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▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
░▓█████▓░░░ ░ ╚═════╗ ╔════════╝▀ ░ ░░░▓█████▓░
▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
▄▀░████▓╔═══════════════════════╩═════════════════════════╩══════════════════════════╗▓████░▀▄
▐░ ▀▓████║ Itzhak_Perlman-Berg_-_Stravinsky_Violin_Concertos-CN_Import-2010-De ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
▀ ▀▀█████▀░████ ▄ ▄ ░▓████░▀ ████▀▀ ▀
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▄▄▀▀███████████▀▀▀ ▀▀████████████▀▀ ░
▄░▓███████▄▄▄░ ARTiST.... Itzhak Perlman ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... Berg / Stravinsky: Violin Concertos █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... DG ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Classical ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-07-13 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2010-00-00 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 223 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 7 / 57:17 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 96.18 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
░▓█████▄░░ ▄ ▄ ░░▄█████▓░
▄░▓███████▄▄▄░ ░▄▄▄███████▓░▀
░▀▀ ▀▀████████████▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄████████████▀▀▀▀
▀ ▄ ░░▓█▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀████▓░░ ▄
▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 Violin Concerto "To the Memory of an 11:00 ████▓▄ ░
░ ▄▓████ Angel" - 1. Andante - Allegro ████▓▄ ░
░ ▄▓████ 2 Violin Concerto "To the Memory of an 14:59 ████▓▄ ░
░ ▄▓████ Angel" - 2. Allegro - Adagio ████▓▄ ░
░ ▄▓████ 3 Violin Concerto in D - 1. Toccata 5:46 ████▓▄ ░
░ ▄▓████ 4 Violin Concerto in D - 2. Aria I 4:18 ████▓▄ ░
░ ▄▓████ 5 Violin Concerto in D - 3. Aria II 5:40 ████▓▄ ░
░ ▄▓████ 6 Violin Concerto in D - 4. Capriccio 6:03 ████▓▄ ░
░ ▄▓████ 7 Tzigane 9:31 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 57:17 MIN ████▓░
░▓███████▄ TOTAL SIZE: 96.18 MB▄█████▓░
▀░▀████████▄ ▄█████▀░▀▀
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░▓█████▓░╟─────────────────────────────────────RELEASE NOTES╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ In reviewing these two ultra-modern violin ║▀░▓████░▀▄
▄▀░████▓░▀║ concertos, I'll start with the later. ║▀░▓████░▀▄
▄▀░████▓░▀║ Stravinsky's Violin Concerto comes from his ║▀░▓████░▀▄
▄▀░████▓░▀║ "Neo-Classical" phase. I must admit that aside ║▀░▓████░▀▄
▄▀░████▓░▀║ from "The Rite of Spring" and "Ebony Concerto", ║▀░▓████░▀▄
▄▀░████▓░▀║ there is not much in Stravinsky that moves me. ║▀░▓████░▀▄
▄▀░████▓░▀║ Stravinsky, to me, is very difficult and ║▀░▓████░▀▄
▄▀░████▓░▀║ cerebral. I suppose his "Neo-Classicism" was an ║▀░▓████░▀▄
▄▀░████▓░▀║ attempt to get back to the style of Haydn and ║▀░▓████░▀▄
▄▀░████▓░▀║ Mozart (which involved stripping away all forms ║▀░▓████░▀▄
▄▀░████▓░▀║ of Romantic and late-Romantic sentiment). To me, ║▀░▓████░▀▄
▄▀░████▓░▀║ this music (including this Violin Concerto), ║▀░▓████░▀▄
▄▀░████▓░▀║ sounds somewhat tart and soul-less (albeit Igor ║▀░▓████░▀▄
▄▀░████▓░▀║ seems to have been a rather tart and snooty ║▀░▓████░▀▄
▄▀░████▓░▀║ person). Haydn and Mozart were Classical ║▀░▓████░▀▄
▄▀░████▓░▀║ composers in the true sense, but their music also ║▀░▓████░▀▄
▄▀░████▓░▀║ had a good dose of inner warmth and humor. I find ║▀░▓████░▀▄
▄▀░████▓░▀║ much of Stravinsky quite humorless and cold. I ║▀░▓████░▀▄
▄▀░████▓░▀║ personally think that Prokofiev did a better (or ║▀░▓████░▀▄
▄▀░████▓░▀║ at least more entertaining) job of reaching a ║▀░▓████░▀▄
▄▀░████▓░▀║ "Neo-Classical" spirit in his "Classical" ║▀░▓████░▀▄
▄▀░████▓░▀║ symphony. I suppose, however, that the music ║▀░▓████░▀▄
▄▀░████▓░▀║ (including this Violin Concerto) is well-crafted. ║▀░▓████░▀▄
