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█ - d e e p h o u s e -
10.02.2004
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artist : VA
title . Cutting It To X:treme Volume One
type : Sampler
year . 1994
genre : House
subgenre . House/Garage House
label : X:treme Records
cat . XTR11CD
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grabber : EAC
encoder . Lame 3.93.1
quality : 192kbps / 44,1Khz / Full Stereo
source . CDDA
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Cutting It To The Xtreme
01.Wizzard Of Wax - Gonna Set You Free
02.Praxis feat. Kathy Brown - Turn Me Out (Swing 52 Remix)
03.Vice Tribes - Something Unreal
04.Pamela Fernandez - Kicking In The Beat (The X-Mix)
05.Laura O and The Heartbeat Line - Rhythm (De La Tour Mix)
06.Holy Moises - Digi Work
07.Next Level - Find A Way
08.Tony Carrasco presents Pica/pica - Whip It (Underground Mix)
09.Rochelle Fleming - Danger!
(Danny Morales Extended Club Mix)
10.Masters At Work feat. Jocelyn Brown - Can't Stop The Rhythm
(Marc Kinchen Mix)
11.Armand and The Banana Splits - Crusty The Caveman
12.Voice Of The Underground presents Code 59 - Let's Look At
The Funk
51:17 min 70,4 MB
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The deep house crew brings you once again a high quality release of
soulful dance music.. music with emotion that deserves the promotion..
·∙∙∙·[comments]·∙·∙∙·∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙·∙·
Garage House compilation mixed by Danny Morales.
Another way of finding out what is Garage music is, is to look
towards technology. Early New York producers such as Ace Mugin, James
Bratton, Danny Morales, and Frankie Knuckles wanted to recreate the
disco sound, but after the collapse of disco. Disco music was proving
too expensive to record live. Cheap synthesizers, sequencers and drum
machines suited the now highly specialized dance market. This wasn't
the only other theory. Chicago DJ's discovered that the hard sounds
that they made from drum machines such as the 808 and the 909 drum
machines could be used for a exciting sound that could be released
onto their Chicago dancefloors.
As we reached the year of 1986/87 a small network of garage labels
began to appear within New York city and New Jersey. Labels such as
Acebeat Records, Supertonics Records, Quark Records, Movin' Records
and 11 East Records were up and running.Producers also began to enter
the frame as well. Ace Mungin's BOP, James Bratton's Back to Basics
team and Blaze.
From 1987/88 other producers such as Morales and Knuckles began
mixing using a harder edge to their Disco sound for Def Mix
productions.
However, an argument began to appear within the Garage music circles.
New Jersey producers were stating that the Garage sound in the true
sense of the word originated in their state. They believed that their
version, or adaptation was the real sound of what had been taken to
be known as Garage music. The softer and more melodic productions,
aided and abettied with gospel vocals is, what they believe is what
Garage music is about; or an extension of the T.S.O.P sound that they
all loved. Local producers range from Kerri Chandler, Blaze and Tony
Humpheries who kept the spirit following of this sound at his club
called the Club Zanzibar in New Jersey, USA alive. Many nightclubers
from New Jersey beleive that the Paradise Garage nightclub - New
York, important that it was - wasn't' really geared towards playing
alnight long the true ethos of T.S.O.P sound or Salsoul Records
alnight long. At the Zanzibar nightspot you were guaranteed in
hearing this most of the night through.
However, a new player entered the field of play. Strictly Rhythm
Records, from New York City. They went on to cover the whole spectrum
of New York City House music, from vocal styled, garage records, to
freestyle groove house records! In 1990,out of towners were starting
to move in and start writing and producing for the label. For
instance - Chicago Dj/ producer called DJ Pierre moved to New York
and began to write garage styled records. Detroit producer/DJ Mark
Kinchen - MK did the same and came up trumps ( via a mix that he
supplied to Island Records ) with the huge international House track
hit called "Push the Feeling On" by the NightCrawlers. Other
Producers such as The Masters of Work and Roger Sanchez also began
writing and producing for the label slipping in garage grooves with
their beats!
By the 1991, American House music was dominated by Garage music. New
labels such as Emotive Records, Maxi Records and Bottom line Records
which were now making there presence felt.
remember to support artists.
·∙∙∙·[respect]∙··∙·∙∙·∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··
shoutouts to the groups that love the music they promote..
·∙∙·[news]∙·∙∙ ∙∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙···∙···∙∙
Catalog Number in release title now :)
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If you're down with the deep house music, music with feeling..
music that makes you groove no matter where you are.. and you
keep the feeling real. .∙· d e e p h o u s e 2 0 0 4 ·∙.
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nfo/header by rudo; updated at 01 jan 04