Magda-From_The_Fallen_Page-(Retail)-2010-CFD
- Section
-
MP3/FLAC
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- CFD
- Size
- 0 B
- Files
- 0
- Date
- 2011-09-02
NFO
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▒ . .. C F D . a k a . C R O S S F A D E R . p r e s e n t s .. .
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Magda-From_The_Fallen_Page-(Retail)-2010-CFD
ARtiSt...... : Magda
AlbUM....... : From The Fallen Page
GENRE....... : Techno
lAbEl....... : Minus Inc.
CAtNR....... : MINUS101
SoURcE...... : CDDA
StREEt.dAtE. : 03-11-2010
QUAlitY..... : VBR/44.1kHz/Joint Stereo
URl......... : http://musique.fnac.com/a3100320/
SiZE........ : 102.0MB
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■ ■
01. Get Down Goblin 6:40
02. Your Love Attack 5:53
03. Breakout 5:35
04. Entertainment 7:40
05. Lost In Time 7:35
06. Little Bad Habits 4:17
07. Doom Disco 4:34
08. Music Box 5:16
09. Distance To Nowhere 5:06
10. Japan 8:05
Runtime..: 60:46 min
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▄▓▄ █ █▓ ▀ .. R E L E A S E .. ▀ ▓▓ █ ▄▓▄
▀ █ █▓ ▄ .. i N F O .. ▄ █▓ █ ▀
█ █▓ █▓ █
█ █▓ █▓ █
█ █▓ █▓ █
█ █▓ Magda is first and foremost a DJ. █▓ █
█ █▓ Her documented mixes have been some █▓ █
█ █▓ of the best and least "minimal" █▓ █
█ █▓ minimal techno. 2006's excellent █▓ █
█ █▓ mix CD She's a Dancing Machine, █▓ █
█ █▓ while unquestionably a product of █▓ █
█ █▓ its time, still sounds fresh. She █▓ █
█ █▓ has a knack for splicing together █▓ █
█ █▓ other people's music in a way that █▓ █
█ █▓ makes it into her own. Given her █▓ █
█ █▓ obvious creativity, a debut artist █▓ █
█ █▓ album seems like a long time █▓ █
█ █▓ coming, particularly in the face of █▓ █
█ █▓ scant production output. Musically, █▓ █
█ █▓ From the Fallen Page unites her █▓ █
█ █▓ dance floor-sensibility with her █▓ █
█ █▓ long-standing fascination with █▓ █
█ █▓ horror and the macabre. (The █▓ █
█ █▓ influence of Italian horror █▓ █
█ █▓ composers like Goblin and any █▓ █
█ █▓ number of post-punk groups looms █▓ █
█ █▓ over the album.) But while that █▓ █
█ █▓ makes for an atypical Minus █▓ █
█ █▓ release, it's an album that doesn't █▓ █
█ █▓ quite know exactly what it wants to █▓ █
█ █▓ be. █▓ █
█ █▓ █▓ █
█ █▓ Magda's sets are so captivating █▓ █
█ █▓ because of their multi-faceted, █▓ █
█ █▓ interlocking rhythms; to listen to █▓ █
█ █▓ these strands separately can't help █▓ █
█ █▓ but feel slightly uninspiring in █▓ █
█ █▓ comparison. Page is She's a Dancing █▓ █
█ █▓ Machine with the bass beefed up and █▓ █
█ █▓ the innards scooped out completely. █▓ █
█ █▓ Often there's very little body to █▓ █
█ █▓ speak of. Aesthetically, these █▓ █
█ █▓ compositions are quite pleasing █▓ █
█ █▓ when Magda gets it right; she sets █▓ █
█ █▓ the bar high with the hard-grooving █▓ █
█ █▓ "Get Down Goblin," shaking itself █▓ █
█ █▓ into a fury with a grinding bass █▓ █
█ █▓ riff and splintered percussive █▓ █
█ █▓ flurry. █▓ █
█ █▓ █▓ █
█ █▓ Not much else shares the same drive █▓ █
█ █▓ or focus, though: "Your Love █▓ █
█ █▓ Attack" takes forever to get going, █▓ █
█ █▓ and when it does, the drums feel █▓ █
█ █▓ sloppily pasted-on and never quite █▓ █
█ █▓ gelùa repeated problem that █▓ █
█ █▓ occasionally pulls the album down █▓ █
█ █▓ into a monochrome muck. "Breakout" █▓ █
█ █▓ establishes a nicely chugging █▓ █
█ █▓ groove but the synths feel out of █▓ █
█ █▓ place and incongruous with the █▓ █
█ █▓ music, and "Lost in Time" never █▓ █
█ █▓ feels like it does much of anything █▓ █
█ █▓ despite its barrage of animated █▓ █
█ █▓ sounds. █▓ █
█ █▓ █▓ █
█ █▓ There are promising moments █▓ █
█ █▓ littered all over Page. Sometimes █▓ █
█ █▓ they manifest themselves as entire █▓ █
█ █▓ tracksùthe haunted piano house of █▓ █
█ █▓ "Doom Disco," and the satisfyingly █▓ █
█ █▓ heavy "Distance to Nowhere"ùbut █▓ █
█ █▓ most of the time they're just that, █▓ █
█ █▓ moments. Magda sets her vision too █▓ █
█ █▓ wide, and while her textures are █▓ █
█ █▓ often fascinating (the album has a █▓ █
█ █▓ hermetically-sealed, late '70s kind █▓ █
█ █▓ of sound, particularly in its ropy █▓ █
█ █▓ bass), she doesn't quite fill the █▓ █
█ █▓ void. █▓ █
█ █▓ █▓ █
█ █▓ Page is an intriguingly █▓ █
█ █▓ experimental album at its core, but █▓ █
█ █▓ it spends too much time trying █▓ █
█ █▓ everything at onceùdisco, house, █▓ █
█ █▓ technoùand ends up being not much █▓ █
█ █▓ at all. These are tracks that would █▓ █
█ █▓ sound great blended together in a █▓ █
█ █▓ mix by someone like, you guessed █▓ █
█ █▓ it, Magda; you can even hear "Your █▓ █
█ █▓ Love Attack" at work on her Fabric █▓ █
█ █▓ CD, given new life by the █▓ █
█ █▓ interwoven beats of other █▓ █
█ █▓ producers. But on their own, █▓ █
█ █▓ Magda's tracks are simply missing █▓ █
█ █▓ something, and From the Fallen Page █▓ █
█ █▓ is a textbook example of a debut █▓ █
█ █▓ from an artist with more to say █▓ █
█ █▓ than she knows how to properly █▓ █
█ █▓ express. █▓ █
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█ █▓ █▓ █
█ █▓ .. contact .. █▓ █
█ █▓ go.fuck.ya[at]iya.com █▓ █
█ █▓ █▓ █
█ █▓ .. We're currently looking for .. █▓ █
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