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█▄ ▀ █▄ ░▒▓ ... iS PRouD To PReSeNT ... ▓▒░ ▄█ ▀ ▄█
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┌────────────────────────────────────────────────────────────────────────────┐
│ │
│ Buddy Miles Express - Hell And Back │
│ │
└────────────────────────────────────────────────────────────────────────────┘
┌──[ ReLeaSe iNFo ]───────────────────┬──[ aLBuM iNFo ]──────────────────────┐
│ │ │
│ Ripper.......: TEAM SRN │ Source.......: CDDA │
│ Release Date.: 20-12-2003 │ Album Year...: 1994 │
│ Grabber......: EAC V0.9b4 Win32 │ Music Genre..: Soul │
│ Encoder......: LAME V3.93.1 Win32 │ Record Label.: Rykodisc (USA) │
│ Bitrate......: 192kbps @ 44,1kHz │ │
│ Quality......: Full Stereo │ Internet URL.: www.buddymiles.com │
│ │ │
├──[ aLBuM NoTeS ]────────────────────┴──────────────────────────────────────┤
│ │
│ Hard R&B from the veteran drummer/singer/composer/bandleader. With │
│ producer Bill Laswell and the Uptown Horns, Buddy Miles pulls together │
│ all eras of an amazing career that includes stints with such legendary │
│ archetypes as Wilson Pickett, Jimi Hendrix and Funkadelic -- as well as │
│ a series of classic Express albums -- into his most powerful recording │
│ ever. │
│ │
│ Fast-forward to the present day, with the Black Arc release of HELL AND │
│ BACK, and the legacy of Hendrix -- as well as the influences of other │
│ artist with whom Miles has worked -- still burns brightly, fueled by │
│ deeply soulful performances and a rootsy emphasis on the funk. Mixing │
│ original compositions with reworkings of some favorite standards, HELL │
│ AND BACK recalls the funky exuberance of the string of albums that Miles │
│ and the Express recorded in the seventies for the Casablanca label. │
│ (Fittingly, George Clinton, the leader of Parliament, another Casablanca │
│ act, would hire Miles to play drums on the Funkadelic anthem "Comin' │
│ Round the Mountain" for the incredible HARDCORE JOLLIES album, released │
│ in 1976). But for all its seventies funk flavor, HELL AND BACK also │
│ boasts a technological edge -- as heard in the impeccable mixing of │
│ Miles' drums, the subsonic throb of the low end, and the sprawling │
│ warmth of the organ, bass, and guitars -- that hurtles it forward into │
│ the 21st century. │
│ │
│ Opening with a remake of Albert King's "Born Under A Bad Sign", Buddy │
│ seems to make a forceful but ironic statement concerning his whereabouts │
│ of the last ten years, and his soul-stirring take on the blues classic │
│ serves more than anything to clarify that the return of the Express is │
│ no jive. The feedback-laden intro to Dylan's "All Along the Watchtower" │
│ soars with the angel of Hendrix, complete with a section of the guitar │
│ solo recorded backwards with a not to "Are You Experienced". (Those who │
│ have never seen Miles shred a guitar might be please to know that, like │
│ Hendrix, he's a lefty who plays a right-handed Strat string upside- │
│ down). │
│ │
│ A swirling Hammond B-3 organ gives "The Change", a Miles original, its │
│ distinctly churchlike feel as Buddy infuses the story of busted romance │
│ with a big-bottomed thump and some wailing vocal tracks. As ever, Miles │
│ is equally at ease with a ballad, as his powerful and pleading vocals │
│ attest in the Everly Brothers classic, "Let It Be Me". Aided and abetted │
│ by the spirited brass arrangements of the Uptown Horns, jams like "The │
│ Decision" surge ahead with a Santana-like feel that takes flight with a │
│ juicy organ solo, while the driving, Stax/Volt-inflected "Be Kind to │
│ Your Girlfriend" grooves on in the spirit of Otis Redding. Finally, HELL │
│ AND BACK wouldn't be an Express album without the nastily funkified │
│ rhythms of "Nothing Left to Lose", where the youngsters from Chicago are │
│ turned loose to flex their muscles on scratch guitar and string-popping │
│ bass. │
│ │
│ Enjoy another GREAT release from SRN!!! │
│ │
└────────────────────────────────────────────────────────────────────────────┘
┌────────────────────────────────────────────────────────────────────────────┐
│ _______ __ _____ __ __ │
│ |_ _|.----.---.-.----.| |--.| |_|__|.-----.| |_ │
│ | | | _| _ | __|| < | | ||__ --|| _| │
│ |___| |__| |___._|____||__|__||_______|__||_____||____| │
│ │
│ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ │
│ │
│ 01 - Born Under A Bad Sign [05:09] │
│ 02 - The Change [06:58] │
│ 03 - All Along The Watchtower [05:05] │
│ 04 - Let It Be Me [05:43] │
│ 05 - Come Back Home [04:37] │
│ 06 - Be Kind To Your Girlfriend [04:43] │
│ 07 - The Decision [05:18] │
│ 08 - Nothing Left To Lose [04:26] │
│ │
│ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ │
│ │
│ ToTaL TRaCKS: [ 08 ] · SiZe: [ 57,7 MB ] · ToTaL TiMe: [ 41:59 ] │
│ │
└────────────────────────────────────────────────────────────────────────────┘
()_()
(o o)
┌──[ GRouP iNFo ]────────────────ooO──`o'──Ooo───────────────────────────────┐
│ │
│ TEAM SiRiON was established in the beginning of March 2003 by a group of │
│ friends with a certain experience into the scene along a couple of years │
│ and with the desire of contributing with all our work and effort to it │
│ sharing our music with all of you. │
│ │
│ All we do is only and exclusively for fun, without purpose of profit. If │
│ you like this release then please go to the music store and buy it, │
│ otherwise you should delete it before 24 hours. │
│ │
│ There is NO way to contact us and we do NOT support any public channel, │
│ public DCC bots or F-Servers, public FTPs, webpages offering releases, │
│ public forums, and so on; in a few words... NOTHING AT ALL. │
│ │
└────────────────────────────────────────────────────────────────────────────┘
┌──[ JoiN uS ]───────────────────────────────────────────────────────────────┐
│ │
│ We are currently looking for: │
│ │
│ ■ 10Mbits+ / 50GB+ siteops. │
│ ■ Talented MP3 rippers & suppliers. │
│ ■ Sites to be affiliated. │
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└────────────────────────────────────────────────────────────────────────────┘
┌──[ GReeTiNGS ]─────────────────────────────────────────────────────────────┐
│ │
│ ..:: Alkim : NOiSE : kRc : ESK : StyLe : XCell : BMi : HaVeReT ::.. │
│ │
└────────────────────────────────────────────────────────────────────────────┘
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