Danielson-Best_Of_Gloucester_County-2011-CFD
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MP3/FLAC
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- CFD
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- Date
- 2011-09-20
NFO
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▒ . .. C F D . a k a . C R O S S F A D E R . p r e s e n t s .. .
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Danielson-Best_Of_Gloucester_County-2011-CFD
ARtiSt...... : Danielson
AlbUM....... : Best Of Gloucester County
GENRE....... : Indie
lAbEl....... : Fire Records
CAtNR....... : FIRECD168
SoURcE...... : CDDA
StREEt.dAtE. : 22-02-2011
QUAlitY..... : VBR/44.1kHz/Joint Stereo
URl......... : http://www.amazon.com/Best-Gloucester-County-Danielson/dp/B004GHYCJ8/
SiZE........ : 75.75MB
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01. Complimentary Dismemberment Insurance 3:56
02. This Day Is A Loaf 3:38
03. Grow Up 3:14
04. Lil Norge 3:30
05. But I Don't Wanna Sing About Guitars 3:52
06. People's Partay 2:22
07. Olympic Portions 5:11
08. You Sleep Good Now 4:04
09. Hovering Above That Hill 4:12
10. Denominator Bluise 4:43
11. Hosanna In The Forest 3:41
Runtime..: 42:23 min
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▄▓▄ █ █▓ ▀ .. R E L E A S E .. ▀ ▓▓ █ ▄▓▄
▀ █ █▓ ▄ .. i N F O .. ▄ █▓ █ ▀
█ █▓ █▓ █
█ █▓ █▓ █
█ █▓ █▓ █
█ █▓ Daniel Smith is the patriarch of █▓ █
█ █▓ the Danielson Famile, a █▓ █
█ █▓ longstanding collaborator and pal █▓ █
█ █▓ to Sufjan Stevens, and the former █▓ █
█ █▓ inhabitant of a nine-foot tall, █▓ █
█ █▓ handmade, fruit-bearing tree suit. █▓ █
█ █▓ He's also something of an enigma, █▓ █
█ █▓ aesthetically-speaking, and it's █▓ █
█ █▓ easy to get distracted by Smith's █▓ █
█ █▓ oddball presentation: There are █▓ █
█ █▓ costumes (besides the tree, he's █▓ █
█ █▓ wiggled into a nurse's uniform, █▓ █
█ █▓ heart-shaped blinders, and a sad, █▓ █
█ █▓ Willy Loman-esque Bible salesman █▓ █
█ █▓ suit), Christian ideology, plenty █▓ █
█ █▓ of high, unhinged bleating, and █▓ █
█ █▓ family-band mystique. His work has █▓ █
█ █▓ never been especially easy to █▓ █
█ █▓ categorize ("This man in a tree █▓ █
█ █▓ suit is making high-concept █▓ █
█ █▓ outsider art!" vs. "These are █▓ █
█ █▓ pretty great pop songs written by a █▓ █
█ █▓ dad from New Jersey!"), but genre █▓ █
█ █▓ is an especially fluid thing these █▓ █
█ █▓ days, and on The Best of Gloucester █▓ █
█ █▓ County, his eighth full-length, █▓ █
█ █▓ Smith successfully nods to a █▓ █
█ █▓ variety of influences-- from Daniel █▓ █
█ █▓ Johnston to Genesis-- while still █▓ █
█ █▓ retaining his particular █▓ █
█ █▓ singularity. Call it █▓ █
█ █▓ Daniel-Smith-rock. █▓ █
█ █▓ █▓ █
█ █▓ 2006's Ships, Smith's last release, █▓ █
█ █▓ saw him employing a vast cabal of █▓ █
█ █▓ artists, pals, and players, but the █▓ █
█ █▓ roster for Gloucester County is a █▓ █
█ █▓ lot leaner, and it feels like more █▓ █
█ █▓ of a solo record than nearly █▓ █
