Slayer_-_Undisputed_Attitude_(Japan_Ed.)-1996-MCA_int

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MP3/FLAC
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MCA_int
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Date
2011-08-20

NFO

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│                      METAL CLASSICS ARCHIVE                       │
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│                         P R E S E N T S                           │
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│                                                                   │
│ +                 Slayer - Undisputed Attitude                 +  │
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│╔═════════════════════╗                                            │
│║ Release Information ║                                            │
│╠═════════════════════╩══════════════════════════════════════════╗ │
│║                                                                ║ │
│║  Release Date.Aug-20-2011    Encoder......L3.97 -V2 --vbr-new  ║ │
│║  Genre........Punk Rock      Graber.......EAC                  ║ │
│║  Year.........1996           Khz/Bitrate..44,1/ Br             ║ │
│║                                                                ║ │
│║  Ripper.......The_Patriarch  Songs........16                   ║ │
│║  Covers.......Yes            Url... www.slayer.net             ║ │
│║                                                                ║ │
│╚════════════════════════════════════════════════════════════════╝ │
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│╔═════════════════════╗                                            │
│║    Release Notes    ║                                            │
│╠═════════════════════╩══════════════════════════════════════════╗ │
│║                                                                ║ │
│║ Artist : Slayer                        Rating : You Decide!    ║ │
│║ Album  : Undisputed Attitude           Label  : BMG            ║ │
│║                                                                ║ │
│║                                                                ║ │
│╠════════════════════════════════════════════════════════════════╣ │
│║                                                                ║ │
│║      Description :                                             ║ │
│║                                                                ║ │
│║        Holy hell, this is good. It's nice to hear a            ║ │
│║        blast of what real old school hardcore sounds           ║ │
│║        like, unlike the sludgy groove metal dirges             ║ │
│║        youngsters associate with the style these days.         ║ │
│║        When I say "old school", I mean as in early             ║ │
│║        1980s, when hardcore was frenzied, furious at           ║ │
│║        the world at large, got in, made its point, and         ║ │
│║        got out inside of a minute and change, all at           ║ │
│║        about 100mph, with ranting screaming vocals and         ║ │
│║        energy to spare. Slayer have always made it             ║ │
│║        clear that this played a big part in their sound        ║ │
│║        and style, and this album is a very convincing          ║ │
│║        run through of some golden oldies from that era.        ║ │
│║        I'd rate it higher if it were an actual Slayer          ║ │
│║        album, since they've not had this kind of energy        ║ │
│║        since the days of "South of Heaven" and "Seasons        ║ │
│║        in the Abyss" (on the faster numbers from that          ║ │
│║        album anyway), but this is still a really good          ║ │
│║        album anyway.                                           ║ │
│║                                                                ║ │
│║        I give them credit for mostly not choosing              ║ │
│║        obvious bands (other than Minor Threat) from the        ║ │
│║        genre to cover, first of all; not many folks            ║ │
│║        these days remember the likes of D.I., TSOL, Dr.        ║ │
│║        Know, and Verbal Abuse. I could've done with a          ║ │
│║        Bad Brains tune or two, myself, but that's just         ║ │
│║        my preference. I think they were choosing mostly        ║ │
│║        West Coast bands since they're from L.A., and           ║ │
│║        that's perfectly OK, since, again, most of these        ║ │
│║        bands are not known at all to today's youth.            ║ │
│║                                                                ║ │
│║        It's well-produced, too, which makes these songs        ║ │
│║        have even more impact than the original versions        ║ │
│║        in that respect; the guitars have that trademark        ║ │
│║        grungy Slayer tone from back in the day, the            ║ │
│║        drums are perfectly mixed, and the bass is even         ║ │
│║        audible, something you don't hear on a Slayer           ║ │
│║        album. Then again, the bass led the charge much         ║ │
│║        of the time in hardcore's glory days, and Tom           ║ │
│║        Araya gets lots of chances to shine throughout          ║ │
│║        the album with a dirty bass sound that adds             ║ │
│║        healthy amounts of heft and grit to the overall         ║ │
│║        wall of sound, but it' s not so fuzzed out you          ║ │
│║        can't hear what he's doing. And he really beats         ║ │
│║        the crap out of the thing, too. To my surprise,         ║ │
│║        Paul Bostaph earns the award for "Most Improved"        ║ │
│║        on this album, as his drum performance here             ║ │
│║        leaves his sloppy showing on "Divine                    ║ │
│║        Intervention" in the dust in more ways than one.        ║ │
│║        He's far tighter and more intense on this album,        ║ │
