██░
██░ ██░
███░ ██░███████ ██░ ███░▓
███████░ ██░▀▀▀▀██████████████░▓
███████████░ ████████░██░██████████░█░▓
███████████░ ██████████░▀▀████░▀▀▀▒▒▓
███░█████░ ██████░ ███░▀████░ ████░ ▒▒▓
███░ ████░ ███░██░ ███░ ███░ ████░ ▒▒▓▀
███░ ███░ ███░██░ ███░████░ ████░ ▒▒▓▀
███░ ███░ ██░ ██░ ██████████░ ████░ ▒▒▒▓
███░ ████░██████░▀▀█████████████░ ████░ ▀▀▒▓
███░ ████░ ████░▀ ███░▀▀████░ ████░ ▒▓
███░████░▀ ███░▀ ███░ ████░ ████░ ▒▒▓
███░████░▀ ███░ ██░ ███░ ████░▀ ████░ ▒▓▀
███████░▓ ████░███░ ███░█████░▓ ████░ ▒▓
██████░▒▓ ███████░ ████████░▒▒▓ ███░ ▓▀
███████░▀▒▓ ░░░░░░░▀████████░▀ ▒▓ ███░ ▓
██████░▀▒▒▓ ▒▒▓▀▀▒▓ .█████░▒▓▀ ▒▒▓ ████░ ▓
████░▀ ▒▓▀ ▒▒▓ .▒▓ |███░▀▒▓▒▒▒▓▀ ███░▀ ▀
██░▒▓ ▒▒▓ ▀▒▒▓|▒▒▓/███░▒▒▓▒▓▀▀ ███░
██░▒▒▓ ▒▓ -'-, \▒| ██,'▒▓▀▒▒▓ █████░█
██░▀▒▓ ▒▓ . ▒▒▓▀\▒░-'`█░,.-▀▒▒▓ ███████
░████░▒▒▓ ▒▓ `.,▀ ▓░▓/'` ▒▓ ▀▒▓ ███░███
░████░▒▓ ▒▒▓ -'',▒`'▓░░░▓██░ ▒▓_/`▓ ██░▓█
░░▄▄██▀▀▀ ░░▀▒▓ ▓▓▀ \▒▓░░░░░▓---',.-▓▀ ██░▓█ ▀▀▀██▄▄░░
▄ ▄███▀░░ ▀▀ ▒▓ ▀▀ `. ▓░░░░░░░▓░,'▓▀ , ██▓█ ░░▀███▄ ▄
▄▄░███▓░▄ ░ ▒▓ `'--▓░░░()░░░▓ ▓.'`▀` ░░▓██ ░ ▄░▓███░▄▄
░▓███▓▓░ ▀ ▄▓▄ ▓ -'''-, ▓░░░░░░░░░░░▓` , ▄▓▄ ▀ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ ▓░░░░░░░░░░░░░▓---''` ▀ ░ ▄░░▓████░▄
░▓█████▄░░ ▀ ▄ -''▓░░░░░░░░░░░░░░░▓, ▄ ▀ ░░▄█████▓░
▀░▓███████▄▄▄░ -` ,.▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ '-,,,. ░▄▄▄███████▓░▀
░▀▀ ▀▀████████████▀▀ ,` ` | / \ | ▀▀████████████▀▀▀▀
▀ ▄ ░░▓████▀▀░ / --'` / \ `' \ ░▀▀████▓░░ ▄
▄░████▓░ ▀ ▓░░░░░░░░░░░░░░░░░▓ ▀ ▓████░▄
▄ ░████▓░▀ ▓░░░░░░░░░░░░░░░░░░░▓ ▀▓████░ ▄
░ ▄▓████░ ▓░░░░░░░░░░░░░░░░░░░░░▓ ░████▓▄ ░
▀▄░████▓░▄ ▄ ▓░░░░░░░░░░░░░░░░░░░░░░░▓ ▄░▓████░▄▀
░▓████▓░░▄▄ ▄ ▓░░░░░░░░░░░░░░░░░░░░░░░░░▓ ▄ ▄▄░░▓████▓░
░▓█████▓░░░ ░ ▄ ▓░░░░░░░░░░░░░░░░░░░░░░░░░░░▓ ▄ ░ ░░░▓█████▓░
▀░▀████████▄▀▄░ ▓░░░░░░░░░░░░░░░░░░░░░░░░░░░░░▓ ░▄▄▀████████▀░▀▀
▄▓▄▀ ░█▀▀██████████▓░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░▓█░██████████▀▀█ ▀
▀ ▀█ ░░ ░ ░░▓░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░▓▀░░░ ░ ░░ █
█ ░▀ ▀▄ ░█▓░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░▓▀██░ ▀ ▀░ █
▓ ░ ░██░▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀███▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ░██░ ░ ▓
░ ▀ ░▓██▓░░░▓████ ▄▄█▓█▄▄ ████▓░░░▓██▓░░ ▀ ░
▄ ▀░██████████░ ▄ ███░▒▓▒░███ ▄ ██████████░▀▀ ▄
