Feist--Metals-2011-OMA
- Section
-
MP3/FLAC
- Group
- OMA
- Size
- 0 B
- Files
- 0
- Date
- 2011-09-30
NFO
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████ ■ ███▓█ █▓███ ■ ████
████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ .···. P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ Feist - Metals ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ARTiST..[ Feist ▓▓▓▓█
█▓▓▓▓ TiTLE...[ Metals ▓▓▓▓█
████ GENRE...[ Pop GRABBER.[ EAC ████
████ LABEL...[ Polydor ENCODER.[ Lame 3.98.4 ████
████ YEAR....[ 2011 QUALiTY.[ vbr 219kbps ████
████ SOURCE..[ CDDA MODE....[ Joint-Stereo ████
████ PLAYTIME[ 50:08 min REL.DATE[ 09.30.2011 ████
████ TRACKS..[ 12 RiPPER..[ TEAM OMA ████
████ SiZE....[ 78,10 MB SUPPLiER[ TEAM OMA ████
████ ████
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████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
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███▀ NR. TRACK. TiME. ▀███
█▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█
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████ 01 The Bad In Each Other 04:45 ████
████ 02 Graveyard 04:18 ████
████ 03 Caught A Long Wind 04:55 ████
████ 04 How Come You Never Go There 03:25 ████
████ 05 A Commotion 03:53 ████
████ 06 The Circle Married The Line 03:23 ████
████ 07 Bittersweet Melodies 03:57 ████
████ 08 Anti-Pioneer 05:33 ████
████ 09 Undiscovered First 04:59 ████
████ 10 Cicadas And Gulls 03:16 ████
████ 11 Comfort Me 04:04 ████
████ 12 Get It Wrong Get It Right 03:40 ████
████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████
████ TOTAL: 50:08 ████
████ ████
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████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
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████ BBC ████
████ ████
████ Over the course of her commercially available ████
████ solo albums to date, Leslie Feist has expertly ████
████ balanced the weighty with the whimsical; the ████
████ heavyhearted with the straight-up joyful. On ████
████ 2004Æs Let It Die she offset the mournful ████
████ shades of its title-track with the sublime ████
████ Mushaboom, while 2007Æs breakout LP The ████
████ Reminder boasted a brace of affecting, minor ████
████ key numbers alongside the wonder of 1234 ████
████ (briefly ubiquitous after featuring in an iPod ████
████ nano commercial). ████
████ ████
████ Following a month spent arranging her new ████
████ compositions in Toronto, she and long-time ████
████ collaborators Chilly Gonzalez and Mocky ████
████ decamped to a self-built studio in a "giant ████
████ open space" they discovered on the coastline ████
████ of CaliforniaÆs Big Sur to record Metals, and ████
████ the results are suitably robust. The Bad in ████
████ Each Other opens proceedings in a flurry of ████
████ metronomic drums, guitars and sax all jostling ████
████ under FeistÆs emphatic delivery, until her ████
████ tone softens come the chorus in order to rue ████
████ the often damaging side-effects of love and ████
████ attraction. Focusing on universal emotions and ████
████ filtering them through her own experiences, ████
████ she has come up with a startling set of songs ████
████ here; one that reflects the wild surrounds of ████
████ its gestation and equates them with the ████
████ chaotic nature of modern life and ████
████ relationships. ████
████ ████
████ So, there is nothing quite as uplifting as ████
████ those previously mentioned songs, but Metals ████
████ remains as wonderfully organic and distinct as ████
████ its predecessors, swerving from svelte, ████
████ lilting numbers like How Come You Never Go ████
████ There? to the abrasive, stabbing strings of A ████
████ Commotion (one of FeistÆs noisiest to date), ████
████ and the sparse, dreamy, simple-as-you-like ████
████ Cicadas & Gulls or Get It Wrong Get It Right. ████
████ It is earthy and raw, replete with strings, ████
████ horns and ivories that purposefully move from ████
████ one pole to the other yet rarely tip into ████
████ indulgence. Backing vocals throughout range ████
████ from the raucous to the barely perceptible, ████
████ underlining how much of a group effort this ████
████ is. As made clear on last yearÆs documentary ████
████ Look at What the Light Did Now, FeistÆs core ████
████ collective is very much a long-standing unit. ████
████ ████
████ On top of all this, she is in the form of her ████
████ life: whether providing Comfort Me with its ████
████ wicked central lyric, cooing atop haunting ████
████ album centrepiece Anti-Pioneer or echoing the ████
████ bluesy guitar line that snakes its way through ████
████ Undiscovered First, you get the impression ████
████ that this rough gem of a record is exactly ████
████ what she intended from the outset. ████
████ ████
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████ URL: n/a ████
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████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ MAiL: oma@never-ever.com ▓ │▀▀▀█▓▄▄ █████
█▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█
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████▀ The only thing that really matters is music!!! ▀████
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.▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀
. ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ .
▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀
▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀
▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .
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