Pittsburgh_Track_Authority--The_First_Four_EP-(UZURI015)-WEB-2011-dh

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MP3/FLAC
Group
dh
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0 B
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0
Date
2011-10-03

NFO

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                          █                    - d e e p h o u s e -

                                                          03.10.2011

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              .
     artist   : Pittsburgh Track Authority
     title    . The First Four EP
     type     : Album
     year     . 2011
     genre    : House
     subgenre . Deep House
     label    : Uzuri Recordings
     cat      . UZURI015
     URL      : www.whatpeopleplay.com www.myspace.com/uzurirecordings
              .
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              .
     encoder  . Lame 3.98
     quality  : 320kbps / 44,1Khz / Joint-Stereo
     source   . WEB
              .
·∙∙·[trax]∙·∙∙ ∙∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙···∙···∙∙

     01.Duskshaped                                                   06:31
     02.Vertical Impact                                              05:32
     03.Bloodlands                                                   08:07
     04.77b                                                          05:36

     25:46 min  59,1 MB

·∙∙∙·[comments]·∙·∙∙·∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙·∙·

     Pittsburgh Track Authority is a stateside three-piece
     comprising Preslav Lefterov, Thomas Cox and Adam Ratana û
     three longtime friends and musical compatriots who have,
     between them, been submerged in music and music production
     for many years. Tom Cox is also one of the guys behind the
     excellent Infinite State Machine blog. Collectively, this
     project is a rather more recent endeavour, though you
     wouldnÆt necessarily guess that from these accomplished and
     self-assured tracks. First up, Duskshaped (a collaboration
     with fellow Pittsburgh native, Nice Rec), lays down the
     smooth, organic feel of the release, with some serious bass
     and keys pressure. Vertical Impact is a straight-up head-
     nodder û slow and moody; crackling drum samples and a
     gradually mounting set of synths that blow the track up to
     several times its original size. Not feeling any pressure to
     pick up the pace, Bloodlands pits crisp tones over shuffling
     drums and a thick-set bottom end, eventually giving way to an
     insistent, chanted call to the floor. 77B concludes things
     for this release û once again with some incredibly infectious
     bass and organ work. Some classy strings complete the
     picture, over a restrained drum machine workout. æThe First
     FourÆ, then, but certainly not the last. You heard it here
     first.

     enjoy!

     remember to support artists.

·∙∙∙·[respect]∙··∙·∙∙·∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··

        shoutouts to the groups that love the music they promote..

·∙∙··[dh]·∙·∙∙·∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙·····∙··∙

     If you're down with the deep house music, music with feeling..
     music that makes you groove no matter where you are.. and you
     think you can add to this feeling.. then drop us a line d_h@inbox.lv
     keep the feeling real. .∙· d e e p h o u s e  2 0 1 1 ·∙.

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