Shoji_Hano_-_48-(IMJ-505)-2003-BCC
- Section
-
MP3/FLAC
- Group
- BCC
- Size
- 76,88 MB
- Files
- 2
- Date
- 2004-01-04
NFO
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░█ ▄█▄ ▓▓▓▓▒▒▒░▓░░░░░ ░ notes ░ ░░░░░▓░▒▒▒▓▓▓▓ ▓▄ █░
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░█ █+ Shoji Hano - 48 ▄ +█ █░
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░█ +█ Title : 48 ▀▀▀▄▄ ▀█░
░█ ░█ Artist : Shoji Hano ▀ ▓█ █░
░█▄ █ Genre : Avantgarde ░█ █░
░██ █ Year : 2003 █ ▄█░
░██ █ BCC Rel Date : 12-17-2003 █ ██░
░██ █ Audio Bitrate : 192 kbps █ ██░
░█ ▄▀ Sample Rate : 44,1 kHz Stereo █ ▀█░
░█ █▓ ▀ Encoder : Lame █░ █░
░█▄ ▀▀▄▄▄ Tracks : 02 █+ █░
░█▀ ▄▄▀ Label : IMJ-505 █▓ █░
░█ █▓ Ripped By : Milky Way ▓█ █░
░█ █+ Source : CD +█ █░
░█ █░ Length : 55:58 min ░█ █░
░█ █+ Size : 76,9 MB ▄█ █░
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░█ █░ 01.004 [21:55] ░█ █░
░█ █░ 02.008 [34:03] ░█ █░
░█ █░ ------- ░█ █░
░█ █░ 55:58 min ░█ █░
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░██ █ INFO: █ █░
░██ █ █ ██░
░██ █ "I'm in a transition period," says Shoji Hano. "Over █ ██░
░██ █ the past two or three years, I've moved away from █ ██░
░██ █ the aggressive, no-holds-barred approach I'd █ ██░
░██ █ always taken." █ ██░
░██ █ █ ██░
░██ █ In the '90s, Hano traveled tirelessly back and forth █ ██░
░██ █ between Japan and other countries. In Europe █ ██░
░██ █ (including the former Soviet Union) and America, █ ██░
░██ █ he played with the likes of Hans Reichel, Peter █ ██░
░██ █ Br÷tzmann, Johannes Bauer, Werner Lⁿdi, and █ ██░
░██ █ Eugene Chadbourne. In turn, he invited these █ ██░
░██ █ artists to tour in Japan. In addition, Hano was very █ ██░
░██ █ active in numerous projects--Japan-oriented and █ ██░
░██ █ otherwise--such as Poly Breath Percussion Band, █ ██░
░██ █ which includes players of traditional Japanese █ ██░
░██ █ instruments. His playing in that period was truly an █ ██░
░██ █ exploration of physicality through the medium of █ ██░
░██ █ drums--influenced, apparently, by the martial art █ ██░
░██ █ shintaido. █ ██░
░██ █ █ ██░
░██ █ "Before, there were other players and there was █ ██░
░██ █ me," Hano says. "I put out sound and sound came █ ██░
░██ █ back to me; I absorbed sound and released it. I █ ██░
░██ █ thought that as long as the space expanded in a █ ██░
░██ █ dynamic way, it was interesting. It wasn't about █ ██░
░██ █ me or the other people there." When he got █ ██░
░██ █ involved in solo improvisation, however, he "didn't █ ██░
░██ █ want that," but hoped instead to "discover █ ██░
░██ █ something new and original by concentrating more █ ██░
░██ █ on the sound." He says, "When you play with other █ ██░
░██ █ people, you're inspired by what they do, so you █ ██░
░██ █ can pick up the sounds around you," but "in a solo, █ ██░
░██ █ it all comes from inside yourself. It's about how far █ ██░
░██ █ down you can dig, to what extent you can create a █ ██░
░██ █ space where it's possible to bring out things from █ ██░
░██ █ your unconscious." This is the act of rediscovering █ ██░
░██ █ the "Shoji Hano sound," which includes turning █ ██░
░██ █ around his own concept of drumming. █ ██░
░██ █ █ ██░
░██ █ At the same time, it is a pursuit of the drums' █ ██░
░██ █ further instrumental possibilities. Hano first █ ██░
░██ █ encountered jazz drumming through players like █ ██░
░██ █ Max Roach and Elvin Jones, and more than █ ██░
░██ █ anyone, he insists: "I'm a drummer, not a █ ██░
░██ █ percussionist." In addition to a physically powerful █ ██░
░██ █ sound and widely varied rhythms, his playing in █ ██░
░██ █ recent years has shown a new dimension, in █ ██░
░██ █ terms of the use of tone color and sound texture. █ ██░
░██ █ █ ██░
░██ █ "I had never thought as seriously about solo █ ██░
░██ █ playing as I did in these performances," says █ ██░
░██ █ Hano. By returning to the question of "how to █ ██░
░██ █ confront the instrument called drums," he has █ ██░
░██ █ entered new territory as a drummer. █ ██░
░██ █ █ ██░
░██ █ www.japanimprov.com/indies/imj/48/index.html █ ██░
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░█ +█ CONTACT..........: ▀▀▀▄▄ ▀█░
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░█▄ █ [.WWW.....] none ░█ █░
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░█▄ █ AMOK ALC CMG diss DPS HiT2000 FWYH radial █ █░
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░██ █+ We thank those groups for great scene ▓█ ██░
░█▀ █▓ support with ambient, industrial +█ ██░
░█ █▄ avantgarde and electronic music. █ ██░
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Files
| Path | Size |
|---|
| 01-shoji_hano_-_004-bcc.mp3 | 30,11 MB |
| 02-shoji_hano_-_008-bcc.mp3 | 46,77 MB |