▄▀░████▓░▀║ When you hear Stravinsky, you know that you are ║▀░▓████░▀▄
▄▀░████▓░▀║ in the presence of greatness, but he is more of a ║▀░▓████░▀▄
▄▀░████▓░▀║ "musician's musician". So if you are a musician ║▀░▓████░▀▄
▄▀░████▓░▀║ and are into deep well-crafted music for the sake ║▀░▓████░▀▄
▄▀░████▓░▀║ of admiring such craftsmanship, you might ║▀░▓████░▀▄
▄▀░████▓░▀║ actually enjoy Stravinsky's Violin Concerto more ║▀░▓████░▀▄
▄▀░████▓░▀║ than I do. However, to make another comparison: ║▀░▓████░▀▄
▄▀░████▓░▀║ Brahms was also a master craftsman who can also ║▀░▓████░▀▄
▄▀░████▓░▀║ seem quite cold. When ones gets, however, more ║▀░▓████░▀▄
▄▀░████▓░▀║ aquainted with Brahms, one finds that underneath ║▀░▓████░▀▄
▄▀░████▓░▀║ the coldness, thickness and gruff exterior, that ║▀░▓████░▀▄
▄▀░████▓░▀║ Brahms has a heart and a core of warmth. I've had ║▀░▓████░▀▄
▄▀░████▓░▀║ a hard time finding much warmth in this Violin ║▀░▓████░▀▄
▄▀░████▓░▀║ Concerto by Stravinsky. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ Now the concerto by Alban Berg is another matter. ║▀░▓████░▀▄
▄▀░████▓░▀║ Berg comes from the infamous "Second School of ║▀░▓████░▀▄
▄▀░████▓░▀║ Vienna" headed by the uncompromising Arnold ║▀░▓████░▀▄
▄▀░████▓░▀║ Schoenberg. This is ultra-modern music of the ║▀░▓████░▀▄
▄▀░████▓░▀║ so-called "serial" or "Twelve Tone " variety. The ║▀░▓████░▀▄
▄▀░████▓░▀║ idea is to conquer or "liberate" music from ║▀░▓████░▀▄
▄▀░████▓░▀║ melody by using all twelve notes in each measure ║▀░▓████░▀▄
▄▀░████▓░▀║ so as to eliminate a "tonic center". In other ║▀░▓████░▀▄
▄▀░████▓░▀║ words, Berg doesn't want to create "tunes" per ║▀░▓████░▀▄
▄▀░████▓░▀║ se-nothing you can whistle to yourself afterwards ║▀░▓████░▀▄
▄▀░████▓░▀║ as with Beethoven's Fifth Symphony or ║▀░▓████░▀▄
▄▀░████▓░▀║ Tchaikovsky's "Nutcracker". You would think that ║▀░▓████░▀▄
▄▀░████▓░▀║ such a system would inspire music that nobody ║▀░▓████░▀▄
▄▀░████▓░▀║ would want to hear (and albeit, there are few ║▀░▓████░▀▄
▄▀░████▓░▀║ people on the street that identify Berg or ║▀░▓████░▀▄
▄▀░████▓░▀║ Schoenberg as their favorite composers). However, ║▀░▓████░▀▄
▄▀░████▓░▀║ in the case of this Violin Concerto by Berg, ║▀░▓████░▀▄
▄▀░████▓░▀║ there is a certain warmth and raw emotion that ║▀░▓████░▀▄
▄▀░████▓░▀║ comes through the fierce methodology. The ║▀░▓████░▀▄
▄▀░████▓░▀║ concerto was written as a remembrance for a ║▀░▓████░▀▄
▄▀░████▓░▀║ departed child, and parts of it are quite lovely, ║▀░▓████░▀▄
▄▀░████▓░▀║ sad, tense, and full of anguish. Berg even ║▀░▓████░▀▄
▄▀░████▓░▀║ manages to be "sweeping" in the Romantic ║▀░▓████░▀▄
▄▀░████▓░▀║ sense-almost like Wagner; except that Wagner is ║▀░▓████░▀▄
▄▀░████▓░▀║ melodic and Berg is more-so cloaked in mystery. I ║▀░▓████░▀▄
▄▀░████▓░▀║ have always liked Berg's Violin Concerto, both as ║▀░▓████░▀▄
▄▀░████▓░▀║ a Violin Concerto and as a "serial" or ║▀░▓████░▀▄
▄▀░████▓░▀║ "Twelve-Tone" work. Of all twelve-tone works, in ║▀░▓████░▀▄
▄▀░████▓░▀║ fact, I would say that along with Schoenberg's ║▀░▓████░▀▄
▄▀░████▓░▀║ chilling "Survivor from Warsaw", it the most ║▀░▓████░▀▄
▄▀░████▓░▀║ accesable and is the one I would recommend to the ║▀░▓████░▀▄
▄▀░████▓░▀║ casual listener of classical music. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ As for the performance, you can't get get much ║▀░▓████░▀▄
▄▀░████▓░▀║ better than Itzhak Perlman. Now that Isaac Stern ║▀░▓████░▀▄
▄▀░████▓░▀║ and Yehudi Menuhin are gone, he's probably the ║▀░▓████░▀▄
▄▀░████▓░▀║ greatest violinist alive today. He presents both ║▀░▓████░▀▄
▄▀░████▓░▀║ these concertos masterfully with a full, crisp ║▀░▓████░▀▄
▄▀░████▓░▀║ tone. Maestro Seiji Ozawa and the BSO provide ║▀░▓████░▀▄
▄▀░████▓░▀║ compoetant but not overbearing support. ║▀░▓████░▀▄
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