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▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
░▓█████▓░░░ ░ ╚═════╗ ╔════════╝▀ ░ ░░░▓█████▓░
▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
▄▀░████▓╔═══════════════════════╩═════════════════════════╩══════════════════════════╗▓████░▀▄
▐░ ▀▓████║ Seiji_Ozawa-Russo_Street_Music_Three_Pieces_-_Gershwin_An_American_ ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
▀ ▀▀█████▀░████ ▄ ▄ ░▓████░▀ ████▀▀ ▀
▄ ░░▓████▀▀░ ░▀▀████▓░░ ▄ ▄
▄▄▀▀███████████▀▀▀ ▀▀████████████▀▀ ░
▄░▓███████▄▄▄░ ARTiST.... Seiji Ozawa ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... Russo: Street Music; Three Pieces / █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... DG ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Classical ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-07-12 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2010-00-00 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 230 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 8 / 73:36 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 127.43 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
░▓█████▄░░ ▄ ▄ ░░▄█████▓░
▄░▓███████▄▄▄░ ░▄▄▄███████▓░▀
░▀▀ ▀▀████████████▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄████████████▀▀▀▀
▀ ▄ ░░▓█▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀████▓░░ ▄
▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 Corky Siegel - Street Music, Op.65 - A 8:16 ████▓▄ ░
░ ▄▓████ Blues Concerto - 1st Mvt ████▓▄ ░
░ ▄▓████ 2 Corky Siegel - Street Music, Op.65 - A 5:17 ████▓▄ ░
░ ▄▓████ Blues Concerto - 2nd Mvt ████▓▄ ░
░ ▄▓████ 3 Corky Siegel - Street Music, Op.65 - A 8:51 ████▓▄ ░
░ ▄▓████ Blues Concerto - 3rd Mvt ████▓▄ ░
░ ▄▓████ 4 Corky Siegel - Street Music, Op.65 - A 8:53 ████▓▄ ░
░ ▄▓████ Blues Concerto - 4th Mvt ████▓▄ ░
░ ▄▓████ 5 The Siegel-Schwall Band - Three Pieces for 8:08 ████▓▄ ░
░ ▄▓████ Blues Band and Symphony Orchestra, op.50 - ████▓▄ ░
░ ▄▓████ 1. 1st Part ████▓▄ ░
░ ▄▓████ 6 Stuart Canin - Three Pieces for Blues Band 8:58 ████▓▄ ░
░ ▄▓████ and Symphony Orchestra, op.50 - 2. 2nd ████▓▄ ░
░ ▄▓████ Part ████▓▄ ░
░ ▄▓████ 7 The Siegel-Schwall Band - Three Pieces for 7:10 ████▓▄ ░
░ ▄▓████ Blues Band and Symphony Orchestra, op.50 - ████▓▄ ░
░ ▄▓████ 3. 3rd Part ████▓▄ ░
░ ▄▓████ 8 San Francisco Symphony Orchestra - An 18:03 ████▓▄ ░
░ ▄▓████ American in Paris ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 73:36 MIN ████▓░
░▓███████▄ TOTAL SIZE: 127.43 MB▄█████▓░
▀░▀████████▄ ▄█████▀░▀▀
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▄▄░▀█████╔════════════════════════════════════════════════════╗██████▀░▄▀
░▓█████▓░╟─────────────────────────────────────RELEASE NOTES╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ Seiji Ozawa brought new life to the San Francisco ║▀░▓████░▀▄
▄▀░████▓░▀║ Symphony Orchestra during his tenure with the ║▀░▓████░▀▄
▄▀░████▓░▀║ orchestra as music director, 1970 to 1977. The ║▀░▓████░▀▄
▄▀░████▓░▀║ orchestra had been "rebuilt" under his ║▀░▓████░▀▄
▄▀░████▓░▀║ predecessor, Josef Krips, who led the orchestra ║▀░▓████░▀▄
▄▀░████▓░▀║ from 1963 to 1970, after nine years of decline ║▀░▓████░▀▄
▄▀░████▓░▀║ due to ineffective leadership under Enrique ║▀░▓████░▀▄
