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▄▓█████████▓▓█▀ ▀▀▀▓██▓▌
░ ▓█████████▓▓█▀ ▐█▄██▓▀
▐███▓██▀▀▓▀░ [ J U S T F U N . P R E S E N T S ] ██▓▓█▀▀
░ ▓████▓▌ ░ ▐▓▀▀
▓ ▐█████▓█ ▀ ░
▀█▄▓████▓▓▄█▀ Artist.......: Korla Pandit ░▓ ▌
▄▀██▓██▓▓▀ Album.Title..: Remembering ░▓░▐▓
▓▓▄▀█▓▓▓▀ Label........: DEJA VU ░▓░ █▓▌
▐█▓▓ ▀▓ Genre........: Easy Listening ░▓▓▓ ▐█▓▓
▓█▓▌ ▓░ ███▓▓[z0o]░
▐██░ ░ ░ ▄ ░▄▄▄▄▓▄▄▓████▓▓▄▄▄▄▓▄▄
▀▓█░▄ ▌ ░▓░ [ R E L E A S E . I N F O ] ▓░ ▓▀▓█████████████▓▓▓▀
░ ▀▀▓█▄▐▓ ░▓▓▓░ ░▓▓▓░ ░ ▀▓██████▓██▓▓▀ ░
░ ░ █▓▌▄▄▄ ▄▓ ░▓▓▓░ ░▓▓▓▓▓▓░ ▀▓█████▓▓▓
░▓▓░ ▐█▓▓ ░ ░▓▓░ rip.date....: Jan-02-2004 ░▓▓ ▐███████▓▓▌ ░
░░ ███▓▓ ▓▓░▓░ str.date....: 000-00-1999 ░▓▓░ ▓███▀ ▀▓█▓▓ ░
▄▄▄▄▄▓▄▄▓████▓▓▄▄▄▄░▄▄ ripper......: JUST ▓ ▐█▓▀ ░ ░▀█▓▌
▀▓█████████████▓▓▓▀ quality.....: VBR kbps ░▓░ █▀ ░░▓▓▓ ▀▓
░ ▀▓██████▓██▓▓▀ ▓░ size........: 70,6 MB ▓▓ ▀░ ░ ░ ░▓░ ░▀
▀▓█████▓▓▓ ░░▓ playtime....: 56:21 min ░▓▓░▓▓▓▓ ▓▓▓░
░ ▐███████▓▓▌░▓▓▓░ Catnr.......: DJV0022 ░▓▓▓▓▓ ▓░▓▓░░ ░
▓███▀ ▀▓█▓▓ ▓░░ URL.........: www.korlapandit.com ░▒░ ░▓░ ░
▐█▓▀ ░░ ▀█▓▌░ ░ ▒
█▀ ░▓▓▓▓░ ▀▓ ░ ░ ░
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░ ▄█▒████████▓▓▀ ▀▓██▓███▓▄
▄▓██░██████▓▓█▀ [ T R A C K . L I S T I N G ] ▀▀▀▓██▓▌
▓█████████▓▓█▀ ▐█▄██▓▀
▐███▓██▀▀▓▀░ ██▓▓█▀▀
▓████▓▌ ░ track title time ▐▓▀▀
▓████▓▌ ▀ ░▌
▓████▓▌ 01. tv show opening 02:14 ▓▌
▓████▓▌ 02. turkish dance 03:03 ▓▌
▓████▓▌ 03. procession of the grand moghul 03:00 ▓▌
▓████▓▌ 04. miserlou 04:45 ▓▌
▓████▓▌ 05. aichas dance 03:37 ▓▌
▓████▓▌ 06. the hypnotist 03:12 ▓▌
▓████▓▌ 07. trance dance 03:47 ▓▌
▓████▓▌ 08. spanish eyes 02:33 ▓▌
▓████▓▌ 09. no love is lost 03:08 ▓▌
▓████▓▌ 10. the rose of descanso 02:31 ▓▌
▓████▓▌ 11. black orpheus theme 03:13 ▓▌
▓████▓▌ 12. english music hall theme 02:51 ▓▌
▓████▓▌ 13. yours is my heart alone 02:29 ▓▌
▓████▓▌ 14. french trio theatre theme 02:10 ▓▌
▓████▓▌ 15. spinning wheel 02:50 ▓▌
▓████▓▌ 16. laras theme 03:15 ▓▌
▓████▓▌ 17. danny boy 03:27 ▓▌
▓████▓▌ 18. remember 02:43 ▓▌
▓████▓▌ 19. tv show close 01:33 ▓▌
▓████▓▌ ▓▌
▓████▓▌ [ A B O U T . T H i S . R E L E A S E ] ▓▌
▓████▓▌ ▓▌
▓████▓▌ One of the icons of exotica, Pandit embodies the ▓▌
▓████▓▌ complexities of the genre in more than one way. ▓▌
▓████▓▌ Pandit came to fame in the early 1950s, when he ▓▌
▓████▓▌ appeared on a 15-minute show, "Adventures in ▓▌
▓████▓▌ Music," on television station KTLA in Los Angeles. ▓▌
▓████▓▌ While he played some piece of exotica like ▓▌
▓████▓▌ "Jalousie" on the Wurlitzer, his face, topped by a ▓▌
▓████▓▌ white turban and and oval jewel--looking like ▓▌
▓████▓▌ Orphan Annie's Indian helper--filled the screen, ▓▌
▓████▓▌ surrounded by a gauzy haze. His soulful gaze is ▓▌
▓████▓▌ said to have drawn housewives into rapturous ▓▌
▓████▓▌ fantasies. ▓▌
▓████▓▌ ▓▌
▓████▓▌ According the story Pandit told for most of his ▓▌
