▄▄▄▄▄▄▄▄▄██████
▄▄▄▄▄▄▄▄██████████████▓█▓▓▓▓▓▓█░
█████████████████████████▀▀▀█████▓▓▓█+
█▓▓▓███████████████████▀ ▄█▄ █████▓▓█▓
░█▓▓██▀▀▀▀▀████████████ ▄█▀▀▓ █████▓▓██░
+█▓██ ▄███▄▄▄ ▀▀▀████▀ █▀ ▄ + ██████▓▓█+
▓████ █▀░ ▄ ▀▀▀█▄▄ ▀▀ █░ ██ ░ ██████▓▓█▓
██▓██ ▓ ▄█████▄▄ ▀█░ █░ ▀▀▀▄▄▄███████▓██░
█████ + ██▀▀█▀ ▄▄█████████▄▄ ▀███████▓▓█+
█████ ░ █▀ ░ ▄██▓▓+++░░░░█▓▀█▄ ▀▀▀███▓▓█▓
█████▄▄▄█ ░▓ ▀▓+░░+░░░ ▓ +▀▀ ▓░ ████▓██
██████▀▀ ▄░▓▓ ░░░░ + ▓▓░▄ ▀▀█▓██░
████▀ ▄█▀▀ +█▌░░ ░ ░ ▐█+ ▀▀█▄ ▀██+
███ █▀ \ ██▐ ▄ ▐██ / ▀█ ▀█▓
░███ █▓- ░██▐ ▌ ██░ ▓█ ██
+███ █+ ▄█▄ +█▄ █░ ▄█▌▄█+ ▄█▄ -+█ ██
▓███ █▓- ▓▀ ▀▄ ▀▄ ▄▀ ▄▀ ▀▓ ▓█ ██░
████ █▄ / ░▀▄▄ ▄▄▀░ \ ▄█ ▄██+
█████ ░▀▀█▄▄▄▄▄█▀▀▀▀▀ ▄ ▀▀▀▀█▄▄▄▄▄█▀▀░ ███▓
████ █▓░░ ▄ ▄▄▄▄▀ ▄▓▌█▄ ▀▄▄ ▄ ▓ █ ▀███
░████ ██+░ ▀ ▀ + ██ ███░
+████ █▓░░ ░ ░█ ███+
▓████ ██░░░ + ▄█ ███▓
█████▄ █+░░ ░ ▄▄▄ █ ▄████░
██████ ██+░░░ ▄▄██▀▀▀▓█ ▓▄█ █████+
██████▄ ██▓+░░░ ▄▄██ ▄█████▓
███████ ▓▀█████▓+░▄▄ ▀▀ ▄▄▄▄▄██████ ▄███████░
███████ + ▄ ▀▀▀█████████████████▀▀ ▄ ▓ ████████+░
░███████ ████▄▄▄▄ █▀▀█▓█▀▀ ▓ ▄▄▄███ + ████████▓+░
+███████ ░ ████████ ▓ █+█ █▄▄▄█████▀ ▄ .▄.▄ ██▄▄▄▄▄▀▀▀▀▀██▓+░
████▄.▄. ▄▄ ████▄▄▄ █░█ ▀▀▀▀▀▀▀▀▀ █▓▄█░█+█▓▄ ▄▄▄▄▄▄▄▀▀█+
▄▄▄▄▄▄▄█████+█░█▄█▓▀ ▄▄▄▄▄▄▄▄█▄█▄▀▀▀▀▀▀████▀▀▀█+█▓██▀▀▀▀▀▀ ▀█ █▓░
░▓██▀▀▀▀ ██▓█+█▀▀▀▀▀ ▓ ▓▓▀ █▓█▀▀ ▄ █ ██░
░█▀ ▄▄▄▄▄▀▀▀▀▀▀▀▀▀▀ + ▓ ███ █ ██░
░█ █▀ ░ + ▀ █ ██░
░█ █░ ░ █ ▀█░
░█ █▓ ▀ ▄█ █░ █░
░█▄ ▀▀▄▄▄ ███ █+ █░
░█▀ ▄▄▀ ███ Bro & Cam Corp.! █▓ █░
░█ █▓ ▀▀▀ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ▓█ █░
░█ █+ ▀ ▀▀▀▀███▄ ▄███▀▀▀▀ ▀ ▄███▀▀▀▀ ▀ +█ █░
░█ █░ ███ ░ █▓▓█ █▓▓█ ░ █▓▓█ ░ ░█ █░
░█ █+ ███ + ██▓█ ██▓█ + ██▓█ + ▄█ █░
░█ █▓ ███ ▓ ████ ████ ▓ ████ ▓ ▄█▄ █░
░█▄ █ ███ + ████ ████ + ████ + ▄█ █░
░██ █ ███ ░ ████ ████ ░ ████ ░ ▓█ ██░
░██ █+ ███▄▄▄███▀ ▀███▄▄▄███ ▀███▄▄▄███ +█ ██░
░█▀ █▓ █ ██░
░█ █▄ ▀██████████████████████████████████████████▀ █ ▄█░
░█ ▄█▄ ▓▓▓▓▒▒▒░▓░░░░░ ░ notes ░ ░░░░░▓░▒▒▒▓▓▓▓ ▓▄ █░
░█ █▄ ▀██████████████████████████████████████████▀ +█ █░
░█ █░ ░█ █░
░█ █+ Spyra & Chris Lang - Achtundsechzig 24 ▄ +█ █░
░█ █▓ ▓█ █░
░█ ▓█ ▄▀▀ ▄█░
░█ +█ Title : Achtundsechzig 24 ▀▀▀▄▄ ▀█░
░█ ░█ Artist : Spyra & Chris Lang ▀ ▓█ █░
░█▄ █ Genre : Ambient ░█ █░
░██ █ Year : 2003 █ ▄█░
░██ █ BCC Rel Date : 01-11-2004 █ ██░
░██ █ Audio Bitrate : 192 kbps / Full Stereo █ ██░
░█ ▄▀ Sample Rate : 44,1 kHz Stereo █ ▀█░
░█ █▓ ▀ Encoder : Lame █░ █░
░█▄ ▀▀▄▄▄ Tracks : 02 █+ █░