░ ▀░▓█████▀▀░▀ ▄███▄▀▀██▒██▀▀▄███▄▄ ▀▀█████▓░▀ ░
▀ ▀▀▓ ░ ▀ ░███▓░▀ █▒█ ▀░▓███░ ▓▀▀ ▀
░ ░ ▀░▀██▄ ▐░▌ ▄██▀░▀ ▄ ░
░ ▀ ▄░▀██▄ ▐░▌ ▄██▀░▄ ░ ░
▄ ▄ ▓ ░███▓░▄ ▐█▌ ▄░▓███░ ░ ▓▄▄ ▄
░ ▄░▓█████▀▀ ▄███▀░▄▄█▓█▄▄░▀███▄▀ ░▀▀█████▓░▄ ░
▄ ▄▄░██████████ ▄▓███░▒▓▒░███▓▄ ░██████████░▄ ▀
░ ▄ ░░▓██▓░░░▓████░░▀██▀▄▄▀██▒██▀▄▄▀██▀░░████▓░░░▓██▓░ ▄ ░
▓ ░ ▀▀░██░▀▀░░▓███▓██▓░ █▒█ ▀ ░▓██▓███▓░░ ░██░▀ ░ ▓
█ ░▄ ▄ ▀░██▀▀▀░▓███░██░▀ ▐░▌ ▄▓▄ ▀░██░███▓░ ▀▀██░▀▄▄ ▄░ █
█ ░░ ░ ▀░░░▀▀▓███░▀ ▄█▓▀ ▐░▌ ▀▓█▄ ▀░███▓▀▀░░░▀ ░ ░░ █ ▀
▄ █▀▀███████╔════════════════════█═══════════════════╗████████▀▀█░ ▄▓▄
▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
░▓█████▓░░░ ░ ╚═════╗ ╔════════╝▀ ░ ░░░▓█████▓░
▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
▄▀░████▓╔═══════════════════════╩═════════════════════════╩══════════════════════════╗▓████░▀▄
▐░ ▀▓████║ Karl_Bohm-Beethoven_Symphonie_No_6_Pastoral_-_Schubert_Symphonie_No ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
▀ ▀▀█████▀░████ ▄ ▄ ░▓████░▀ ████▀▀ ▀
▄ ░░▓████▀▀░ ░▀▀████▓░░ ▄ ▄
▄▄▀▀███████████▀▀▀ ▀▀████████████▀▀ ░
▄░▓███████▄▄▄░ ARTiST.... Karl Bohm ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... Beethoven: Symphonie No. 6 "Pastoral" / █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... DG ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Classical ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-07-06 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2010-00-00 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 223 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 9 / 74:05 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 123.65 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
░▓█████▄░░ ▄ ▄ ░░▄█████▓░
▄░▓███████▄▄▄░ ░▄▄▄███████▓░▀
░▀▀ ▀▀████████████▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄████████████▀▀▀▀
▀ ▄ ░░▓█▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀████▓░░ ▄
▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 Symphony No.6 in F, Op.68 -"Pastoral" - 1. 12:20 ████▓▄ ░
░ ▄▓████ Erwachen heiterer Empfindungen bei der ████▓▄ ░
░ ▄▓████ Ankunft auf dem Lande: Allegro ma non ████▓▄ ░
░ ▄▓████ troppo ████▓▄ ░
░ ▄▓████ 2 Symphony No.6 in F, Op.68 -"Pastoral" - 2. 13:59 ████▓▄ ░
░ ▄▓████ Szene am Bach: (Andante molto mosso) ████▓▄ ░