▓████▓▌ career, his father sent him to England and later ▓▌
▓████▓▌ the United States to be educated, and he eventually ▓▌
▓████▓▌ ended up as a student at the University of Chicago. ▓▌
▓████▓▌ He claimed to have taught himself the electric ▓▌
▓████▓▌ organ, then just beginning to become available ▓▌
▓████▓▌ commercially, in three days to qualify for a job as ▓▌
▓████▓▌ organist with a Chicago radio station, and went on ▓▌
▓████▓▌ to hold jobs with other local stations. ▓▌
▓████▓▌ ▓▌
▓████▓▌ As R.J. Smith revealed in his article, "The Many ▓▌
▓████▓▌ Faces of Korla Pandit," in the July 2001 edition of ▓▌
▓████▓▌ Los Angeles Magazine, however, this, along with ▓▌
▓████▓▌ much of Pandit's facade, was a fiction. His ▓▌
▓████▓▌ birthplace was Columbia, Missouri, and he was an ▓▌
▓████▓▌ African-American, not an Indian, despite what his ▓▌
▓████▓▌ death certificate would ultimately say. Pandit was ▓▌
▓████▓▌ born to Ernest Redd, pastor of the Second Baptist ▓▌
▓████▓▌ Church, the largest black church in Columbia, and ▓▌
▓████▓▌ Doshia O'Nina Redd, who was of Creole lineage. One ▓▌
▓████▓▌ of seven children, John Roland (as he was known ▓▌
▓████▓▌ when he was growing up) early on displayed a ▓▌
▓████▓▌ natural talent for the piano. The jazz organist, ▓▌
▓████▓▌ Sir Charles Thompson, lived in Columbia at the same ▓▌
▓████▓▌ time and recalled that John Roland was considered ▓▌
▓████▓▌ the best piano player in town. His older brother, ▓▌
▓████▓▌ Ernest Redd, Jr. went on to lead one of the dance ▓▌
▓████▓▌ bands, known as "territory bands," that played the ▓▌
▓████▓▌ black circuit in Missouri, Kansas, and Nebraska. ▓▌
▓████▓▌ ▓▌
▓████▓▌ Somewhere around 1940, John Roland joined the large ▓▌
▓████▓▌ migration of blacks and whites from the Midwest to ▓▌
▓████▓▌ southern California. He found work as a pianist, ▓▌
▓████▓▌ and might have become well-known under his own name ▓▌
▓████▓▌ as a jazz or R&B musician had it not been for his ▓▌
▓████▓▌ decision to bill himself as "Juan Rolando" at one ▓▌
▓████▓▌ appearance. Playing Latin tunes, which were quite ▓▌
▓████▓▌ the rage, "Juan" found it easier to line up ▓▌
▓████▓▌ subsequent gigs than John Roland had, and passing ▓▌
▓████▓▌ as a Mexican, he was able to join the whites-only ▓▌
▓████▓▌ local of the Musicians Union. His reputation grew, ▓▌
▓████▓▌ and he moved from clubs to theatre appearances, and ▓▌
▓████▓▌ even landed a job playing on the "Chandhu the ▓▌
▓████▓▌ Magician" radio show. He also met and began living ▓▌
▓████▓▌ with a white woman, Beryl DeBeeson, who worked as ▓▌
▓████▓▌ an animator at Disney. ▓▌
▓████▓▌ ▓▌
▓████▓▌ The "Zoot Suit" riots of 1945 climaxed a growing ▓▌
▓████▓▌ conflict between the white and Mexican populations ▓▌
▓████▓▌ in Los Angeles, and may have had something to do ▓▌
▓████▓▌ with John Roland Redd's decision to mutate again, ▓▌