░█▀ ▄▄▀ Label : Manikin Records MRCD 7068 █▓ █░
░█ █▓ Ripped By : Milky Way ▓█ █░
░█ █+ Source : CD +█ █░
░█ █░ Length : 68:24 min ░█ █░
░█ █+ Size : 93,10 MB ▄█ █░
░█ █▓ ▄█▄ █░
░█▄ █ ▄▀ █░
░██ █ ▓█ ██░
░██ █+ +█ ██░
░█▀ █▓ ▀██████████████████████████████████████████▀ █ ██░
░█ █▄ ▓▓▓▓▒▒▒░▓░░░░░ ░ tracks ░ ░░░░░▓░▒▒▒▓▓▓▓ █ ▄█░
░█ ▄█▄ ▀██████████████████████████████████████████▀ ▓█ █░
░█ █▄ +█ █░
░█ █░ ░█ █░
░█ █░ 01.Neunundfⁿnfzig 49 [59:47] ░█ █░
░█ █░ 02.Acht 39 [08:37] ░█ █░
░█ █░ ------- ░█ █░
░█ █░ 68:24 min ░█ █░
░█ █+ ▄ +█ █░
░█ █▓ ▓█ █░
░█ ▓█ ▄▀▀ ▄█░
░█ +█ ▀▀▀▄▄ ▀█░
░█ ░█ ▀ ▓█ █░
░█▄ █ ░█ █░
░██ █ INFO: █ █░
░██ █ █ ██░
░██ █ The majority of this disc is taken up with the █ ██░
░██ █ almost hour long 'Neunundfunfzig 49'.The █ ██░
░██ █ remaining track clocks in at eight and a half █ ██░
░██ █ minutes. Its sub title is rather similar to Klaus █ ██░
░██ █ Schulze's recent 'Llive@Klangart' CDs and on █ ██░
░██ █ hearing the music it is immediately obvious that █ ██░
░██ █ this is no coincidence. The opening sequence █ ██░
░██ █ emerges from symphonic pads and it sounds so █ ██░
░██ █ much like the great man that if I hadn't seen the █ ██░
░██ █ cover of the CD I would automatically have █ ██░
░██ █ assumed it was by him. This similarity does not █ ██░
░██ █ stop at sequence however as the entire sound █ ██░
░██ █ pallet and lead lines are also dead ringers. The █ ██░
░██ █ track slowly evolves building up a hypnotic trance █ ██░
░██ █ inducing state. In the eighth minute a new █ ██░
░██ █ sequence comes in. Whereas the previous █ ██░
░██ █ section hinted more towards Klaus' recent works █ ██░
░██ █ this one takes us right back to the 70's, particularly █ ██░
░██ █ the 'Body Love' period. The piano lead line does █ ██░
░██ █ have an individuality of its own but it's the █ ██░
░██ █ sequence that grabs the attention most. Around it █ ██░
░██ █ are some great sonic bleeps, solar flares and █ ██░
░██ █ other cosmic effects which increase as we █ ██░
░██ █ progress. Virtual cello can be heard in the █ ██░
░██ █ eighteenth minute as the sequence slowly █ ██░
░██ █ subsides (though doesn't disappear entirely) and █ ██░
░██ █ things become quite calm. We enter a completely █ ██░
░██ █ new section three minutes later, deep pads █ ██░
░██ █ dominate, some with a faintly choir type effect. █ ██░
