Bombino-Agadez-2011-CFD

Section
MP3/FLAC
Group
CFD
Size
0 B
Files
0
Date
2011-08-11

NFO








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    ▀▓▀                                                                  ▀▀
     ▒  . .. C F D . a k a . C R O S S F A D E R . p r e s e n t s .. .
     ░

     ░


    Bombino-Agadez-2011-CFD





                         ARtiSt...... : Bombino
                         AlbUM....... : Agadez
                         GENRE....... : Ethnic
                         lAbEl....... : Cumbancha Discovery
                         CAtNR....... : CMBCD20
                         SoURcE...... : CDDA
                         StREEt.dAtE. : 28-03-2011
                         QUAlitY..... : VBR/44.1kHz/Joint Stereo
                         URl......... : http://musique.fnac.com/a3442843
                         SiZE........ : 93.91MB



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        ▄▄█▀▀                                                     ▀▀█▄▄
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     ■                                                                   ■



       01.  Ahoulaguine Akaline (I Greet My Country)                4:03
       02.  Tar Hani (My Love)                                      6:30
       03.  Adounia (Life)                                          5:05
       04.  Kammou Taliat (You, My Beloved)                         4:30
       05.  Tigrawahi Tikma (Bring Us Together)                     5:17
       06.  Tenere (The Desert, My Home)                            3:32
       07.  Iyat Idounia Ayasahen (Another Life)                    9:08
       08.  Azamane (My Brothers United)                            4:32
       09.  Assalam Felawan (Peace To You)                          6:16
       10.  Tebsakh Dalet (A Green Acacia)                          5:09