│║        and the bits of double kick he throws in fit            ║ │
│║        well and don't come off as gratuitious at all,          ║ │
│║        to my surprise. It doesn't sound as though he's         ║ │
│║        triggered, either, which lends some more                ║ │
│║        credibility to his cause. Hannemann and King,           ║ │
│║        well, you know what to expect from them; tight          ║ │
│║        riffing and their usual noisy, chaotic                  ║ │
│║        soloing--not as much in evidence as usual here          ║ │
│║        since hardcore rarely featured lead guitar.             ║ │
│║                                                                ║ │
│║        Standouts? Lots of 'em! I really pick Dr. Know's        ║ │
│║        "Mr. Freeze" since it features some really nasty        ║ │
│║        and sinster lyrics and Araya lets out the most          ║ │
│║        chilling scream he'd let out in years at the            ║ │
│║        time at the end as he sings "You try to think           ║ │
│║        with reason/But all you can do is SCREAM!!!" In         ║ │
│║        fact. his vocals throughout are fantastic, and I        ║ │
│║        can envision him turning bright red, spit               ║ │
│║        flying, veins bulging as he rants away with             ║ │
│║        feverish intensity. Also their blistering run           ║ │
│║        through of D.R.I.'s classic "Violent                    ║ │
│║        Pacification" is convincing, with Bostaph               ║ │
│║        putting the gas pedal to the floor as he blasts         ║ │
│║        away through the frenetic first half and                ║ │
│║        pounding the hell out of his tom toms in the            ║ │
│║        slower second half. Most everything else on this        ║ │
│║        album is fun and exciting as well. The sole             ║ │
│║        original tunes on here, the Ddamm songs and             ║ │
│║        "Gemini" are good as well; the Ddamm songs are          ║ │
│║        fun to scream along to with mindless lyrics and         ║ │
│║        the circle pit part on "Can't Stand You" is             ║ │
│║        awesome! "Gemini" is the creepiest thing they'd         ║ │
│║        written in years at the time; a slow, simple            ║ │
│║        riff with doomy ambience that really works and a        ║ │
│║        solo that evokes Tony Iommi in his prime.               ║ │
│║                                                                ║ │
│║        If you want to hear what real hardcore from back        ║ │
│║        in the day sounded like, delivered by a band            ║ │
│║        that obviously loves and respects the genre, you        ║ │
│║        could do worse than picking this up. Obviously,         ║ │
│║        going back to hear the originals as well is             ║ │
│║        always a great thing, too, which I highly               ║ │
│║        recommend. But yeah, this is definitely worth           ║ │
│║        picking up for the fun factor and the energy            ║ │
│║        level as well.                                          ║ │
│║                                                                ║ │
│║                                                                ║ │
│║                                                                ║ │
│╚════════════════════════════════════════════════════════════════╝ │
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│╔═════════════════════╗                                            │
│║  Release Tracklist  ║                                            │
│╚═════════════════════╩══════════════════════════════════════════  │
│                                                                   │
│     01 - Disintegration - Free Money                [01:42]       │
│     02 - Verbal Abuse - Leeches                     [01:58]       │
│     03 - Abolish Government - Superficial Love      [01:47]       │
│     04 - Can't Stand You                            [01:28]       │
│     05 - Ddamm                                      [01:01]       │
│     06 - Guilty of Being White                      [01:07]       │
│     07 - I Hate You                                 [02:16]       │
│     08 - Filler - I Don't Want to Hear it           [02:28]       │
│     09 - Spiritual Law                              [03:00]       │
│     10 - Sick Boy                                   [02:14]       │
│     11 - Mr. Freeze                                 [02:24]       │
│     12 - Violent Pacification                       [02:38]       │
│     13 - Memories of Tomorrow                       [00:55]       │
│     14 - Richard Hung Himself                       [03:22]       │
│     15 - I'm Gonna Be Your God                      [02:59]       │
│     16 - Gemini                                     [04:54]       │
│                                                                   │
│                                      Total Length : [36:13 minn   │
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│                                                                   │
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│                   ╔═════════════════════╗                         │
│                   ║    Greetings To:    ║                         │
│                   ╚═════════════════════╝                         │
│                                                                   │
│          Too all people who contributes to make this              │
│          archive of good music in a exceptional conditions        │
│                                                                   │
│                                                                   │
│                                                                   │
│■                                                                 ■│
└───────────────────────────────────────────────────────────────────┘

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