VA-Blue_Valentine_(A_Love_Story)-(OST)-2011-CFD
- Section
-
MP3/FLAC
- Group
- CFD
- Size
- 0 B
- Files
- 0
- Date
- 2011-07-30
NFO
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▒ . .. C F D . a k a . C R O S S F A D E R . p r e s e n t s .. .
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VA-Blue_Valentine_(A_Love_Story)-(OST)-2011-CFD
ARtiSt...... : VA
AlbUM....... : Blue Valentine (A Love Story)
GENRE....... : Soundtrack
lAbEl....... : Lakeshore Records
CAtNR....... : LKS342072
SoURcE...... : CDDA
StREEt.dAtE. : 22-02-2011
QUAlitY..... : VBR/44.1kHz/Joint Stereo
URl......... : http://www.amazon.com/Valentine-Original-Motion-Picture-Soundtrack/dp/B004G9C7OS/
SiZE........ : 95.14MB
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■ ■
01. Grizzly Bear - Granny Diner 4:43
02. Department Of Eagles - In Ear Park 4:02
03. Grizzly Bear - Easier (Instrumental) 3:39
04. Grizzly Bear - Lullabye (Instrumental) 5:18
05. Grizzly Bear - I Live With You (Instrumental) 5:08
06. Grizzly Bear - Foreground (Instrumental) 3:29
07. Grizzly Bear - Dory (Instrumental) 4:25
08. Ryan Gosling - You Always Hurt The Ones You Love 1:39
09. Penny And The Quarters - You And Me 2:39
10. Grizzly Bear - Shift (Alternate Version) 3:31
11. Grizzly Bear - Alligator (Feat. Zach Condon, Dave 5:14
Longstreth And Amber Coffman) (Choir Version)
12. Grizzly Bear - Easier 3:40
13. Grizzly Bear - Lullaby 5:15
14. Grizzly Bear - I Live With You 4:57
15. Grizzly Bear - Foreground 3:33
Runtime..: 61:12 min
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▄▓▄ █ █▓ ▀ .. R E L E A S E .. ▀ ▓▓ █ ▄▓▄
▀ █ █▓ ▄ .. i N F O .. ▄ █▓ █ ▀
█ █▓ █▓ █
█ █▓ █▓ █
█ █▓ █▓ █
█ █▓ In recent years a number of major █▓ █
█ █▓ releases have been scored by █▓ █
█ █▓ artists who have established their █▓ █
█ █▓ talents in drastically different █▓ █
█ █▓ musical forums to that of the █▓ █
█ █▓ motion picture, and often these █▓ █
█ █▓ experiments have resulted in █▓ █
█ █▓ successes. DAFT PUNKÆS TRON LEGACY █▓ █
█ █▓ is a recent and very successful █▓ █
█ █▓ example of this. Yet despite the █▓ █
█ █▓ likes of DAFT PUNK and JONNY █▓ █
█ █▓ GREENWOOD (of THERE WILL BE BLOOD █▓ █
█ █▓ fame), the choice to employ an █▓ █
█ █▓ artist that resides in other genres █▓ █
█ █▓ of music is still one that is often █▓ █
█ █▓ frowned upon by film score █▓ █
█ █▓ enthusiasts. Perhaps it is a lack █▓ █
█ █▓ of trust in their scoring ability █▓ █
█ █▓ or a feeling that other genres of █▓ █
█ █▓ music are encroaching upon their █▓ █
█ █▓ preferred genre, or perhaps, and in █▓ █
█ █▓ the case of BLUE VALENTINE it is █▓ █
█ █▓ merely foresight. █▓ █
█ █▓ █▓ █
█ █▓ The decision to employ the talents █▓ █
█ █▓ of the band GRIZZLY BEAR can surely █▓ █
█ █▓ be attributed to the nature of BLUE █▓ █
█ █▓ VALENTINE itself. Rather than take █▓ █
█ █▓ the traditional romantic comedy █▓ █
█ █▓ route, BLUE VALENTINE is a romantic █▓ █
█ █▓ drama that attempts to portray a █▓ █
█ █▓ more realistic vision of a real █▓ █
█ █▓ life relationship and the moments █▓ █
█ █▓ that fill its lifespan. This choice █▓ █
█ █▓ is an admirable one and would █▓ █
█ █▓ suggest a break from the clichΘd █▓ █
█ █▓ music heard in the majority of █▓ █
█ █▓ romantic films in modern times. █▓ █
█ █▓ Unfortunately though, no matter █▓ █
█ █▓ what emotions the film may convey, █▓ █
█ █▓ the score is an altogether █▓ █
█ █▓ different and often difficult █▓ █
█ █▓ listening experience. █▓ █
█ █▓ █▓ █
█ █▓ What is immediately noteworthy is a █▓ █
█ █▓ number of the tracks titles. Tracks █▓ █
█ █▓ 3-7 are all named (instrumental) █▓ █
