Aki_Takase-A_Week_Went_By-2010-CFD
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- Date
- 2011-09-20
NFO
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▒ . .. C F D . a k a . C R O S S F A D E R . p r e s e n t s .. .
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Aki_Takase-A_Week_Went_By-2010-CFD
ARtiSt...... : Aki Takase
AlbUM....... : A Week Went By
GENRE....... : Jazz
lAbEl....... : Psi
CAtNR....... : PSI1003
SoURcE...... : CDDA
StREEt.dAtE. : 06-04-2010
QUAlitY..... : VBR/44.1kHz/Joint Stereo
URl......... : http://www.myspace.com/akitakase
SiZE........ : 80.17MB
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■ ■
01. Surface Tension 3:36
02. A Week Went By 7:27
03. Steinblock 4:20
04. Just Drop In 8:58
05. 57577 5:14
06. Ima Wa Mukashi 7:29
07. Cell Culture 5:34
08. Men Are Shadows 5:34
09. Yumetamago 2:58
Runtime..: 51:10 min
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▄▓▄ █ █▓ ▀ .. R E L E A S E .. ▀ ▓▓ █ ▄▓▄
▀ █ █▓ ▄ .. i N F O .. ▄ █▓ █ ▀
█ █▓ █▓ █
█ █▓ █▓ █
█ █▓ █▓ █
█ █▓ This is audacious music. In the █▓ █
█ █▓ emerging drama, pianist Aki Takase █▓ █
█ █▓ plays just a ripple away from █▓ █
█ █▓ bassist John Edwards, who is, in █▓ █
█ █▓ turn, a ripple away from █▓ █
█ █▓ percussionist Tony Levin. Each █▓ █
█ █▓ relates to the other through the █▓ █
█ █▓ glacial topography of something █▓ █
█ █▓ such as kryptonite. Thus the whole █▓ █
█ █▓ idea of the trio is turned inside █▓ █
█ █▓ out as new musical structures █▓ █
█ █▓ emerge from the prodding of the █▓ █
█ █▓ piano, which rubs against the █▓ █
█ █▓ bassùsometimes like a cricketùand █▓ █
█ █▓ the percussion, which is █▓ █
█ █▓ thunderstruck with mallets, lithe █▓ █
█ █▓ and sprightly with brushes, or █▓ █
█ █▓ deeply and sonorously pulsing with █▓ █
█ █▓ stick rolling on taut skins. █▓ █
█ █▓ █▓ █
█ █▓ Takase plays with diaphanous flair. █▓ █
█ █▓ Her pianism rolls and thunders on █▓ █
█ █▓ an ocean of tone and color. Chords █▓ █
█ █▓ are the kelp, whose clusters █▓ █
█ █▓ flutter and unfurl as the music █▓ █
█ █▓ darts onward and upward, pirouettes █▓ █
█ █▓ and then falls with a myriad of █▓ █
█ █▓ overtones around the principal path █▓ █
█ █▓ of the song's melody. But then she █▓ █
█ █▓ roars and thunders as the song █▓ █
█ █▓ demands of her a swaggering shuffle █▓ █
█ █▓ that eggs on its interior rhythm. █▓ █
█ █▓ Or she may whisper puckishly as her █▓ █
█ █▓ piano flagrantly flirts with bass █▓ █
█ █▓ and drums. █▓ █
█ █▓ █▓ █
█ █▓ Takase binds the trio as it builds █▓ █
█ █▓ on the sub-structure that she █▓ █
█ █▓ creates. The poetics of her music █▓ █
█ █▓ determine that it swings and █▓ █
█ █▓ surprises as it melds with the █▓ █
█ █▓ poetry of empirical science. How █▓ █
█ █▓ long will this tantalising "Surface █▓ █
█ █▓ Tension" last if the elastic of its █▓ █
█ █▓ melody is pulled apart by rhythm █▓ █
█ █▓ and agonizing harmony? Takase and █▓ █
█ █▓ her colleagues dance around the █▓ █
█ █▓ pulse of the metre as time stands █▓ █
█ █▓ still in the very dynamism of its █▓ █
█ █▓ upward motion. The bass cuts, arco █▓ █
█ █▓ con brio, past from present, and █▓ █
█ █▓ splices future in a continuum with █▓ █
█ █▓ single notes on perfectly struck █▓ █
█ █▓ strings. Dampers are opened and █▓ █
█ █▓ closed heartlessly. Pedals sustain █▓ █
█ █▓ notes, arpeggios create vertical █▓ █
█ █▓ shafts of sound, and the █▓ █
█ █▓ mathematics of time meld once again █▓ █
█ █▓ into the poetics of pure curved air █▓ █
█ █▓ as "A Week Went By." "Cell Culture" █▓ █
█ █▓ is a dark probing piece with a █▓ █
█ █▓ black velvet feel. In "Men Are █▓ █
█ █▓ Shadows," the trio eclipses the █▓ █
█ █▓ individual constituents to keep the █▓ █
█ █▓ noir aspect of the piece as █▓ █
█ █▓ mysterious as it possibly can until █▓ █
█ █▓ the end. █▓ █
█ █▓ █▓ █
█ █▓ There is a dry heat that smokes and █▓ █
█ █▓ simmers under "Just Drop In" as the █▓ █
█ █▓ song smoulders with references to █▓ █
█ █▓ pianist Thelonious Monk, trumpeter █▓ █
█ █▓ Dizzy Gillespie and saxophonist █▓ █
█ █▓ Charlie Parker. The angular attack █▓ █
█ █▓ is only surpassed by the dry █▓ █
█ █▓ resonating growl of John Tchicai's █▓ █
█ █▓ alto saxophone. On her own, █▓ █
█ █▓ thoughùthat is when she presses on █▓ █
█ █▓ with "57577," "Ima Wa Mukashi" and █▓ █
█ █▓ "Yumetamago"ùTakase peels away a █▓ █
█ █▓ layer of skin to reveal a pianist █▓ █
█ █▓ who is at once forthright and funny █▓ █
█ █▓ as well as highly emotional. Her █▓ █
█ █▓ approach to the instrument may █▓ █
█ █▓ still be the sameùpercussive and █▓ █
█ █▓ sharp as she explores its █▓ █
█ █▓ geography. Strings are wont to be █▓ █
█ █▓ hammered and struck by felted heads █▓ █
█ █▓ as with other objects that bounce █▓ █
█ █▓ around the strings, when they are █▓ █
█ █▓ plucked and beaten as in █▓ █
█ █▓ "Yumetamago." On "57577" Takase █▓ █
█ █▓ shows a devastating two handed █▓ █
█ █▓ technique with dazzling runs and █▓ █
█ █▓ electrifying arpeggios. She makes █▓ █
█ █▓ the science fiction of the piano █▓ █
█ █▓ becomes a stark reality on this █▓ █
█ █▓ wondrous album. █▓ █
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█ █▓ █▓ █
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