░ ▄▓████ 3 Symphony No.6 in F, Op.68 -"Pastoral" - 3. 5:49 ████▓▄ ░
░ ▄▓████ Lustiges Zusammensein der Landleute ████▓▄ ░
░ ▄▓████ (Allegro) ████▓▄ ░
░ ▄▓████ 4 Symphony No.6 in F, Op.68 -"Pastoral" - 4. 3:41 ████▓▄ ░
░ ▄▓████ Gewitter, Sturm (Allegro) ████▓▄ ░
░ ▄▓████ 5 Symphony No.6 in F, Op.68 -"Pastoral" - 5. 9:56 ████▓▄ ░
░ ▄▓████ Hirtengesang. Frohe und dankbare Gef¿╣hle ████▓▄ ░
░ ▄▓████ nach dem Sturm: Allegretto ████▓▄ ░
░ ▄▓████ 6 Symphony No.5 in B flat, D.485 - 1. 5:48 ████▓▄ ░
░ ▄▓████ Allegro ████▓▄ ░
░ ▄▓████ 7 Symphony No.5 in B flat, D.485 - 2. 10:47 ████▓▄ ░
░ ▄▓████ Andante con moto ████▓▄ ░
░ ▄▓████ 8 Symphony No.5 in B flat, D.485 - 3. 5:54 ████▓▄ ░
░ ▄▓████ Menuetto (Allegro molto) ████▓▄ ░
░ ▄▓████ 9 Symphony No.5 in B flat, D.485 - 4. 5:51 ████▓▄ ░
░ ▄▓████ Allegro vivace ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 74:05 MIN ████▓░
░▓███████▄ TOTAL SIZE: 123.65 MB▄█████▓░
▀░▀████████▄ ▄█████▀░▀▀
▄▓▄▀ ░█▀▀█████████████▄▄ ▄ ▄ ▄ ▄ ▄▄█████████████▀▀█ ▀
▀ ▀█ ░░▀░ ▄░░░▀▀▓███░▄ ▄█▓▀ ▀▓█▄ ▄░███▓▀▀░░░ ░ ░░ █
█ ░▀ ▀▄▄░██▀▀▄░▓███░██░▀ ▀░██░███▓░▄▀▀██░ ▀ ▀░ █
▓ ░ ▄░██░▄▄░░▓███▓██▓░ ▄ ░▓██▓███▓░░▄▄░██░ ░ ▓
░ ▀ ░▓██▓░░░▓████░░▀██▄▄▄▄▄█▓█▄▄▄▄▄██▀░░████▓░░░▓██▓░░ ▀ ░
▀ ▀░██████████░▀▀ ▄▓███░▒▓▒░███▓▄ ▀▀ ██████████░▀▀ ▀
░ ▀░▓█████▀▀░▀ ▄███▀░▀██▒██▀░▀███▄ ▀▀█████▓░ ░
▀ ▀▀▓ ░ ▀ ░███▓░▀ █▒█ ▀░▓███░ ▓▀▀ ▀
░ ░ ▀░▀██▀ █░█ ▀██▀░▀ ▄ ░
░ ▀ ░▀██▄ ▐░▌ ▄██▀░▄ ░ ░
▄ ▄▄▓ ▄ ░███▓░▄ ▐█▌ ▄░▓███░ ▄ ░ ▓▄▄ ▄
░ ▄░▓█████▀▀░ ▀▄███▀░▄▄█▓█▄▄░▀███▄▀ ░▀▀█████▓░▄ ░
▀ ▄▄░██████████ ▄▄ ▄▓███░▒▓▒░███▓▄ ░██████████░▄ ▀
░ ▄ ░░▓██▓░░░▓████░░▀██▄▄▄▀██▒██▀▄▄▄██▀░░████▓░░░▓██▓░ ▄ ░
▓ ░ ▀▀░██░▀▀░░▓███▓██▓░ █▒█ ▀ ░▓██▓███▓░░▀▀░██░▀ ░ ▓
█ ░▄ ▄ ▀░██▀▀▀░▓███░██░▀ ▐░▌ ▄▓▄ ▀░██░███▓░▀▀▀██░▀▄▄ ▄░ █
█ ░░ ░ ▀░░░▀▀▓███░▀ ▄█▓▀ ▐░▌ ▀ ▀▓█▄ ▀░███▓▀▀░░░▀ ░ ░░ █▄ ▄
▄ █▀▀█████████████▄▄ ▀ ▀ ▀ ▀ ▀ ▄▄█████████████▀▀█░ ▄▄▓▄
▄▄░▀█████╔════════════════════════════════════════════════════╗██████▀░▄▀
░▓█████▓░╟─────────────────────────────────────RELEASE NOTES╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ This is one of my favorite recordings ever. Karl ║▀░▓████░▀▄
▄▀░████▓░▀║ B?hm, one of the most sadly underrated conductors ║▀░▓████░▀▄
▄▀░████▓░▀║ of the twentieth century, turns in an absolutely ║▀░▓████░▀▄
▄▀░████▓░▀║ magical interpretation of Beethoven's gorgeous ║▀░▓████░▀▄