                                                    Runtime..: 54:02 min




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            ▀  █ █▓    ▄         .. i N F O ..         ▄    █▓ █  ▀
               █ █▓                                         █▓ █
               █ █▓                                         █▓ █
               █ █▓                                         █▓ █
               █ █▓    The Tuareg guitar music scene        █▓ █
               █ █▓    thatÆs boiling up across the Sahara  █▓ █
               █ █▓    has yielded its share of great       █▓ █
               █ █▓    music, but not a lot of stars.       █▓ █
               █ █▓    Omara ôBombinoö Moctar seems set to  █▓ █
               █ █▓    change that. HeÆs got the            █▓ █
               █ █▓    requisites down; brushes with        █▓ █
               █ █▓    celebrity (he sang along with        █▓ █
               █ █▓    members of The Rolling Stones on     █▓ █
               █ █▓    this record and did a stint as       █▓ █
               █ █▓    Angelina JolieÆs desert guide), a    █▓ █
               █ █▓    media push (film maker Ron Wyman     █▓ █
               █ █▓    has made the forthcoming movie       █▓ █
               █ █▓    Agadez, the Music & the Rebellion,   █▓ █
               █ █▓    about him), and a fairly photogenic  █▓ █
               █ █▓    face. And if youÆve kept this page   █▓ █
               █ █▓    marked, you may already know that    █▓ █
               █ █▓    he has some skills to go with the    █▓ █
               █ █▓    looks and the connections; another   █▓ █
               █ █▓    Dusted scribe called him a virtuoso  █▓ █
               █ █▓    and his entry in Sublime             █▓ █
               █ █▓    FrequenciesÆ Guitars From Agadez     █▓ █
               █ █▓    series the labelÆs most accessible   █▓ █
               █ █▓    release.                             █▓ █
               █ █▓                                         █▓ █
               █ █▓                                         █▓ █
               █ █▓    Agadez, which is named for the       █▓ █
               █ █▓    hometown in Niger that Bombino has   █▓ █
               █ █▓    twice had to leave as a consequence  █▓ █
               █ █▓    of war, is an unusual star vehicle.  █▓ █
               █ █▓    Although it drops the group and      █▓ █
               █ █▓    trades in the microphone-frying      █▓ █
               █ █▓    guerilla recording quality of its    █▓ █
               █ █▓    predecessor for the balanced sound   █▓ █
               █ █▓    of a professional job done in        █▓ █
               █ █▓    Cambridge, Mass., the music doesnÆt  █▓ █
               █ █▓    sound compromised. There are no      █▓ █
               █ █▓    laminated-in-Paris keyboards or      █▓ █
               █ █▓    famous guest guitarists, no          █▓ █
               █ █▓    attempts to oversell Saharan desert  █▓ █
               █ █▓    musicÆs links to the blues ù just    █▓ █
               █ █▓    guitars, voices, hand drums and      █▓ █
               █ █▓    handclaps. The loping, unhurried     █▓ █
               █ █▓    rhythms are similar to those heard   █▓ █
               █ █▓    on Tinariwen and Ali Farka Toure     █▓ █
               █ █▓    records.                             █▓ █
               █ █▓                                         █▓ █
               █ █▓                                         █▓ █
               █ █▓    What makes Agadez accessible is      █▓ █
               █ █▓    BombinoÆs innate melodicism. His     █▓ █
               █ █▓    tunes are equally winning whether    █▓ █
               █ █▓    led by his soulful voice or his      █▓ █
               █ █▓    tart guitar. He was born in 1980,    █▓ █
               █ █▓    and his tutelage includes the study  █▓ █
               █ █▓    of VHS tapes of classic rock and     █▓ █
               █ █▓    stints playing with the leading      █▓ █
               █ █▓    lights of his local scene; the       █▓ █
               █ █▓    anthemic quality he brings to        █▓ █
               █ █▓    ôAhoulanguine Akalineö sounds        █▓ █
               █ █▓    natural. HeÆs as post-everything as  █▓ █
               █ █▓    anyone else who was born at the      █▓ █
               █ █▓    tail end of the Carter               █▓ █
               █ █▓    administration and plays in a rock   █▓ █
               █ █▓    ænÆ roll band today.                 █▓ █
               █ █▓                                         █▓ █
               █ █▓                                         █▓ █
               █ █▓    Still, there is a bit of             █▓ █
               █ █▓    self-conscious framing going on.     █▓ █
               █ █▓    Someone hoping for the hepped-up     █▓ █
               █ █▓    blare of Guitars From Agadez,        █▓ █
               █ █▓    Volume 2æs electric side might be    █▓ █
               █ █▓    disappointed. Even when he picks     █▓ █
               █ █▓    the pace up on ôKammou Taliat,ö      █▓ █
               █ █▓    thereÆs none of the older recordÆs   █▓ █
               █ █▓    body-slamming blare. Instead, the    █▓ █
               █ █▓    instruments have been mixed into a   █▓ █
               █ █▓    formation that any folk-rock fan     █▓ █
               █ █▓    can grasp; the drums never           █▓ █
               █ █▓    overwhelm, BombinoÆs voice stands    █▓ █
               █ █▓    well out from the backing, and the   █▓ █
               █ █▓    guitar leads jump at you the same    █▓ █
               █ █▓    way they would on a Richard          █▓ █
               █ █▓    Thompson record. Come to think of    █▓ █
               █ █▓    it, someone ought to give Thompson   █▓ █
               █ █▓    a call and set him up with a Tuareg  █▓ █
               █ █▓    band; theyÆd probably bring out      █▓ █
               █ █▓    some of the droning mystery thatÆs   █▓ █
               █ █▓    faded from his recent music. Maybe   █▓ █
               █ █▓    BombinoÆs the man for the job?       █▓ █
               ▓ █▓                                         █▓ ▓
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           ▀  ▄▄███░  ▄▓▄    ▒  ▄▄  ▀██▄▄        ░  ▄ ▀▓▓▀       ▄▓▓▄
          ▄▄██▀▒██▓    ▀ ▄   ░ ▀▓▓▀ ████▀██▄▄      ▀▓▀  ▄▄████▓▄▄ ▀▀
        ███▀   ████▄    ▄█      ▄  ████▓   ▀▀██▄▄ ▀ ▄▄██▀▀ ▀▀████▓ ▀
       ███      ▀▀██▓▄▄▀▀░   ░    ████▓      ███▓█▀████▄      ████▓
      ▒███▓         ▀    ▒       ████▓ .    ████▓▀▀▀████▓      ████▓
       ████▓              ▓▄▄   ████▓  :    ███▓     ████▓      ████▓
        ████▓              ▀▀██████▓   :   ███▓       ████▓      ████▓
         ████▓   ▄▀▀██▓▄▄     ██████   :    ▀█▓    ▄   ████▓      ████▓
          ████▓      ████▓▄▄▄████▓ ▀█▄▄        ▀▀ ▀▓    ████▓      ███▓
           ████▓      ███▓█▄████▓     ▀▀▄  ░       ░  ▀  ████▓     ▐█▓
            ████▓    ▄██▀▀   ▀▀█▓       ▄  ▒░░       ▄█▓▄ ████▒   ▄█▓
         ▄▓▄ █████▄█▀▀  ▄█▓▄     ▀ ░   .   ▓▒▒   ░ ■ ▀▓▓▀ ▓██▄▄▄█▀▀ ▒
          ▀ ▄ █▓▀▀    ▀ ▀▓▓▀ ░     ▒   :   █▓▓   ▒  ▀▄▄▄  ▄██▀▀ ▄▄  ░
               ▒             ▒   ░░▓  aSc  ██▓   ▓     ▀▀▀▀  ▄ ▀▓▓▀
               ░          ▄▄█▓▄▄ ▒▒▓  fUM  ██▓ ▄▄█▓▄▄               ░
                         ████████▓▓▓  cRo  ██▓███████▓
               ░        ███▓▀▀████▓▓   :   ██████▀▀███▓
                        █▀      ▀██▓   .   ██▓▀      ▀▓
                        ▀        ▀█▓       █▓▀        ▀
                        ▀         ▀▓   .   ▓▒         ▀
                         ▀         ▓       ▓░        ▀
                                   ▀       ▓
                                   ▄   .   ▓
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