░██ █ Cosmic twitters still remain adding a little extra █ ██░
░██ █ detail here and there. In the twenty-fourth minute █ ██░
░██ █ another sequence starts to build. A second █ ██░
░██ █ rhythmic one is added and we chug along nicely. █ ██░
░██ █ The lead line is now played on an acoustic guitar █ ██░
░██ █ sound giving a rather lazy hot summer afternoon █ ██░
░██ █ feel. This is all replaced in the thirtieth minute by █ ██░
░██ █ more spacey atmospherics which of course are █ ██░
░██ █ just a prelude for another sequencer based █ ██░
░██ █ section. Initially the pulsations are rather █ ██░
░██ █ restrained but they come more to the surface with █ ██░
░██ █ the introduction of a slow rhythm and some lead █ ██░
░██ █ detail which again sounded like Schulze to me but █ ██░
░██ █ this time early eighties I think. There are more █ ██░
░██ █ acoustic guitar flourishes from time to time as well █ ██░
░██ █ as some wordless vocal samples / effects which █ ██░
░██ █ are used in a more percussive / rhythmic way █ ██░
░██ █ than as a lead line and again give some █ ██░
░██ █ individuality to proceedings. It all works rather █ ██░
░██ █ well.As we move into the last third of the number █ ██░
░██ █ we again have a calmer interlude whilst the █ ██░
░██ █ musicians regroup. A new rhythm is created █ ██░
░██ █ which remains low in the mix amongst very █ ██░
░██ █ relaxing swirling pads. More faint wordless vocal █ ██░
░██ █ effects come in, like benign spectres floating on a █ ██░
░██ █ gentle wind. All structure fades away in the █ ██░
░██ █ forty-eighth minute but it isn't long before yet █ ██░
░██ █ another sequence emerges. It goes through quite █ ██░
░██ █ a few mutations before settling down amongst █ ██░
░██ █ more cosmic effects and mellow pads. The █ ██░
░██ █ acoustic guitar returns but then seems to morph █ ██░
░██ █ into a piano sound and I am rather reminded of █ ██░
░██ █ 'Drive Inn' but I would say this is subtler. 'Acht 39' █ ██░
░██ █ is a very different affair. A rather metallic drone █ ██░
░██ █ mixes with modern rhythms which would be more █ ██░
░██ █ likely to be found on one of Spyra's fax label █ ██░
░██ █ releases. This is gentle stuff with a stunningly █ ██░
░██ █ beautiful melodic lead line. It's an absolute joy, █ ██░
░██ █ showing that he a Chris are just as at home █ ██░
░██ █ producing music that can stand up against the █ ██░
