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░ ██ ██ Artist: Necrofago ██ ██
▓ █░░ ■█ Album: Brutal Mutilation █■ ░░█
■ █▓▀ █ Year: 2011 █ ▀▓█ ░
█ ▓ Rel. Date: 2011-09-18 ▓ █
▒ ▒ Genre: Death Metal ▒ ▒
█▄ ░ Label: Nuclear War Now! ░ ▄█
░ █▄ ░ Source: Vinyl (12") ░ ▄█
░ █▓ Type: Album ▓█ ░
▓ █ Quality: VBR, 44.1kHz, Joint Stereo █ ░ ▓
▓ █ █ ░ ▓
▄ ■ ■ ▓ ■
░█ █░ ▀
█ (Bio by J. Campbell) █
█ In the late 1980Æs and early 1990Æs, Brazil was █
█ like a Petri dish upon which grew, with bacterial █
█ rapidity, a particularly virulent strain of █
█ Deathrash that ushered in the first manifestations █
█ of South American Black Metal. In the early to █
█ mid-1980Æs bands like Vulcano, Sarcofago, and █
█ Sepultura began to define a sound that has come to █
█ be distinctly associated with Brazil. Within the █
█ span of just a few years, a nucleus of bands █
█ playing this style quickly emerged, with each █
█ providing a variant on the bestial and primitive █
█ sound at the core of the Brazilian underground. As █
█ this rotten music festered in the sick corners of █
█ Brazil, it began to draw the attention of the █
█ international underground as bands such as █
█ Holocausto, Sextrash, Insulter, Chakal, and others █
█ unleashed their own warfare noise and a scene █
█ began to coalesce around them. █
█ █
█ In 1987, a dark entity known as Necrofago was █
█ summoned into existence via the ominous █
█ incantations of vocalist/guitarist Deathvomit in █
█ association with Rotten on bass, Rotten Corpse on █
█ drums, and later joined by Post Mortem on guitar. █
█ Not to be confused with various other bands of the █
█ same name, this band came from Minas Gerais, █
█ Brazil. (Most notably, the Necrofago from Sau █
█ Paulo responsible for the ôDesire for Bloodö demo █
█ is often, despite the obvious sonic differences, █
█ mistakenly associated with the one from Minas █
█ Gerais.) █
█ █
█ The entirety of NecrofagoÆs recorded legacy is █
█ encapsulated in their activities during the years █
█ 1897 and 1988 with the most important piece being █
█ their 1987 demo entitled ôBrutal Mutilation.ö One █
█ of the most unique sounding recordings to have █
█ come from the Brazilian scene, ôBrutal Mutilationö █
█ exemplifies, unlike any other recording, the █
█ emphasis those bands placed upon harsh aggression █
█ and raw recording techniques. The demo sounds like █
█ the result of the potent collision of immense █
█ quantities cheap alcohol and inhalants in brains █
█ already awash in adrenaline and youthful █
█ testosterone. Lacking in nearly every category of █
█ technical proficiency, Necrofago focused their █
█ entire effort into creating a monument to █
█ savagery. █
█ █
█ While the apparent ineptness of the playing may █
█ initially be off-putting to some listeners, those █
█ capable of suspending their need to generate order █
█ out of the chaos of the recording will find some █
█ of the most truly evil tracks committed to tape in █
█ the 1980Æs. Even at the time of its release, the █
█ demo was well-received and found its way into the █
█ hands of some of the more legendary figures in the █
█ underground. When asked about Necrofago, Laruent █
█ Remadier of Decibel of Death Zine/Snakepit █
█ Magazine responded with the following: ôOh man! I █
█ recall Necrofago. I recall being in Morbid Angel █
█ house back in æ87 and having David mentioning them █
█ non-stop like Sarcofago.ö █
█ The guitars on the demo are brittle and sordid and █
█ rest uneasily atop the drums. The entire █
█ cacophonous mixture teeters on the brink of total █
█ collapse throughout each of the three tracks as █
█ the repetitious riffs, at times almost hypnotic, █
█ roil and churn. DeathvomitÆs menacing vocals fill █
█ out the sound and add to the grotesque character █
█ of the music. Aside from the ôBrutal Mutilationö █
█ demo, only a 1988 rehearsal demo and live █
█ recording from the same year exist to affirm the █
█ existence of Necrofago. These recordings are more █
█ obscure and ridden with even more impenetrable █
█ sound quality. Nonetheless, the vitriolic and █
█ intense nature of the playing is captivating. █
█ Although these tracks have been bootlegged several █
█ times throughout the years, the bandÆs existence █
█ is still often overlooked, and, yet, their █
█ influence in the Brazilian scene was immense. This █
█ vinyl release marks the first time that these █
█ recordings have been officially reissued and will █
█ allow new legions to breathe in the foul █
█ death-odor emitted by Necrofago. █
█ █
█ http://www.nwnprod.com/ █
▓ ▓
▒ ▒
░ 1. Morbid Death 5:02 ░
░ 2. Preachers Of Doom 2:52 ░
░ 3. Devastation 3:26 ░
░ 4. Morbid Death 4:10 ░
░ 5. Bestial Curse 5:07 ░
░ 6. Preachers Of Doom 3:23 ░
░ 7. Devastation 3:50 ░
░ 8. Under The Guillotine 4:35 ░
░ 9. Morbid Death 5:24 ░
░ 10. Storm of Terror 3:22 ░
░ 41:11 ░
░ ▒ ▒
▓ █ ░ ▓ ░
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