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▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
░▓█████▓░░░ ░ ╚═════╗ ╔════════╝▀ ░ ░░░▓█████▓░
▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
▄▀░████▓╔═══════════════════════╩═════════════════════════╩══════════════════════════╗▓████░▀▄
▐░ ▀▓████║ Wijlen_Wij-Wijlen_Wij-2007-DeBT_iNT ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
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▄░▓███████▄▄▄░ ARTiST.... Wijlen Wij ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... Wijlen Wij █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... Aesthetic Death Records ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Metal ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-08-21 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2007-06-06 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 269 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 6 / 72:29 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 145.62 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... http://tinyurl.com/4y7rg24 ░▓████░▄
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▄░▓███████▄▄▄░ ░▄▄▄███████▓░▀
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▀ ▄ ░░▓█▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀████▓░░ ▄
▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 L'anathΦme 5:43 ████▓▄ ░
░ ▄▓████ 2 Wijlen Wij 11:36 ████▓▄ ░
░ ▄▓████ 3 Offertorium 14:17 ████▓▄ ░
░ ▄▓████ 4 Falling Stars 8:48 ████▓▄ ░
░ ▄▓████ 5 Aware Of The Void 10:56 ████▓▄ ░
░ ▄▓████ 6 Bridges 21:09 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 72:29 MIN ████▓░
░▓███████▄ TOTAL SIZE: 145.62 MB▄█████▓░
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░▓█████▓░╟─────────────────────────────────────RELEASE NOTES╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ Wijlen Wij (the name is a Flemish play on words, ║▀░▓████░▀▄
▄▀░████▓░▀║ roughly translated as æWe, DeceasedÆ) is a ║▀░▓████░▀▄
▄▀░████▓░▀║ Belgium-based funeral doom supergroup, and this ║▀░▓████░▀▄
▄▀░████▓░▀║ 2007 eponymous debut album has been their only ║▀░▓████░▀▄
▄▀░████▓░▀║ release to date. All four members of Wijlen Wij ║▀░▓████░▀▄
▄▀░████▓░▀║ are noted for their work in other doom bands, ║▀░▓████░▀▄
▄▀░████▓░▀║ with the most prominent being vocalist, guitarist ║▀░▓████░▀▄
▄▀░████▓░▀║ and keyboard player Kostas Panagiotou, of ║▀░▓████░▀▄
▄▀░████▓░▀║ Pantheist renown, and the indefatigable Stijn van ║▀░▓████░▀▄
▄▀░████▓░▀║ Cauter, who contributes vocals, guitar and bass, ║▀░▓████░▀▄
▄▀░████▓░▀║ and whoÆs involved with numerous projects, ║▀░▓████░▀▄
▄▀░████▓░▀║ including Beyond Black Void, Until Death ║▀░▓████░▀▄
▄▀░████▓░▀║ Overtakes Me and Fall of the Grey-Winged One, as ║▀░▓████░▀▄
▄▀░████▓░▀║ well as sometimes playing with Pantheist. Kostas ║▀░▓████░▀▄
▄▀░████▓░▀║ and Stijn are joined by a rhythm section ║▀░▓████░▀▄
▄▀░████▓░▀║ consisting of drummer Kris Villez, also of ║▀░▓████░▀▄
▄▀░████▓░▀║ Pantheist and In Somnis, and bassist Lawrence van ║▀░▓████░▀▄
▄▀░████▓░▀║ Haecke, of Solicide, yet another band that Stijn ║▀░▓████░▀▄
▄▀░████▓░▀║ van Cauter is a member of. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ With a line-up like that, the omens were always ║▀░▓████░▀▄