▄▀░████▓░▀║ Sixth. It is difficult to describe what makes ║▀░▓████░▀▄
▄▀░████▓░▀║ this such a miraculous performance. The main ║▀░▓████░▀▄
▄▀░████▓░▀║ reason is that B?hm doesn't feel the need to give ║▀░▓████░▀▄
▄▀░████▓░▀║ us "Karl B?hm's version of Beethoven's Sixth ║▀░▓████░▀▄
▄▀░████▓░▀║ Symphony." He simply allows Beethoven to speak ║▀░▓████░▀▄
▄▀░████▓░▀║ directly to us, with his conducting merely ║▀░▓████░▀▄
▄▀░████▓░▀║ enhancing and intensifying what is already in the ║▀░▓████░▀▄
▄▀░████▓░▀║ music. He paints the symphony vividly and with an ║▀░▓████░▀▄
▄▀░████▓░▀║ enormous range of astonishingly beautiful colors ║▀░▓████░▀▄
▄▀░████▓░▀║ - he draws the most intoxicating orchestral ║▀░▓████░▀▄
▄▀░████▓░▀║ playing I have ever heard, on any set, out of the ║▀░▓████░▀▄
▄▀░████▓░▀║ Vienna Philharmonic Orchestra. The sound is ║▀░▓████░▀▄
▄▀░████▓░▀║ unbelievably gorgeous, but it's always ║▀░▓████░▀▄
▄▀░████▓░▀║ meaningful, and is always a true Beethoven sound. ║▀░▓████░▀▄
▄▀░████▓░▀║ The strings' translucent radiance and refined ║▀░▓████░▀▄
▄▀░████▓░▀║ beauty are truly stunning, the brass is ║▀░▓████░▀▄
▄▀░████▓░▀║ enormously rich and sonorous, the timpani are ║▀░▓████░▀▄
▄▀░████▓░▀║ clear and incisive, but the most amazing section ║▀░▓████░▀▄
▄▀░████▓░▀║ of the orchestra is the woodwind. The flute, ║▀░▓████░▀▄
▄▀░████▓░▀║ oboe, clarinet and bassoon all produce the most ║▀░▓████░▀▄
▄▀░████▓░▀║ glorious sound, phrasing ardently and radiating ║▀░▓████░▀▄
▄▀░████▓░▀║ an almost otherworldly light. The tender beauty ║▀░▓████░▀▄
▄▀░████▓░▀║ of the flute and oboe solos in the central ║▀░▓████░▀▄
▄▀░████▓░▀║ section of the Scene by the Brook is almost ║▀░▓████░▀▄
▄▀░████▓░▀║ overwhelming. That movement is perhaps the most ║▀░▓████░▀▄
▄▀░████▓░▀║ exceptional part of an exceptional recording. ║▀░▓████░▀▄
▄▀░████▓░▀║ B?hm takes fourteen minutes over this movement, ║▀░▓████░▀▄
▄▀░████▓░▀║ but he has the extremely rare gift of superbly ║▀░▓████░▀▄
▄▀░████▓░▀║ sustaining slow tempi, with the result that this ║▀░▓████░▀▄
▄▀░████▓░▀║ performance flows more smoothly than many much ║▀░▓████░▀▄
▄▀░████▓░▀║ quicker performances, while the actual ║▀░▓████░▀▄
▄▀░████▓░▀║ spaciousness of the tempo aids the conveying of ║▀░▓████░▀▄
