Prins_Thomas-Prins_Thomas-(Retail)-2010-CFD
- Section
-
MP3/FLAC
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- CFD
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- 0 B
- Files
- 0
- Date
- 2011-08-17
NFO
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▒ . .. C F D . a k a . C R O S S F A D E R . p r e s e n t s .. .
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Prins_Thomas-Prins_Thomas-(Retail)-2010-CFD
ARtiSt...... : Prins Thomas
AlbUM....... : Prins Thomas
GENRE....... : Electronic
lAbEl....... : Full Pupp
CAtNR....... : FPCD004
SoURcE...... : CDDA
StREEt.dAtE. : 15-03-2010
QUAlitY..... : VBR/44.1kHz/Joint Stereo
URl......... : http://www.myspace.com/prinsthomas
SiZE........ : 102.2MB
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■ ■
01. Orkenvandring 8:30
02. Uggebugg 8:41
03. Slangemusikk 9:49
04. Sauerkraut 10:15
05. Wendy Not Walter 9:28
06. Nattonsket 7:06
07. Attiatte 6:15
Runtime..: 60:04 min
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▄▓▄ █ █▓ ▀ .. R E L E A S E .. ▀ ▓▓ █ ▄▓▄
▀ █ █▓ ▄ .. i N F O .. ▄ █▓ █ ▀
█ █▓ █▓ █
█ █▓ █▓ █
█ █▓ █▓ █
█ █▓ Despite a handful of wooly space █▓ █
█ █▓ disco singles on his Full Pupp █▓ █
█ █▓ imprint, in terms of his own output █▓ █
█ █▓ Prins Thomas is still knownùif █▓ █
█ █▓ unfairlyùas the Robin to Hans-Peter █▓ █
█ █▓ Lindstr°m's Batman in Nordic █▓ █
█ █▓ disco's super-duo, Lindstr°m & █▓ █
█ █▓ Prins Thomas. The two crafted two █▓ █
█ █▓ of the ever-widening genre's █▓ █
█ █▓ foundational albums in their █▓ █
█ █▓ self-titled debut and its last █▓ █
█ █▓ year's follow-up, II. But, even █▓ █
█ █▓ more than through his popular sets, █▓ █
█ █▓ Thomas' creative sensibility is █▓ █
█ █▓ still best appreciated through his █▓ █
█ █▓ remixes. There are, well, about █▓ █
█ █▓ fifty of them. Eachùfrom keepers █▓ █
█ █▓ like his dizzy strut take on █▓ █
█ █▓ Studio's "Life's a Beach" to his █▓ █
█ █▓ almost twenty minute reshaping of █▓ █
█ █▓ Hatchback's "White Diamond"ùseems █▓ █
█ █▓ to bloat 'til the original's left █▓ █
█ █▓ only the barest of traces on █▓ █
█ █▓ Thomas' airier offering. His talent █▓ █
█ █▓ is for offering breathing room █▓ █
█ █▓ without losing touch of a track's █▓ █
█ █▓ core melody or its most essential █▓ █
█ █▓ parts, often suffusing the original █▓ █
█ █▓ the languor and the slow siesta █▓ █
█ █▓ swell. They're patient epics, █▓ █
█ █▓ beginning with chin-stroking and █▓ █
█ █▓ end in full mad rushes. █▓ █
█ █▓ █▓ █
█ █▓ On last year's second album with █▓ █
█ █▓ Lindstr°m though, Thomas' sense of █▓ █
█ █▓ expansion and the shimmery █▓ █
█ █▓ instantaneity of Lindstr°m's █▓ █
█ █▓ songcraft dissolved within the █▓ █
█ █▓ duo's slowly evolving jams. As █▓ █
█ █▓ though the two had difficulty █▓ █
█ █▓ either encouraging or dissuading █▓ █
█ █▓ each others' best/worst instincts, █▓ █
█ █▓ it was hard for even the most █▓ █
█ █▓ attentive kosmische, Krautrock or █▓ █
█ █▓ cosmic fans to find any point of █▓ █
█ █▓ entry or engagement in the duo's █▓ █
█ █▓ brainy studio play. Now, the two █▓ █
█ █▓ have split for a while to pursue █▓ █
█ █▓ other projects. Lindstr°m unveiled █▓ █
█ █▓ one of the year's best with the █▓ █
█ █▓ '80s pop-disco pastiche, Real Life █▓ █
█ █▓ is No Cool. Prins Thomas, on the █▓ █
█ █▓ other hand, finally hits us with █▓ █
█ █▓ his first album under his own name, █▓ █
█ █▓ the starkly titled/artworked (and, █▓ █
█ █▓ yes, long overdue) Prins Thomas. █▓ █
█ █▓ █▓ █
█ █▓ Following in the tradition of II, █▓ █
█ █▓ the album's essentially an extended █▓ █
█ █▓ fuzzbrain jam. But without █▓ █
█ █▓ sacrificing his need for █▓ █
█ █▓ spontaneity from a creative █▓ █
█ █▓ standpoint, on Prins Thomas there █▓ █
█ █▓ are just enough melodic passages to █▓ █
█ █▓ bring the noodlier bits into █▓ █
█ █▓ cohesion as a single work. If II █▓ █
█ █▓ seemed to unspool into a void, here █▓ █
█ █▓ you get a better sense of the █▓ █
█ █▓ shapes and patterns Thomas is █▓ █
█ █▓ forming. █▓ █
█ █▓ █▓ █
█ █▓ Sliding through the Michael █▓ █
█ █▓ Rother-esque "╪rkenvandring," the █▓ █
█ █▓ stunning Spaghetti Western guitar █▓ █
█ █▓ breakthrough of "Uggebugg" (see █▓ █
█ █▓ 3:45, one of the █▓ █
█ █▓ sit-up-and-take-notice moments I █▓ █
█ █▓ referred to earlier), or the █▓ █
█ █▓ rambling, Krauty synths of █▓ █
█ █▓ "Slangemusikk," Thomas incorporates █▓ █
█ █▓ over 40 years of psychedelic █▓ █
█ █▓ beatmusic into these seven lengthy █▓ █
█ █▓ cuts. More directly allusive, █▓ █
█ █▓ "Wendy Not Walter"ùa nod to █▓ █
█ █▓ transgender synthesizer pioneer █▓ █
█ █▓ Wendy Carlos on which Lindstr°m █▓ █
█ █▓ offers up some warbly █▓ █
█ █▓ clavinetùsounds closer to the █▓ █
█ █▓ billowy kosmische HPL mastered on █▓ █
█ █▓ 2008's Where You Go I Go Too. But █▓ █
█ █▓ all of the record's meandering █▓ █
█ █▓ wouldn't come into focus without █▓ █
█ █▓ the two tracks which bring it to a █▓ █
█ █▓ closeùthe crisp star-gazer funk of █▓ █
█ █▓ "Natt°nsket" and the morning-glory █▓ █
█ █▓ glide of closer "Attiatte." █▓ █
█ █▓ Fittingly, both assimilate Thomas' █▓ █
█ █▓ talent for the slow ascent, so █▓ █
█ █▓ evident in his remixes, with the █▓ █
█ █▓ hirsute, foggy headed jams █▓ █
█ █▓ displayed on the best of his own █▓ █
█ █▓ productions. A best of both worlds █▓ █
█ █▓ of sorts: delightful and still kind █▓ █
█ █▓ of delirious, and arguably a better █▓ █
█ █▓ record than either of those under █▓ █
█ █▓ his better known partnership. █▓ █
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█ █▓ █▓ █
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