▄▀░████▓░▀║ going to be good for Wijlen Wij producing ║▀░▓████░▀▄
▄▀░████▓░▀║ something pretty special, and throughout the ║▀░▓████░▀▄
▄▀░████▓░▀║ 72-minute duration of this album, they deliver ║▀░▓████░▀▄
▄▀░████▓░▀║ top-notch funeral doom with great finesse, ║▀░▓████░▀▄
▄▀░████▓░▀║ KostasÆ synth work in particular adding any ║▀░▓████░▀▄
▄▀░████▓░▀║ number of sophisticated, progressive flourishes, ║▀░▓████░▀▄
▄▀░████▓░▀║ although the band never neglects its central ║▀░▓████░▀▄
▄▀░████▓░▀║ mission objective of creating an overwhelmingly ║▀░▓████░▀▄
▄▀░████▓░▀║ morose, oppressive atmosphere, with massive, ║▀░▓████░▀▄
▄▀░████▓░▀║ filth-encrusted riffs ground out of hugely ║▀░▓████░▀▄
▄▀░████▓░▀║ distorted, downtuned guitars. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ The album opens with its shortest track, ║▀░▓████░▀▄
▄▀░████▓░▀║ æL'AnathΦmeÆ, which begins with an eerie ║▀░▓████░▀▄
▄▀░████▓░▀║ combination of chanted monastic vocals and ║▀░▓████░▀▄
▄▀░████▓░▀║ imposing minor-key organ work, leading into a ║▀░▓████░▀▄
▄▀░████▓░▀║ mesmeric, droning hurdy-gurdy melody, creating an ║▀░▓████░▀▄
▄▀░████▓░▀║ atmosphere redolent with medieval flagellant ║▀░▓████░▀▄
▄▀░████▓░▀║ ecstasies and crusader militarism, like a mixture ║▀░▓████░▀▄
▄▀░████▓░▀║ of Creed Of Iron-era Graveland, classic Bathory, ║▀░▓████░▀▄
▄▀░████▓░▀║ and even neo-folk and neo-medieval acts like The ║▀░▓████░▀▄
▄▀░████▓░▀║ Moon Lay Hidden Beneath A Cloud and The Soil ║▀░▓████░▀▄
▄▀░████▓░▀║ Bleeds Black. Any doubt about Wijlen WijÆs doom ║▀░▓████░▀▄
▄▀░████▓░▀║ credentials, however, is immediately dispelled by ║▀░▓████░▀▄
▄▀░████▓░▀║ the cathartic blasts of buzzing, abrasive guitar ║▀░▓████░▀▄
▄▀░████▓░▀║ which roar in over the melody, accompanied by ║▀░▓████░▀▄
▄▀░████▓░▀║ booming timpani bashing out a fatalistic beat ║▀░▓████░▀▄
▄▀░████▓░▀║ like the brutal overseer of a slave galley. ║▀░▓████░▀▄
▄▀░████▓░▀║ Clean, chanted vocals maintain the epic feel of ║▀░▓████░▀▄
▄▀░████▓░▀║ this song. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ The title track, æWijlen WijÆ, which follows, ║▀░▓████░▀▄
▄▀░████▓░▀║ steps down the pace for a more orthodox 11-minute ║▀░▓████░▀▄
▄▀░████▓░▀║ doom dirge, KostasÆ low, growling vocals rattling ║▀░▓████░▀▄
▄▀░████▓░▀║ around below a sinuous keyboard melody, hemmed in ║▀░▓████░▀▄
▄▀░████▓░▀║ on all sides by those fearsomely distorted ║▀░▓████░▀▄
▄▀░████▓░▀║ guitars. This isnÆt the kind of extreme doom ║▀░▓████░▀▄
▄▀░████▓░▀║ purveyed by the likes of Moss, Monarch or ║▀░▓████░▀▄
▄▀░████▓░▀║ Habsyll, which achieves its effect with ║▀░▓████░▀▄
▄▀░████▓░▀║ overwhelming slowness and heaviness, itÆs more ║▀░▓████░▀▄
▄▀░████▓░▀║ along the lines of Nortt, Skepticism and ║▀░▓████░▀▄
▄▀░████▓░▀║ Thergothon, with a doleful, dreary atmosphere ║▀░▓████░▀▄
▄▀░████▓░▀║ embellished by wan melody and choral chanting. ║▀░▓████░▀▄
▄▀░████▓░▀║ Sections of the fourth track, æFalling StarsÆ, ║▀░▓████░▀▄
▄▀░████▓░▀║ are actually quite rapid, with chugging guitar ║▀░▓████░▀▄
▄▀░████▓░▀║ riffs and harsh vocals bringing the sound closer ║▀░▓████░▀▄
▄▀░████▓░▀║ to rough, mid-paced black metal than doom. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ Wijlen Wij save their best for last, however, as ║▀░▓████░▀▄
▄▀░████▓░▀║ the album closes with the grandiose 21-minute ║▀░▓████░▀▄
