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█ - d e e p h o u s e -
08.01.2004
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artist : Ken Ishii
title . Awakening
type : VLS
year . 2003
genre : House
subgenre . Tech House/Intelligent Techno
label : Exceptional
cat . EXEC 28
URL : www.exceptionalrecords.co.uk
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grabber : Wavelab
encoder . Lame 3.92
quality : 192kbps / 44,1Khz / Full Stereo
source . Vinyl
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·∙∙·[trax]∙·∙∙ ∙∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙···∙···∙∙
01.Awakening (Smith & Selway Remix) 07:33
02.Awakening (Original Mix) 06:12
03.Awakening (Jimpster Remix) 05:03
18:48 min 25,8 MB
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The deep house crew brings you once again a high quality release of
soulful dance music.. music with emotion that deserves the promotion..
·∙∙∙·[comments]·∙·∙∙·∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙·∙·
The second single taken from his album 'Future in Light', a dance
floor mover and shaker if ever there was one...
Japanese techno artist Ken Ishii is among the most innovative,
experimental composers in contemporary techno. Although working in
and drawing from a decidedly dancefloor-oriented, Detroit-derived
framework, Ishii's exploration of avant-garde compositional
techniques like chromaticism and the prominent influence of digital
synthesis figures him as strongly deviant from Motor City aesthetic
tradition. A Tokyo native, Ishii's work is most resonant in feel
perhaps to the work of Derrick May, though the influence of more
artful electronic experimentalists like Yellow Magic Orchestra and
Haruomi Hosono also figure prominently. Although Ishii has only been
releasing music since the early '90s ù recording under his own name
for the R&S label, as well as Rising Sun (for ESP), Utu (Plus 8),
Flare (Sublime), and Yoga (ESP) ù his 1993 and 1994 R&S works, as
well as his Sublime CD Reference to Difference are all benchmarks of
techno futurism. Incorporating elements of British bleep and
breakbeat techno, as well as elements of the 20th century
avant-garde, Ishii's finest work expands on techno's rigid rhythmic
structure, wedging in elements of chaos and disruption. Like the
Black Dog, B12, and other armchair experimentalists, Ishii's music is
often praised by DJs who nonetheless refuse to give his often
challenging records much play. Although until only recently unknown
in Japan and just a step above obscure on the global techno scene,
Ishii's 1995 release Jelly Tones opened his work out onto a larger
audience, prompting a world tour and growing repute as compsoser and
DJ. In addition to a continuous performance and DJing schedule, Ishii
also remixed tracks for Keiichi Suzuki, Tokyo Skaparadise Orchestra,
Cova, and Masatoshi Nagase. Sleeping Madness, his first album for R&S
in four years, dropped in 1999, and Flatspin followed a year later.
remember to support artists.
·∙∙∙·[respect]∙··∙·∙∙·∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··
shoutouts to the groups that love the music they promote..
·∙∙·[news]∙·∙∙ ∙∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙···∙···∙∙
Catalog Number in release title now :)
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If you're down with the deep house music, music with feeling..
music that makes you groove no matter where you are.. and you
think you can add to this feeling ... then visit us on efnet or
drop us a line to deephouse@hotPOP.com..
keep the feeling real. .∙· d e e p h o u s e 2 0 0 4 ·∙.
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nfo/header by rudo; updated at 01 jan 04