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▌────── Release Info ───────────────── ▐▌ ──────────────── ▌ ──────── ▐
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Originally released : 05-15-2011
Release date : 09-27-2011
Album name : Aphotic
Artist : Novembers Doom
Ripped by : Team EOS
Genre : Metal
Label : The End Records
Encoding Software : Lame EOS
Quality : -V 0
Tracks : 08
Size of Files : 95,10 MB
─ Track list ───────────────────────────────────────── ─── ─ ─
01 08:06 The Dark Host
02 05:41 Harvest Scythe
03 06:32 Buried
04 06:31 What Could Have Been
05 05:02 Of Age And Origin (Part 1: A Violent Day)
06 03:17 Of Age And Origin (Part 2: A Day Of Joy)
07 07:47 Six Sides
08 07:46 Shadow Play
Total time: 50:42 min
─ Release notes ─────────────────────────────────────── ─── ─ ─
Novembers Doom's eighth studio album takes its title
from the darkest ocean depths: the region beyond the
reach of all sunlight, otherwise known as the aphotic
zone, and their fans therefore can't be blamed for
mistaking this reference as a sign of newfound
extremity. But, instead, Aphotic represents something
of a balancing act between the brutality of ND's
distant past (though at much faster tempos) and the
slightly more accessible evolutionary curve delineated
by its recent predecessors. To wit: eight-minute opener
"The Dark Host" is easily the heftiest Novembers Doom
composition in some time, but its initial black metal
fury duly gives way to quieter reveries reminiscent of
Swedish prog-death giants Opeth. So too, the
unrelenting, double-kick drum-motivated "Harvest
Scythe" leads into the gothic-tinged death/doom of
"Buried," and then the impossibly tender, minimalist
"What Could Have Been," featuring ND frontman Paul Kuhr
in a duet with the angelic Anneke Van Giersbergen, of
the Gathering fame. Quite a study in contrasts, in
other words. And the same could be said, to a lesser
degree, for the two-part "Of Age and Origin," as well
as subsequent, extended efforts like "Six Sides" and
the broodingly understated "Shadow Play." But while the
last cut serves up a meaningful farewell until next
time, the former two tracks show a disturbing trend
toward songwriting sloppiness and poorly metered
lyrics, suggesting a lack of interest, time, or
distraction by bandmembers involved with a few too many
parallel musical projects. Either way, these occasional
blunders are hardly fair to Novembers Doom's formidable
legacy or their fans, and they also make any discussion
about the band's creative direction (and their relative
merits) totally irrelevant, since the only way the
Chicago band appears to be going is down, and into a
darker place than Aphotic's title suggests, to boot.
Here's hoping for a turnaround.
─ Contact ───────────────────────────────────────────── ─── ─ ─
Contact us @ : #eos (EFNet)
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▀▀▀▀▀▀ ▀ RIPPING AT ITS FINEST -- ECONOMY OF SOUND ▀ ▀▀▀▀▀▀