█ █▓ and a quick look down the tracklist █▓ █
█ █▓ will reveal why. Tracks 3-6 are █▓ █
█ █▓ actually instrumental versions of █▓ █
█ █▓ tracks 12-15. On a regular album █▓ █
█ █▓ this may not seem out of place; on █▓ █
█ █▓ a score it is glaring. It █▓ █
█ █▓ effectively reduces the number of █▓ █
█ █▓ tracks by a quarter, as the █▓ █
█ █▓ instrumental versions of each track █▓ █
█ █▓ are virtually identical to their █▓ █
█ █▓ vocal versions. The fact that three █▓ █
█ █▓ of the various other tracks are by █▓ █
█ █▓ artists other than Grizzly Bear █▓ █
█ █▓ suggests that a lack of material █▓ █
█ █▓ may have been a problem in the █▓ █
█ █▓ scoring of BLUE VALENTINE. █▓ █
█ █▓ █▓ █
█ █▓ Even with this distinct lack of █▓ █
█ █▓ substance, surely the strong █▓ █
█ █▓ compositions can erase any further █▓ █
█ █▓ doubts though? Unfortunately not. █▓ █
█ █▓ The majority of BLUE VALENTINE, █▓ █
█ █▓ while admittedly just about █▓ █
█ █▓ appropriate to the tone of the █▓ █
█ █▓ film, contains very little in the █▓ █
█ █▓ way of structure and contains █▓ █
█ █▓ nothing resembling a theme. █▓ █
█ █▓ █▓ █
█ █▓ The soundtrack opens with ôGranny █▓ █
█ █▓ Dinerö, a lethargic, almost ambient █▓ █
█ █▓ piece that culminates in a █▓ █
█ █▓ confusing finale of sudden vocals. █▓ █
█ █▓ This, unfortunately, is about as █▓ █
█ █▓ good as it gets for the original █▓ █
█ █▓ music. █▓ █
█ █▓ █▓ █
█ █▓ The instrumentals such as ôEasierö, █▓ █
█ █▓ ôLullabyö and ôI Live With Youö all █▓ █
█ █▓ seem to reside in a musical limbo. █▓ █
█ █▓ Neither particularly stimulating as █▓ █
█ █▓ a regular release nor appropriate █▓ █
█ █▓ for a score, the tracks would be █▓ █
█ █▓ more suited to a montage sequence █▓ █
█ █▓ rather than the backbone of the █▓ █
█ █▓ entire score. The vocal versions of █▓ █
█ █▓ these tracks offer little to █▓ █
█ █▓ nothing more, as the █▓ █
█ █▓ inconsequential lyrics drone by. ôI █▓ █
█ █▓ Live With Youö is a particular █▓ █
█ █▓ challenge to listen to; the █▓ █
█ █▓ constant refusal to evolve above █▓ █
█ █▓ mere repetition and noise is █▓ █
█ █▓ infuriating and almost █▓ █
█ █▓ singlehandedly kills any momentum █▓ █
█ █▓ the score might have gained. █▓ █
█ █▓ █▓ █
█ █▓ Surprisingly, the highlight of the █▓ █
█ █▓ original music heard in the █▓ █
█ █▓ soundtrack comes from the lead █▓ █
█ █▓ actor himself, RYAN GOSLING. ôYou █▓ █
█ █▓ Always Hurt The Ones You Loveö █▓ █
█ █▓ never approaches brilliance, but █▓ █
█ █▓ amongst such mediocrity it somehow █▓ █
█ █▓ shines. █▓ █
█ █▓ █▓ █
█ █▓ The two licensed tracks ôIn Ear █▓ █
█ █▓ Parkö by DEPARTMENT OF EAGLES and █▓ █
█ █▓ ôYou and Meö by PENNY & THE █▓ █
█ █▓ QUARTERS provide a welcome respite █▓ █
█ █▓ from the original music, but cannot █▓ █
█ █▓ rescue the score. █▓ █
█ █▓ █▓ █
█ █▓ The nature of BLUE VALENTINE is a █▓ █
█ █▓ deliberately realistic and █▓ █
█ █▓ depressing one, but it is thus out █▓ █
█ █▓ of artistic intention and merit. █▓ █
█ █▓ The score however multiplies this █▓ █
█ █▓ mood, not through ingenious scoring █▓ █
█ █▓ ability, but through its incessant █▓ █
█ █▓ and mind-numbing droning. In this █▓ █
█ █▓ case it seems the experimentation █▓ █
█ █▓ has proven that the tried and █▓ █
█ █▓ tested route of the film composer █▓ █
█ █▓ is often the preferable one. █▓ █
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████▓ ▓▄▄ ████▓ : ███▓ ████▓ ████▓
████▓ ▀▀██████▓ : ███▓ ████▓ ████▓
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████████▓▓▓ cRo ██▓███████▓
░ ███▓▀▀████▓▓ : ██████▀▀███▓
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