Slint-Spiderland-1991-k4_int

Section
MP3/FLAC
Group
k4_int
Size
0 B
Files
0
Date
2011-09-05

NFO

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                                                                        ::k4:

         a r t i s t :: Slint
           t i t l e :: Spiderland
             d a t e :: 1991-00-00
           l a b e l :: Touch & Go
           g e n r e :: Alternative
         s o u r c e :: CD
       b i t r a t e :: 231 kbps avg
       e n c o d e r :: LAME
         t r a c k s :: 6
     p l a y t i m e :: 39:32
             s i z e :: 68.78MB


        tracklist

  1   Breadcrumb Trail                        5:55
  2   Nosferatu Man                           5:35
  3   Don, Aman                               6:28
  4   Washer                                  8:50
  5   For Dinner...                           5:05
  6   Good Morning, Captain                   7:39



        releasenotes

  More known for its frequent name-checks than its actual music, Spiderland
  remains one of the most essential and chilling releases in the mumbling
  post-rock arena. Even casual listeners will be able to witness an experimental
  power-base that the American underground has come to treasure. Indeed, the
  lumbering quiet-loud motif has been lifted by everybody from Lou Barlow to
  Mogwai, the album's emotional gelidity has done more to move away from
  prog-rock mistakes than almost any of the band's subsequent disciples, and
  it's easy to hear how the term "Slint dynamics" has become an indie
  categorization of its own. Most interestingly, however, is how even a seething
  angularity to songs like "Nosferatu Man" (disquieting, vampirish stop-starts)
  or "Good Morning, Captain" (a murmuring nod to "The Rime of the Ancient
  Mariner") certainly signaled the beginning of the end for the band. Recording
  was intense, traumatic, and one more piece of evidence supporting the theory
  that band members had to be periodically institutionalized during the
  completion of the album. Spiderland remains, though, not quite the
  insurmountable masterpiece its reputation may suggest. Brian McMahan softly
  speaks/screams his way through the asphyxiated music and too often evokes
  strangled pity instead of outright empathy. Which probably speaks more about
  the potential dangers of pretentious post-rock than the frigid musical climate
  of the album itself. Surely, years later, Spiderland is still a strong,
  slightly overrated, compelling piece of investigational despair that is a
  worthy asset to most any experimentalist's record collection.

  http://www.myspace.com/slinteriffic
  http://www.touchandgorecords.com/bands/band.php?id=70



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Slint-Spiderland-1991-k4_int

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