▓████▓▌ from "Juan Rolando," Mexican, to "Korla Pandit," ▓▌
▓████▓▌ Indian. In any case, by 1949, he could be heard on ▓▌
▓████▓▌ "Hollywood Holiday," a radio show broadcast from a ▓▌
▓████▓▌ local restaurant. He and Beryl had also married ▓▌
▓████▓▌ after California's law against mixed marriages was ▓▌
▓████▓▌ struck down in 1948. Along with his new identity ▓▌
▓████▓▌ when his jewel-topped turban, which Hollywood had ▓▌
▓████▓▌ already turned into an icon of its own kitschy ▓▌
▓████▓▌ fiction of Oriental culture--despite the fact, as ▓▌
▓████▓▌ Smith points out, that Sikhs, not Hindus, were ▓▌
▓████▓▌ turbans, and even then without any ornamentation. ▓▌
▓████▓▌ ▓▌
▓████▓▌ Around that time, Pandit appeared at the opening of ▓▌
▓████▓▌ a pet store that was broadcast by local television ▓▌
▓████▓▌ station KTLA. Klaus Landsberg, the station's ▓▌
▓████▓▌ founder and owner, Back in the days when shows ▓▌
▓████▓▌ could be as brief as 10-minute spots, content was ▓▌
▓████▓▌ in demand, and Landsberg figured Pandit's novelty ▓▌
▓████▓▌ could hold his tiny but growing audience of ▓▌
▓████▓▌ viewers. He also required Pandit to provide the ▓▌
▓████▓▌ music for a puppet show, "Time for Beany," as part ▓▌
▓████▓▌ of the deal. ▓▌
▓████▓▌ ▓▌
▓████▓▌ The show, "Adventures in Music with Korla Pandit," ▓▌
▓████▓▌ was unlike anything seen before (not that that ▓▌
▓████▓▌ couldn't be said of many shows at the time). A ▓▌
▓████▓▌ bright, luminous light filled the screen, ▓▌
▓████▓▌ eventually fading to a shot of Pandit's hands on ▓▌
▓████▓▌ the keyboard as he played his original theme, ▓▌
▓████▓▌ "Magnetic Theme." Pandit never spoke. Instead, ▓▌
▓████▓▌ viewers watched alternating shots of Pandit's face, ▓▌
▓████▓▌ Pandit at the organ, and Pandit's hands, with ▓▌
▓████▓▌ occasional shots of a company of exotic dancers. At ▓▌
▓████▓▌ times he played both organ and piano ▓▌
▓████▓▌ simultaneously, one hand on each keyboard. Much of ▓▌
▓████▓▌ the time, the camera stayed on Pandit's face as he ▓▌
▓████▓▌ gazed soulfully into it. As Smith puts it, ▓▌
▓████▓▌ ▓▌
▓████▓▌ Born at a time when a black man in the South could ▓▌
▓████▓▌ get whipped for making eye contact with a white ▓▌
▓████▓▌ woman, Koala Pandit was making dreamy eyes at ▓▌
▓████▓▌ thousands upon thousands of aproned homemakers, ▓▌
▓████▓▌ stealing into their dens as they heated their ▓▌
▓████▓▌ fondue pots. ▓▌
▓████▓▌ Landsberg's hunch paid off wildly, as Pandit ▓▌
▓████▓▌ quickly became one of the early celebrities of ▓▌
▓████▓▌ television. He and Beryl bought a house in the ▓▌
▓████▓▌ Hollywood Hills, and he could be seen partying with ▓▌
▓████▓▌ the likes of Errol Flynn. ▓▌
▓████▓▌ His father, Ernest Redd, moved to Los Angeles in ▓▌
▓████▓▌ the early 1950s and began preaching for a ▓▌
▓████▓▌ congretation in the black area around Central ▓▌
▓████▓▌ Avenue. Pandit would visit his father on occasion, ▓▌