▄▀░████▓░▀║ opus æBridgesÆ. Almost preposterously vast, deep ║▀░▓████░▀▄
▄▀░████▓░▀║ vocals rumble out through echoing abysses as the ║▀░▓████░▀▄
▄▀░████▓░▀║ guitars and keyboards construct an imposing ║▀░▓████░▀▄
▄▀░████▓░▀║ edifice of sound, church organ notes evoking epic ║▀░▓████░▀▄
▄▀░████▓░▀║ visions of gilded gothic excess which in turn ║▀░▓████░▀▄
▄▀░████▓░▀║ give way to a cinematic scorched-earth ║▀░▓████░▀▄
▄▀░████▓░▀║ battlefield vista of weary war-drums and elegiac ║▀░▓████░▀▄
▄▀░████▓░▀║ orchestral strings, augmented by clean baritone ║▀░▓████░▀▄
▄▀░████▓░▀║ vocals in English. The song even find time for a ║▀░▓████░▀▄
▄▀░████▓░▀║ quiet plucked guitar interlude and soaring ║▀░▓████░▀▄
▄▀░████▓░▀║ tremolo solo at around 16 minutes, before ║▀░▓████░▀▄
▄▀░████▓░▀║ building towards a fittingly expansive close. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ The album is let down a bit by its uninvolving ║▀░▓████░▀▄
▄▀░████▓░▀║ cover art and packaging. The cover is a crusty, ║▀░▓████░▀▄
▄▀░████▓░▀║ green-black void looking a bit like tree bark, ║▀░▓████░▀▄
▄▀░████▓░▀║ simply adorned with the bandÆs name in a curvy ║▀░▓████░▀▄
▄▀░████▓░▀║ black-letter font, and the insert only contains ║▀░▓████░▀▄
▄▀░████▓░▀║ the lyrics of the title track, a sonnet in ║▀░▓████░▀▄
▄▀░████▓░▀║ Flemish with no translation given. I guess it ║▀░▓████░▀▄
▄▀░████▓░▀║ could be argued that less is more, but this ║▀░▓████░▀▄
▄▀░████▓░▀║ deficit of information and imagery doesnÆt really ║▀░▓████░▀▄
▄▀░████▓░▀║ act as a spur to the listenerÆs imagination û I ║▀░▓████░▀▄
▄▀░████▓░▀║ for one would have liked to see more visual cues ║▀░▓████░▀▄
▄▀░████▓░▀║ to the Wijlen Wij aesthetic. Having said that, ║▀░▓████░▀▄
▄▀░████▓░▀║ however, this album is definitely a worthy ║▀░▓████░▀▄
▄▀░████▓░▀║ addition to Aesthetic DeathÆs discerning doom ║▀░▓████░▀▄
▄▀░████▓░▀║ roster, which also encompasses Wreck Of The ║▀░▓████░▀▄
▄▀░████▓░▀║ Hesperus, Esoteric and, more recently, Murkrat ║▀░▓████░▀▄
▄▀░████▓░▀║ and Eibon. And I actually prefer Wijlen Wij to ║▀░▓████░▀▄
▄▀░████▓░▀║ Pantheist û thereÆs a rougher, harsher feel to ║▀░▓████░▀▄
▄▀░████▓░▀║ this band, compared to PantheistÆs sophistication ║▀░▓████░▀▄
▄▀░████▓░▀║ and intricacy. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ Wijlen Wij is a limited-edition release of 1000 ║▀░▓████░▀▄
▄▀░████▓░▀║ copies, and the bad news is that this album was ║▀░▓████░▀▄
▄▀░████▓░▀║ almost sold out at the time of writing. Given ║▀░▓████░▀▄
▄▀░████▓░▀║ that all the members of the band are busy with ║▀░▓████░▀▄
▄▀░████▓░▀║ other projects, the prospect of a follow-up album ║▀░▓████░▀▄
▄▀░████▓░▀║ seems uncertain, and the bandÆs website is making ║▀░▓████░▀▄
▄▀░████▓░▀║ no promises along those lines. But any ║▀░▓████░▀▄
▄▀░████▓░▀║ self-respecting funeral doom fan owes it to ║▀░▓████░▀▄
▄▀░████▓░▀║ themselves to add this monumental work of ║▀░▓████░▀▄
▄▀░████▓░▀║ medieval mournfulness to their hoard of grave ║▀░▓████░▀▄
▄▀░████▓░▀║ goods, ready for interment. ║▀░▓████░▀▄
░ ▀▓████▀ ║ ║▄░████▓▀ ░
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▀░▓███████▄▄║ at a funeral? It is because we are not the person ║▄▄███████▓░▀
▀░▓███████▄▄║ involved." -Mark Twain ║▄▄███████▓░▀
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