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▌────── Release Info ───────────────── ▐▌ ──────────────── ▌ ──────── ▐
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Originally released : 2005
Release date : 09-04-2011
Album name : Weekend On The Rocks
Artist : Dave Matthews Band
Ripped by : Team EOS
Genre : Rock
Label : RCA
Encoding Software : Lame EOS
Quality : -V 0
Tracks : 17
Size of Files : 237,6 MB
─ Track list ───────────────────────────────────────── ─── ─ ─
CD1
01 10:11 The Stone
02 04:32 American Baby
03 04:30 Time Of The Season
04 07:20 Say Goodbye
05 05:52 #34
06 04:18 Steady As We Go
07 03:41 Hunger For The Great Light
08 16:37 Bartender
CD2
01 07:01 Don't Burn The Pig
02 07:10 You Never Know
03 04:23 Stand Up (For It)
04 15:21 #41
05 05:28 Stolen Away On 55th And 3rd
06 12:11 Smooth Rider
07 04:56 Halloween
08 09:01 Louisiana Bayou
09 08:44 Everyday
Total time: 131:1
─ Release notes ─────────────────────────────────────── ─── ─ ─
The Red Rocks Amphitheater in Morrison, Colorado loves
Dave Matthews. This is the second live recording from
Red Rocks he's released in a decade. Weekend on the
Rocks is a two-CD/single-DVD compilation from four
concerts at the venue. It's a teaser for the complete
concerts available as an eight-CD set that contains the
same DVD. The tracks chosen here are not obvious
choices, and that's a good thing -- thankfully there's
not yet another version of "Ants Dancing." The band is
pumped here, and includes Fender Rhodes and P-organ
master Butch Taylor guesting for the gig. Just
listening to the woolly, loose, and actually gritty
version of "American Baby" included here sounds like a
different band. The ragged version of the Zombies'
classic "Time of the Season," should have been left
off; they just can't manage the vocals -- the upper
register they try to hit here is embarrassing. The
jam-out in the middle of the cut is also unnecessary.
But the 16-and-a-half-minute version of "Bartender"
that closes disc one is a monster. The playing is
passionate, gutsy, and as edgy as this band ever gets.
The wall of strummed acoustic guitars on "You Never
Know," offers an ethereal base for Matthews heartfelt
singing. And it's followed by the funk and roll of
"Stand Up (For It)," slithering and sexual. After this,
sequencing gets weird. Granted, trying to boil four
nights and eight CDs' worth of material down to two is
a real challenge. But after the intensity of "Stand Up
(For It)," is it really necessary to place a 15-plus-
minute version of "#41"? Ugh. "Louisiana Bayou," and
"Everyday," fare far better as extended versions that
close the set. It has to be said, however, that there
is still something missing here and its not only
continuity. This band always sounds like they're trying
to break out into something raw, and wild and crazy,
but they're so mannered, they never, ever get there.
Hardcore fans will want this since they need everything
including bootlegs, but for the rest of us, Weekend on
the Rocks is piece of curiosa.
─ Contact ───────────────────────────────────────────── ─── ─ ─
Contact us @ : #eos (EFNet)
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