░██ █ works of any of their contemporaries as they are █ ██░
░██ █ paying homage to the heroes of Electronic Music's █ ██░
░██ █ past. . █ ██░
░█ █▓ ▀ █░ █░
░█▄ ▀▀▄▄▄ █+ █░
░█▀ ▄▄▀ █▓ █░
░█ █▓ ▓█ █░
░█ █▄ ▀██████████████████████████████████████████▀ +█ █░
░█ █░ ▓▓▓▓▒▒▒░▓░░░░░ ░ contct ░ ░░░░░▓░▒▒▒▓▓▓▓ ░█ █░
░█ █+ ▀██████████████████████████████████████████▀ ▄ +█ █░
░█ █▓ ▓█ █░
░█ ▓█ ▄▀▀ ▄█░
░█ +█ CONTACT..........: ▀▀▀▄▄ ▀█░
░█ ░█ ▀ ▓█ █░
░█▄ █ [.WWW.....] none ░█ █░
░██ █ [.E-MAiL..] bcc_pl@hotmail.com █ ▄█░
░██ █ [.iRC_NET.] none █ ██░
░██ █ █ ██░
░█ ▄▀ █ ▀█░
░█ █▓ ▀ ▀██████████████████████████████████████████▀ █░ █░
░█▄ ▀▀▄▄▄ ▓▓▓▓▒▒▒░▓░░░░░ ░ greets ░ ░░░░░▓░▒▒▒▓▓▓▓ █+ █░
░█▀ ▄▄▀ ▀██████████████████████████████████████████▀ █▓ █░
░█ █▓ ▓█ █░
░█ █+ +█ █░
░█ █░ ░█ █░
░█ █+ GREETS...........: ▄█ █░
░█ █▓ ▄█▄ █░
░█▄ █ AMOK ALC CMG diss DPS HiT2000 FWYH radial █ █░
░██ █ ▄▀ █░
░██ █+ We thank those groups for great scene ▓█ ██░
░█▀ █▓ support with ambient, industrial +█ ██░
░█ █▄ avantgarde and electronic music. █ ██░
░█ ▄█▄ █ ▄█░
░█ █▄ ▓▄ █░
░█ █░ +█ █░
░█ █+ ▀██████████████████████████████████████████▀ ▄ ░█ █░
░█ █▓ ▓▓▓▓▒▒▒░▓░░░░░ ░ B C C ░ ░░░░░▓░▒▒▒▓▓▓▓ +█ █░
░█ ▓█ ▀██████████████████████████████████████████▀ ▓█ █░
░█ +█ ▄▀▀ ▄█░
░█ ░█ ▀▀▄▄ ▀█░
░█▄ █ ▀ ▓█ █░
░██ █ ░█ █░
░██ █ █ █░
░██ █ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█ █░
░██ ██ ▀ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█░
░██ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄███ █ █ ████████████████████████████░
░███████████████████████████ █ █ █████ ▓ █ ████████████████████████████░
░░░░░░░░░░░░░+██████████████ █ █ █████ +█ █ ████████████░░░░░░░░░░░░░░░░
░█████████████ █▓ █ ██████░█ ▓█ ███████████▓
█████████████ █ ▓█ ██████ █▓ █ ███████████+
████████████ ██ ██ ██████ ██ █ ██████████░
▓███████████ █▓ █ ███████ █▓ ▓█ █████████
+██████████ █ ▓█ █████ █ ██ █████████
░██▓███████ █ ▓█ █████ █▓ █ █████████
██▓███████ █░ █ ████ █░░ █ █████████
▓█▓▓██████ █░ █ ▓████ █░░ █ █████████
+█▓▓██████ █░░ █ +████ ▓█░ █ █████████
░██▓██████ ▓░░ █ ░█████+█░ █ ███████▓██
▓█▓▓█████ +██░█ ██████░ ██ ██████████▓
+█▓▓██████░ ▓█ ████████ █████████▓█+
░██▓▓███████ █████████████████████▓▓█░
▓█▓▓██████████████████████████████▓▓▓█
+█▓▓▓█████████████████████████████████
░█▓▓▓▓▓▓█▓██████████████▀▀▀▀▀▀▀▀▀
██████▀▀▀▀▀▀▀▀▀▀