▓████▓▌ but he stayed in his new character all the time and ▓▌
▓████▓▌ refused to bring his two sons, Shari or Koram, to ▓▌
▓████▓▌ see their grandfather. He had also adopted an ▓▌
▓████▓▌ English accent and a strange manner of speaking ▓▌
▓████▓▌ that always stayed at vague, apparently spiritual ▓▌
▓████▓▌ level. His nephew Ernest recalled that, "It got to ▓▌
▓████▓▌ a point he didn't even speak very good English ▓▌
▓████▓▌ because he had talked that Hinduism or ▓▌
▓████▓▌ whatchacallit for so long." ▓▌
▓████▓▌ ▓▌
▓████▓▌ Pandit left KTLA in 1951, lured by a lucrative deal ▓▌
▓████▓▌ for a new television show, produced by Louis ▓▌
▓████▓▌ Snader, a Los Angeles real estate developer. Snader ▓▌
▓████▓▌ began taping shows and franchising them around the ▓▌
▓████▓▌ country, and Pandit's national fame began to grow. ▓▌
▓████▓▌ But when the initial contract ended, negotiations ▓▌
▓████▓▌ got hung up over issues like rights to fan mail, ▓▌
▓████▓▌ about which Pandit, sensitive to disclosure of his ▓▌
▓████▓▌ facade, was particularly sensitive. Eventually, San ▓▌
▓████▓▌ Francisco station KGO picked him up, and Snader ▓▌
▓████▓▌ ended up giving the show to a young pianist with a ▓▌
▓████▓▌ facade of his own, known as Liberace. Despite this, ▓▌
▓████▓▌ Pandit was so popular among San Francisco viewers ▓▌
▓████▓▌ that in 1957, a local poll found him the local ▓▌
▓████▓▌ personality most deserving of national recognition. ▓▌
▓████▓▌ Bay Area label Fantasy signed him to a contract and ▓▌
▓████▓▌ he recorded an eye-watering thirteen albums in just ▓▌
▓████▓▌ three years. ▓▌
▓████▓▌ ▓▌
▓████▓▌ By that time, however, Pandit had began to break ▓▌
▓████▓▌ his silence on his shows, and to speak about what ▓▌
▓████▓▌ he called "the Universal Language of Music." This ▓▌
▓████▓▌ hodge-podge of genuine and ersatz mysticism caught ▓▌
▓████▓▌ on with a small portion of the audience--that slice ▓▌
▓████▓▌ of California demographics that fostered its ▓▌
▓████▓▌ reputation as "the land of fruits and nuts." But ▓▌
▓████▓▌ most viewers preferred their music philosphy-free, ▓▌
▓████▓▌ and by 1961 or so, Pandit left the airwaves, at ▓▌
▓████▓▌ least as far as live performances were concerned. ▓▌
▓████▓▌ Snader's tapes would go on to circulate among small ▓▌
▓████▓▌ stations and fill timeslots at odd hours for years. ▓▌
▓████▓▌ ▓▌
▓████▓▌ For most of the next two decades, Pandit focused on ▓▌
▓████▓▌ theatre appearances. He got distribution rights to ▓▌
▓████▓▌ his albums, and was selling them at shows long ▓▌
▓████▓▌ after Fantasy stopped releasing them. Eventually, ▓▌
▓████▓▌ the house in Hollywood Hills was traded for a tract ▓▌
▓████▓▌ house in Vancouver, Canada. His venues shrunk along ▓▌
▓████▓▌ with his audiences. Large theaters were replaced by ▓▌
▓████▓▌ retirement homes and "Pizza and Pipes" restaurants. ▓▌
