orbital live standards 'Halcyon+on+on',
'Remind' and 'Impact (The Earth Is Burning)',
going on to feature highly in most end-of-year
Best Album polls. A tour of the US (their
second) and two sell-out nights at the Brixton
Academy (New Years Eve and New Years Day)
finally brought Orbital's hectic year to a
close.s
March 1994 saw the release of their John Peel
session (recorded the previous Autumn) which
featured two tracks re-worked from the 'brown'
album together with two new compositions. At
Glastonbury, Orbital played the coveted final
slot on the second stage, previewing some of
the new material from their soon to be released
third album. The show was a resounding success
and sections were broadcast by Channel 4 and
John Peel. On its release, 'Snivilisation'
entered the album charts at number four,
quickly followed by the single 'Are We Here?'.
The album broke the hitherto 'no title' rule
and sported for the first time a non-graphic
cover courtesy of noted painter John Greenwood.
Musically, too, it was a departure from their
previous collections, the material being far
more disparate in style than before. On the
accompanying 'Are We Here?' UK tour Orbital
played to packed houses throughout the UK where
they played 'in the round' from the top of a
specially constructed scaffolding tower before
heading off to play the Woodstock 2 festival in
the US.
1995 saw the release of their remix of
Madonna's 'Bedtime Stories', followed by a
triumphant headline slot at Tribal Gathering
and Main Stage performance at Glastonbury,
which many thought even better than that of the
previous summer. The year's new material came
in the shape of a track recorded for the Sony
Play Station game 'WipEout', an untitled EP
featuring 'Times Fly' (which proved to be too
long to be eligible for chart inclusion) and a
track, 'Adnan', donated to the 'Help'
compilation.
In April 1996 Orbital released a new single,
the dulcimer-driven 'The Box' (number 11),
quickly followed by their fourth long player,
'In Sides'. Perhaps their most adventurous
collection up until that point, the album may
have been a more studied and sombre affair than
'Snivilisation' yet the Hartnolls' love of film
soundtracks revealed some startling results,
and though it's well-crafted mixture of beats
and cinematics unwittingly opened the
floodgates to a stream of largely uninspiring
copycat James-Bond-with-a-dance-beat efforts,
'In Sides' was universally acclaimed and
entered the album charts at number five on week
of release.
By May, the Hartnolls embarked on their first
full UK tour for over two years which included
a triumphant performance at a filled-to-
bursting Royal Albert Hall, proving once and
for all that Orbital had finally escaped the
limiting definitions of 'Techno', 'Dance' et
al, whilst at the same time taking live
electronic music even further into previously
uncharted territory. By the end of the year 'In
Sides' featured highly in most of the 1996 Best
Albums polls. On New Years Eve Orbital played
to 12,000 people at Alexandra Palace and
released a live version of 'Satan'. The track
had originally been recorded in 1991, though it
had only reached as far as 31 in the charts
when it was released that year as a single.
This time around it entered at a much more
convincing number three.
In April 1997 Orbital went on to release their
own version of the theme tune to the 60's cult
TV classic 'The Saint' from the soundtrack of
the Hollywood remake starring Val Kilmer as
Simon Templar. The film itself (understandably)
received mixed reviews though the single became
their second UK top three success since
Christmas, whilst on the live front that year
Orbital's main appearances were at Tribal
Gathering, two sets at the Phoenix Festival and
the closing slot on East coast leg of
Lollapalooza in the States.
To mark the first ten years of Hartnoll
activity, in April they released their fifth
album, 'The Middle of Nowhere', which became
their third consecutive Top 5 chart placing,
preceded by their most successful UK tour to
date.
2000 -- After taking a short and well-earned
break the Hartnolls began recording their 6th
album, The Altogether. The first track to make
its airing was Meltdown when it was supplied
for a modern dance project as part of the South
Bank Centre's Meltdown Festival which was
curated by one of the Hartnolls' all time
heroes, Scott Walker. Orbital completed a small
world tour in South Africa, Greece, Ireland and
Japan. Orbital play a one-off live show at the
Hammersmith Palais as part of Q magazine's pre
-award ceremony celebrations: one of three new
tracks previewed on the night ("Tension") is
later broadcast on Channel 4. On New Years Eve
they round off the year with a live set at the
London Arena in Docklands with Leftfield. The
set is broadcast the following day on Radio
One.
2001 - Orbital spent the beginning of the year
finishing off the 6th album and working on a
5:1 SurroundSound version. The first single
since "Beached" is released - Funny Break (One
is Enough) featuring Naomi Bedford reaches
number 21 in the charts. The Altogether is
finally released on April 24th and Orbital head
on tour of the UK in May...
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01. phil hartnoll 125:41
-----
(orbital) - live at haoman17 jerusalem 0
TOTAL TIME 125:41
TOTAL SIZE 172,6
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░ 1REAL /1-REE-ILL/
n.1 a group dedicated to bringing you the best
in electronic live performances cd's vinyls.
It's been a long time since we've updated this
part of the nfo, probably because we dont have
much to say here. We still don't. We probably
never will.
Our goals are still there, as are we , and all
of our members. Our standards haven't dropped,
they're higher than ever.
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░ 1REAL might be looking for new members, you
never know.
We might have a public channel, we dont have a
web site, and we definately dont have an email
address.
If you feel you have something to contribute,
and want to be part of an open-minded,
electronic focused group with plenty tall
blonde swedish girls, come and find us.
Disclaimer:
Certain information in this NFO could be
considered false advertising,
please dont hold it against us.
- TEAM 1REAL
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