▄▀░████▓░▀║ the movement's stillness and serenity. A slower ║▀░▓████░▀▄
▄▀░████▓░▀║ tempo also means the movement is longer, a cause ║▀░▓████░▀▄
▄▀░████▓░▀║ for rejoicing when given the level of the ║▀░▓████░▀▄
▄▀░████▓░▀║ performance! B?hm's orchestral sound and texture ║▀░▓████░▀▄
▄▀░████▓░▀║ in this movement is also exceptional, with ║▀░▓████░▀▄
▄▀░████▓░▀║ woodwinds and violins soaring over a rustling, ║▀░▓████░▀▄
▄▀░████▓░▀║ gloriously warm and transparent bass including ║▀░▓████░▀▄
▄▀░████▓░▀║ two gorgeous solo cellos. But it's wrong to ║▀░▓████░▀▄
▄▀░████▓░▀║ single out one movement of this exceptionally ║▀░▓████░▀▄
▄▀░████▓░▀║ cohesive, unified recording. The first movement ║▀░▓████░▀▄
▄▀░████▓░▀║ is twelve minutes of pure delight. B?hm takes a ║▀░▓████░▀▄
▄▀░████▓░▀║ very sensible tempo, one which allows the music ║▀░▓████░▀▄
▄▀░████▓░▀║ time to breath and unfold without ever impeding ║▀░▓████░▀▄
▄▀░████▓░▀║ the flow of the music. His performance is ║▀░▓████░▀▄
▄▀░████▓░▀║ wonderfully feeling and emotional without ever ║▀░▓████░▀▄
▄▀░████▓░▀║ becoming sentimental: indeed, he is one of the ║▀░▓████░▀▄
▄▀░████▓░▀║ very few conductors who don't kill the very first ║▀░▓████░▀▄
▄▀░████▓░▀║ phrase by indulging in a big ritardando at its ║▀░▓████░▀▄
▄▀░████▓░▀║ close. He takes the exposition repeat, which ║▀░▓████░▀▄
▄▀░████▓░▀║ enhances the structure of the movement and ║▀░▓████░▀▄
▄▀░████▓░▀║ balances the symphony as a whole. The Scene by ║▀░▓████░▀▄
▄▀░████▓░▀║ the Brook, as I have mentioned, is glorious. The ║▀░▓████░▀▄
▄▀░████▓░▀║ Scherzo is just as fabulous. B?hm takes what I ║▀░▓████░▀▄
▄▀░████▓░▀║ suppose is a somewhat slower tempo than usual, ║▀░▓████░▀▄
▄▀░████▓░▀║ but it's hard to tell because it has such a ║▀░▓████░▀▄
▄▀░████▓░▀║ strong rhythmic pulse and drive that it's ║▀░▓████░▀▄
▄▀░████▓░▀║ impossible to say the tempo is slow. Rather, he ║▀░▓████░▀▄
▄▀░████▓░▀║ gives every note time to be articulated clearly, ║▀░▓████░▀▄
▄▀░████▓░▀║ something many swifter performances miss. It is ║▀░▓████░▀▄
▄▀░████▓░▀║ the vivid country atmosphere to the performance ║▀░▓████░▀▄
▄▀░████▓░▀║ that is most compelling, though. He also takes ║▀░▓████░▀▄
▄▀░████▓░▀║ the repeat. The storm is absolutely terrifying, ║▀░▓████░▀▄
