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Artist : Ryan Adams
Album : Love Is Hell Vol. 1
Tracks : 8
Time : 0:34 hours
Bitrate : 192kbps
Size : 47MB
Label : Lost Highway
Str.date: 11/04/2003
Rip.date: 11/04/2003
Ripper : Team aAF
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Like any Ryan Adams album, Love Is Hell comes with a
backstory, one that is carefully calculated to construct
the enfant terrible's self-myth. Love Is Hell was
intended to be the official followup to 2001's Gold -
the album that was not a collection of demos (that was
2002's Demolition, or the recorded but shelved albums 48
Hours or The Suicide Handbook, or even his alleged
song-by-song cover of the Strokes' Is This It?. Longtime
Smiths fan that he is, Adams teamed up with John Porter
- the man that produced The Smiths, Meat Is Murder and
part of The Queen Is Dead - with the intention of
creating his own mope-rock album, hence the title Love
Is Hell. Americana label that it is, Lost Highway balked
at releasing a stylized tribute to Mancunian rainy-day
bedsit music, and didn't release it, encouraging Adams
to record a different album, presumably one more in line
with the label's taste. In the press and on the web, our
hero spread stories about how the label claimed it was
"too depressing" and "dark," thereby cultivating the
myth that he's a maverick genius, while the label
cheerfully countered with the defense that they just
knew that our boy could do better. Eventually, a
compromise was arranged: Adams kicked out a new album,
the self-descriptive Rock & Roll, while releasing the
equally self-descriptive Love Is Hell as two EPs, the
first hitting the streets the same day as the "official"
album. While it might have been better and gone the
whole hog by releasing two concurrent albums, it's good
to have Love Is Hell out in some form, not just because
Adams' cult is clamoring for it and not just because
it's arguably a little bit better, but because two
simultaneous albums are quite revealing of the methods
behind Adams' work. In effect, both Rock & Roll and Love
Is Hell are tribute albums, each a conscious aping of a
style and sound, both designed to showcase how versatile
and masterful Adams is. But since he's a synthesist more
than a stylist, Adams, for all his bluster, winds up as
a Zelig-styled character, taking on the characteristics
of the artists he's emulating - something that can be
sonically pleasureable, but far from being the
substantive work of mad genius that he relentlessly
sells himself as. If Love Is Hell, Pt. 1 (an EP that is
longer than the concurrently released new Strokes album,
Room on Fire) has the edge over Rock & Roll it's because
it's more carefully considered in its production and writing,
and he manages to hide his allusions better than he does on
Rock 'n' Roll, where every title and chord
progression plays like an homage. Here, he shoots for
the Smiths and winds up in Jeff Buckley territory
tempered with a dash of Radiohead, circa The Bends.
To claim that is a dark affair is to criticize
its mileau more than its substance, because the songs
have the form and feel of brooding, atmospheric
mope-rock, not the blood and guts of the music. Adams is
fairly adept at crafting that mood - anybody that's such
a fan of rock history should be - sometimes relying more
on a blend of attitude and atmosphere instead of
songwriting. Such is the fate of a stylized tribute to a
style with specific sonic attributes, but Adams also
does come up with a clutch of effective songs: the epic
sprawl of "Political Scientist" which captures him at
his best Buckley; the title track, which is nearly
anthemic with its ringing guitars; the understated
"World War 24;" the gently propulsive "This House Is Not
for Sale," which would fit nicely between a Julian Cope
and Morrissey track on a college radio show from the
late '80s.
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01 Political Scientist 4:33
02 Afraid Not Scared 4:13
03 This House Is Not For Sale 3:53
04 Love Is Hell 3:19
05 Wonderwall 4:09
06 The Shadowlands 5:18
07 World War 24 4:17
08 Avalanche 5:06
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▐▓ GROUP iNFORMATION AND NEWS █▌
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aAF was created in Jan 2001 to fill a void left in the scene
by groups who would refuse to release anything but current
year music.Well since that time we have been rocking the
scene with classic rock rips.We have made classic music
mainstream in the scene and have been on top in that area as
the number one group in classic rips. We finished 2001 with
3800 rips.As we moved forward in 2002 we found we were also
releasing alot of quality 2k2 rips and saw that we were competing
in that area.In 2002 we finished with over 5000 rips.In 2003 we
plan to move forward and continue to release "THE NEW STUFF" and
strive to be on top in 2k3 rips.We will also continue to remain
on top like we have for 2 years in the classic rock scene.
It's not the Year that Matters it's the Music
aAF Forever
What We're looking for :
ppl who can get promos or pre street rls
ppl who have large cd collections
ppl with skill and experience who feel they can help us
ppl who can supply legal shells or bnc's
ppl who can supply hardware
siteop's who host 100mbit+ 500 gig+ mixed sites for affils
Siteop's invite the force to pre 2k3 on your site
Come to the force with us
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▄████▓███▓███▄ [NEW YEAR, SAME FORCE] ▄██▓██████▓██▄ ▄▓▄
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░ ░░ ▀██████▓████▓▀ [STILL GOiNG STRONG] ▀████▓█▓██▓██▀
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