▓████▓▌ Eventually, he left his home with Beryl and became ▓▌
▓████▓▌ something of a drifter, moving from girlfriend to ▓▌
▓████▓▌ girlfriend, sometimes in his own place, sometimes ▓▌
▓████▓▌ crashing on a friend's couch for months. His ▓▌
▓████▓▌ polished and enigmatic style never changed, though, ▓▌
▓████▓▌ and eventually he was rediscovered by a new ▓▌
▓████▓▌ generation of fans with the resurgence of interest ▓▌
▓████▓▌ in lounge and exotica music. ▓▌
▓████▓▌ ▓▌
▓████▓▌ He appeared in the 1952 film, "Something to Live ▓▌
▓████▓▌ For," and again, 25 years later, in Richard Pryor's ▓▌
▓████▓▌ comedy, "Which Way is Up?" Director Tim Burton gave ▓▌
▓████▓▌ him his last movie role--as himself, of course--in ▓▌
▓████▓▌ his 1994 movie, "Ed Wood." He died in a retirement ▓▌
▓████▓▌ home in Santa Rosa, keeping his persona intact ▓▌
▓████▓▌ until the very end. ▓▌
▓████▓▌ ▓▌
▓████▓▌ You can find out more about Korla Pandit, the ▓▌
▓████▓▌ persona and performer, at www.korlapandit.com, ▓▌
▓████▓▌ created by long-time associate Verne Langdon. ▓▌
▓████▓▌ ▓▌
▓████▓▌ ▓▌
░ ▓████▓▌ ▓▌
▓ ▐█████▓█ [ A B O U T . U S ] ▓▌
▀█▄▓████▓▓▄█▀ ▓▌
▀██▓██▓▓▀ Our group consists of many rippers who are music enthu- ▓▌
▀█▓▓▓▀ siasts. Justfun is releasing different kind of music ▓▌
▀▓ like indie rock, trip-hop, ethnic, jazz, french, ▓▌
░ electro and many more ... We will bring you the music ▓▌
░ we like and share it with the rest of the under- ▄ ▓▌
░ ground scene. If you have, like us, a passion for ▄▄█▌ ▓▌
░ music, don't hesitate to contact us ! ▄████▓▌ ▓▌
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░ GREETinGs : Nuhs . Hit2000 . DGN . Ksi . SEQ . CHR ░███ ▓▌
░ Om . Rh . Fuffens . Remix . FMF . SB ██▌ ▓▌
Kw . LOGOS . iTs . i . ATM . Aaf ... ▓██ ▓▌
░ and all ppl who share music with us ! ▄▄▄██▌ ▓▌
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▄▓██▓██████▓▓█▀ [ C O N T A C T ] ▀▀▀▓██▓▌
▓█████████▓▓█▀ ▐█▄██▓▀
▐███▓██▀▀▓▀░ We're currently looking for : ██▓▓█▀▀
▓████▓▌ ░ - music enthusiast ppl buying cds on a regular basis. ▐▓▀▀
▓████▓▌ - ppl who can get promos or advanced rls. ▀ ░▌
░ ▓████▓▌ - Siteop who can provide at least 10mbits and ▓▌
▓ ▐█████▓█ 50gb++ for our archive. ▄ ▓▌
▀█▄▓████▓▓▄█▀ - People with skill and experience ▄▄█▌ ▓▌
▀██▓██▓▓▀ ... and everyone who wants to help in a ▄████▓▌ ▓▌
▀█▓▓▓▀ pleasant atmosphere our Just family. █████▀▀▀▀ ▓▌
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░ Share your forces with us ! ██▌ ▓▌
▐▓ █▓▌ Webpage : .secret. ▐░▓▓▓▓▌ █▓▌ ░▌
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░ ▀▓██████▓██▓▓▀ NFO and Layout proudly made in Quebec ░ ▀▓██████▓██▓▓▀
▀▓█████▓▓▓ by z0oy0rk ▀▓█████▓▓▓
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▓███▀ ▀▓█▓▓ [ J U S T F U N born in Apr. 2 0 0 0 ] ▓███▀ ▀▓█▓▓
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▀░ ░ ░▀ ▀░ z!░▀