▄▀░████▓░▀║ probably the most vivid performance of this ║▀░▓████░▀▄
▄▀░████▓░▀║ movement on disc, firmly refuting any notion that ║▀░▓████░▀▄
▄▀░████▓░▀║ B?hm was an uninvolving or boring conductor. The ║▀░▓████░▀▄
▄▀░████▓░▀║ rainbow-like transition to the finale is handled ║▀░▓████░▀▄
▄▀░████▓░▀║ with superb skill, and the glorious finale itself ║▀░▓████░▀▄
▄▀░████▓░▀║ flows serenely from the opening horn-call to the ║▀░▓████░▀▄
▄▀░████▓░▀║ miraculously beautiful, almost religiously ║▀░▓████░▀▄
▄▀░████▓░▀║ fervent sotto voce string chorale in the coda ║▀░▓████░▀▄
▄▀░████▓░▀║ nine minutes later. This performance is ║▀░▓████░▀▄
▄▀░████▓░▀║ remarkable for its ability to evoke an emotion or ║▀░▓████░▀▄
▄▀░████▓░▀║ scene vividly. The emotions this performance ║▀░▓████░▀▄
▄▀░████▓░▀║ produces in the listener, both during and after ║▀░▓████░▀▄
▄▀░████▓░▀║ listening, are better experienced than described. ║▀░▓████░▀▄
▄▀░████▓░▀║ All I'm going to say is that this is one of the ║▀░▓████░▀▄
▄▀░████▓░▀║ most magical, overwhelming recordings ever made. ║▀░▓████░▀▄
▄▀░████▓░▀║ The coupling is a delightful performance of the ║▀░▓████░▀▄
▄▀░████▓░▀║ Schubert Fifth, made a few years later. It is ║▀░▓████░▀▄
▄▀░████▓░▀║ characterized by the same radiant orchestral ║▀░▓████░▀▄
▄▀░████▓░▀║ playing the Pastoral enjoys, and a delightful ║▀░▓████░▀▄
▄▀░████▓░▀║ feeling of playfulness and joy. This disc is one ║▀░▓████░▀▄
▄▀░████▓░▀║ of the greatest achievements in the history of ║▀░▓████░▀▄
▄▀░████▓░▀║ recorded music, and is an unbeatable bargain at ║▀░▓████░▀▄
▄▀░████▓░▀║ mid-price. The Pastoral is one of the most ║▀░▓████░▀▄
▄▀░████▓░▀║ emotional, magical, and miraculous experiences ║▀░▓████░▀▄
▄▀░████▓░▀║ recordings can convey. I have listened to this ║▀░▓████░▀▄
▄▀░████▓░▀║ recording at least fifty times, and I have never ║▀░▓████░▀▄
▄▀░████▓░▀║ found the smallest flaw in it. This is one of ║▀░▓████░▀▄
▄▀░████▓░▀║ those very few great recordings I just can't say ║▀░▓████░▀▄
▄▀░████▓░▀║ enough about. Seventy-four minutes of sheer ║▀░▓████░▀▄
▄▀░████▓░▀║ bliss. Enjoy! ║▀░▓████░▀▄
░ ▀▓████▀ ║ ║▄░████▓▀ ░
▀ ░████▓▄║ ║░▓████░ ▀
▀░████▓╟──────────────────────────────────────────────────╢▓████░▀