█ █▓ anything else Smith has done █▓ █
█ █▓ (Megan, Rachel, and Elin Smith █▓ █
█ █▓ contribute vocals, but otherwise no █▓ █
█ █▓ Famile members are expressly █▓ █
█ █▓ credited). It's not that he doesn't █▓ █
█ █▓ have help: An expert three-man horn █▓ █
█ █▓ section (Michael Cemprola, Jon █▓ █
█ █▓ Rees, and Paul Arbogast), a solid █▓ █
█ █▓ band (including Sufjan Stevens on █▓ █
█ █▓ banjo and vocals), and guest turns █▓ █
█ █▓ from Jens Lekman, Emil Nikolaisen █▓ █
█ █▓ of Serena-Maneesh, Chris Cohen of █▓ █
█ █▓ Cryptacize, and Mark Shippy of US █▓ █
█ █▓ Maple all bolster Smith's songs, █▓ █
█ █▓ adding a layer of muscle. But the █▓ █
█ █▓ band's ultimate function is to █▓ █
█ █▓ provide a taut and compelling █▓ █
█ █▓ counterpoint to Smith's pipes, █▓ █
█ █▓ which are as wild as ever: Here, █▓ █
█ █▓ the singing is the thing, and █▓ █
█ █▓ Smith's voice is stronger and more █▓ █
█ █▓ elastic than ever before. He's █▓ █
█ █▓ become a little less reliant on █▓ █
█ █▓ screeches and yelps, but his vocals █▓ █
█ █▓ are still riddled with █▓ █
█ █▓ idiosyncrasies, and the disparity █▓ █
█ █▓ between the singing and the █▓ █
█ █▓ instrumentation (which is tight and █▓ █
█ █▓ aggressive) keeps his songs █▓ █
█ █▓ consistently tense and interesting. █▓ █
█ █▓ █▓ █
█ █▓ Some tracks belie a marked █▓ █
█ █▓ stylistic shift from alt-folk to █▓ █
█ █▓ full-on pysch-- like the spacey █▓ █
█ █▓ freakout "Hovering Above That █▓ █
█ █▓ Hill", which consists mostly of █▓ █
█ █▓ mesmeric guitar diddling, effects, █▓ █
█ █▓ and off-mic yelling. "This Day Is a █▓ █
█ █▓ Loaf" is more classic Danielson, a █▓ █
█ █▓ folksy, boisterous song about █▓ █
█ █▓ working ("Worry creeps in, like a █▓ █
█ █▓ thief from the nighttime," Smith █▓ █
█ █▓ sings, and artists everywhere █▓ █
█ █▓ commiserate). As wild as a █▓ █
█ █▓ Danielson record can get, his █▓ █
█ █▓ compositions are always █▓ █
█ █▓ meticulously recorded and arranged, █▓ █
█ █▓ and his work ethic is palpable on █▓ █
█ █▓ every track-- it's not that these █▓ █
█ █▓ songs feel over-labored, exactly █▓ █
█ █▓ (although they certainly don't seem █▓ █
█ █▓ spontaneous), it's that it's easy █▓ █
█ █▓ to hear all the ways in which Smith █▓ █
█ █▓ is consumed by his work. █▓ █
█ █▓ █▓ █
█ █▓ But Danielson songs are still █▓ █
█ █▓ unabashedly joyful above all else-- █▓ █
█ █▓ Smith sniffed at irony before █▓ █
█ █▓ earnestness was cool again-- and █▓ █
█ █▓ that sense of deferential █▓ █
█ █▓ celebration is still what animates █▓ █
█ █▓ his work. "Can we be friends? Can't █▓ █
█ █▓ we be friends?" he implores (over █▓ █
█ █▓ bouncy-ball piano) on "Lil Norge", █▓ █
█ █▓ and resistance seems futile. █▓ █
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█▒ ▒ ▀█▀▄ ▄ .. G R O U P .. ▄ ▄▀█▀ ▒ ░█
▄░ ▓ █▓▀▄ ▄ .. i N F O .. ▄ ▄▀█▓ ▓ ░▄
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█ █▓ ▓▓ █
█ █▓ █▓ █
█ █▓ .. contact .. █▓ █
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