▄▀░████▓░▀║ Jorda. With Ozawa came youthful vitality, ║▀░▓████░▀▄
▄▀░████▓░▀║ including some very innovative programming and ║▀░▓████░▀▄
▄▀░████▓░▀║ strong, sound leadership. Those of us who were ║▀░▓████░▀▄
▄▀░████▓░▀║ privileged to attend SFSO concerts under Ozawa ║▀░▓████░▀▄
▄▀░████▓░▀║ (including this writer) have lasting memories of ║▀░▓████░▀▄
▄▀░████▓░▀║ some very wonderful concerts. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ A product of Ozawa's relationship with the SFSO ║▀░▓████░▀▄
▄▀░████▓░▀║ was its first recordings in 12 years. The ║▀░▓████░▀▄
▄▀░████▓░▀║ orchestra had last recorded in January 1960, for ║▀░▓████░▀▄
▄▀░████▓░▀║ RCA Victor, when the legendary maestro Pierre ║▀░▓████░▀▄
▄▀░████▓░▀║ Monteux returned to guest conduct the struggling ║▀░▓████░▀▄
▄▀░████▓░▀║ orchestra. They taped two romantic masterpieces, ║▀░▓████░▀▄
▄▀░████▓░▀║ Wagner's "Siegfried Idyll" and Richard Strauss' ║▀░▓████░▀▄
▄▀░████▓░▀║ "Death and Transfiguration." Enrique Jorda, music ║▀░▓████░▀▄
▄▀░████▓░▀║ director from 1954 to 1963, made only a few ║▀░▓████░▀▄
▄▀░████▓░▀║ recordings because the orchestra was having ║▀░▓████░▀▄
▄▀░████▓░▀║ serious problems under his leadership. Josef ║▀░▓████░▀▄
▄▀░████▓░▀║ Krips always said that the orchestra "wasn't ║▀░▓████░▀▄
▄▀░████▓░▀║ ready" to record again during his seven years ║▀░▓████░▀▄
▄▀░████▓░▀║ with the orchestra, despite some very fine ║▀░▓████░▀▄
▄▀░████▓░▀║ broadcast performances over local station KKHI. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ Ozawa developed a close relationship with ║▀░▓████░▀▄
▄▀░████▓░▀║ American composer William Russo that led to two ║▀░▓████░▀▄
▄▀░████▓░▀║ world premieres of that composer's remarkable ║▀░▓████░▀▄
▄▀░████▓░▀║ combinations of blues band and symphony ║▀░▓████░▀▄
▄▀░████▓░▀║ orchestra. "Street Music" was one of the works ║▀░▓████░▀▄
▄▀░████▓░▀║ premiered and it was an immediate "hit" with ║▀░▓████░▀▄
▄▀░████▓░▀║ audiences and critics. Fortunately, Deutsche ║▀░▓████░▀▄
▄▀░████▓░▀║ Grammophon decided to record this work at the ║▀░▓████░▀▄
▄▀░████▓░▀║ Flint Center at De Anza College in Cupertino, ║▀░▓████░▀▄
▄▀░████▓░▀║ California, where the orchestra gave some ║▀░▓████░▀▄
▄▀░████▓░▀║ occasional performances. This is fun, very lively ║▀░▓████░▀▄
▄▀░████▓░▀║ music and is a more modern counterpart to George ║▀░▓████░▀▄
▄▀░████▓░▀║ Gershwin's use of jazz in symphonic compositions. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ Ozawa's rendition of Gershwin's "An American ║▀░▓████░▀▄
▄▀░████▓░▀║ Paris" is particularly jazzy and well-performed. ║▀░▓████░▀▄
▄▀░████▓░▀║ Due to the San Francisco Symphony's long ║▀░▓████░▀▄
▄▀░████▓░▀║ relationship with Boston "Pops" conductor Arthur ║▀░▓████░▀▄
▄▀░████▓░▀║ Fiedler, who frequently conducted the orchestra ║▀░▓████░▀▄
▄▀░████▓░▀║ in summer concerts, the musicians were ║▀░▓████░▀▄
▄▀░████▓░▀║ well-acquainted not only with Gershwin's music ║▀░▓████░▀▄
▄▀░████▓░▀║ but some of the more upbeat arrangements of ║▀░▓████░▀▄
▄▀░████▓░▀║ popular music. The versatility of the orchestra ║▀░▓████░▀▄
▄▀░████▓░▀║ was seldom more apparent than in this wonderful ║▀░▓████░▀▄
▄▀░████▓░▀║ performance of Gershwin's musical recollections ║▀░▓████░▀▄
▄▀░████▓░▀║ of Paris in the 1920's. ║▀░▓████░▀▄
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