▄ ░░▓███╠════════════════════════════════════════════QUOTES╢╣███▓░░ ▄ ▄
░▄▄ ▀▀██████║ ║██████▀▀ ▄▄░
▀░▓███████▄▄║ If you prick us do we not bleed? If you tickle us ║▄▄███████▓░▀
▀░▓███████▄▄║ do we not laugh? If you poison us do we not die? ║▄▄███████▓░▀
▀░▓███████▄▄║ And if you wrong us shall we not revenge? ║▄▄███████▓░▀
▀░▓███████▄▄║ ║▄▄███████▓░▀
▀░▓███████▄▄║ -- William Shakespeare ║▄▄███████▓░▀
░▓█████▄░░ ▄║ ║▄ ░░▄█████▓░
░▄▄ ▀▀██████╟──────────────────────────────────────────────────╢██████▀▀ ▄▄░
▀░▓███████▄▄╠════════════════════════════════════════════════════╣▄▄███████▓░▀
▄▄▀▀██████╟────────────────────────────────────────GROUP NEWS╢██████▀▀ ▄▄░
▄░▓███████▄║ DeBT is in need of SECURE affils ║▄▄███████▓░▀
░▓█████▄░░ ║ ║▄ ░░▄█████▓░
░████▓░░▀ ║ pre-release suppliers, bookware ║░ ▀░░▓████░▀
░▓███▓▓░ ║ ║▄ ░▓▓███▓░
▀▀░███▓░▄▄║ suppliers, iNT rippers, shell accounts, ║░▄▄░▓███░▀▀
▀ ▄███▀░║ ║░░▀███▄ ▀
░░▄▄█║ coders, crackers and anything else ║██▄▄░░
▄▄░▀█████║ ║██████▀░▄▀
░▓█████▓░║ that may be of use to us. ║░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ ║▀░▓████░▀▄
░ ▀▓████▀ ║ ║▄░████▓▀ ░
▀ ░████▓▄║ DeBT is dedicated to bringing ║░▓████░ ▀
▀░████▓║ ║▓████░▀
▄ ░░▓███║ you the best of the old, new and forgotten in a ║███▓░░ ▄ ▄
▄▄▀▀██████║ ║██████▀▀ ▄▄░
▄░▓███████▄║ variety of sections. If you think you have ║▄▄███████▓░▀
░▓█████▄░░ ║ ║▄ ░░▄█████▓░
░████▓░░▀ ║ what it takes don't hesitate to contact us. ║░ ▀░░▓████░▀
░▓███▓▓░ ║ ║▄ ░▓▓███▓░
▀▀░███▓░▄▄║ Keep it scene. Keep it safe. ║░▄▄░▓███░▀▀
▀ ▄███▀░║ ║░░▀███▄ ▀
░░▄▄█║ ║██▄▄░░
▄▄░▀█████║ C O N T A C T D e B T ║██████▀░▄▀
░▓█████▓░║ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ║░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ DeBTisSlaV3rYSTuPiD@GMail.com ║▀░▓████░▀▄
░ ▀▓████▀ ║ ║▄░████▓▀ ░
▀ ░████▓▄║ ║░▓████░ ▀
▀░████▓╟──────────────────────────────────────────────────╢▓████░▀
▄ ░░▓███╚════════════════════════════════════════════════════╝███▓░░ ▄ ▄
▄▄▀▀████████████▀▀▄▄ ▄▄▀▀████████████▀▀ ▄▄░
▄░▓███████▄▄███████▓░▄ ▄░▓███████▄▄▄███████▓░▀
░▓█████▄░░ ░░▄█████▓░ ░▓█████▄░░ ▄ ░░▄█████▓░
░████▓░░▀ ▀░░▓████░ ░████▓░░▀ ░ ▀░░▓████░▀
░▓███▓▓░ ░▓▓███▓░ ░▓███▓▓░ ▄ ░▓▓███▓░
▀▀░███▓░▄▄▄▄░▓███░▀▀ ▀▀░███▓░▄▄░▄▄░▓███░▀▀
▀ ▄███▀░░▀███▄ ▀ ▀ ▄███▀░░░▀███▄ ▀
░░▄▄██▄▄░░ ░░▄▄███▄▄░░