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████ ■ . ■ █▒░░░▒█████████████████ ██▒██▒░░░▒ ░▒▓▓ ▓▓▒ ▀▀▀▀ ▄▀ ■ ▀▀ .████
████. ▄ ░░░░▒██▒████████████ ███▒▒░░ ░▒█ █▓▓▒ ▀▓▀ ▄ ■ ████
████ ■ ▀▓▀ . █▒▒░░▒████████████ ██▓░░░░ ▄░█ ▄ █▓▓ ■ ■ ▀▓▀ . ████
████. ░██░░▒███░░░░░█ ░░░░░ ▄ ▀ ■ ▀▓▀ ▀▀█▄ ■████
████ ▄▀▀███▓▄ ▀▀▀▀▀▀▀▀▀▀░░▄░ ■ . ■ . ▄▓███▀▀▄ ■ ████
████ ■ ███▓█ █▓███ ■ ████
████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ .···. P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ Martyn - Ghost People ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ARTiST..[ Martyn ▓▓▓▓█
█▓▓▓▓ TiTLE...[ Ghost People ▓▓▓▓█
████ GENRE...[ Electronic GRABBER.[ EAC ████
████ LABEL...[ Brainfeeder ENCODER.[ Lame 3.98.4 ████
████ YEAR....[ 2011 QUALiTY.[ vbr 250kbps ████
████ SOURCE..[ CDDA MODE....[ Joint-Stereo ████
████ PLAYTIME[ 46:17 min REL.DATE[ 10.17.2011 ████
████ TRACKS..[ 11 RiPPER..[ TEAM OMA ████
████ SiZE....[ 83,8 MB SUPPLiER[ TEAM OMA ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ NR. TRACK. TiME. ▀███
█▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█
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████ 01 Love And Machines feat. Spaceape 01:53 ████
████ 02 Viper 02:38 ████
████ 03 Masks 04:58 ████
████ 04 Distortions 04:56 ████
████ 05 Popgun 05:38 ████
████ 06 I Saw You At Tule Lake 01:08 ████
████ 07 Ghost People 04:32 ████
████ 08 Twice As 04:06 ████
████ 09 Bauplan 03:42 ████
████ 10 Horror Vacui 04:04 ████
████ 11 We Are You In The Future 08:42 ████
████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████
████ TOTAL: 46:17 ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
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█▓▓▓▓ ▓▓▓▓█
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████ ôMy last album, 'Great Lengths', was very ████
████ personal. A lot of the music and the themes ████
████ behind it were taken out of my daily life: my ████
████ sorrows and my melancholy. For this album, I ████
████ chose things that are further away from me: ████
████ the 'Ghost People' theme. There are references ████
████ to DJing in general. Not the jet-set DJ life, ████
████ but the old Paradise Garage DJ life, where ████
████ people want to share and play the music they ████
████ really love, regardless of if itÆs trendy. ████
████ Nothing fancy or flashy. Just back to the ████
████ roots.ö ████
████ ████
████ ItÆs only natural that Martyn has risen above ████
████ the clichΘs and pitfalls of the vacuous DJ ████
████ world. Over his 15 years DJing, 6 years ████
████ producing, and 4 years A&Ring his 3024 ████
████ imprint, the Holland-born/Washington DC-based ████
████ artist has forged his own path every step of ████
████ the way. His multi-leveled career has kept ████
████ balance with a focus on art, and his every ████
████ sacrifice is preserved in an endless ████
████ dedication to music. As a continual record ████
████ buyer and beat seeker, Martyn is a beacon of ████
████ hope through leagues of passion-less DJs and ████
████ producers, the æghost peopleÆ: plastic, hollow ████
████ shells that focus only on the in-the-now ████
████ grooves or keeping in line with trends. ████
████ ████
████ MartynÆs inspiration stems from the old school ████
████ mentality of connecting the dots, much like ████
████ how Ron Hardy would tweak a soul track into a ████
████ house groove, or Goldie sent processed ████
████ breakbeats far into the future. Throughout his ████
████ uncategorisable sound, Martyn gives nods to ████
████ the electronic music that came before him: ████
████ bringing back the energy of early rave, the ████
████ deep builds of old jungle, the immersive and ████
████ impulsive feel of an early Franτois K DJ set. ████
████ A veritable ambassador for scenes across the ████
████ board, and across oceans, Martyn has a rare ████
████ ability to bring sounds together, and unite ████
████ the right people all the while. ████
████ ████
████ One artist heÆs united with time and time ████
████ again is Brainfeeder leader Flying Lotus. A ████
████ close friend within whom heÆs always found ████
████ creative alliance, the two decided to join ████
████ forces on MartynÆs sophomore album this ████
████ September. With Ghost People, Martyn pulls ████
████ Brainfeeder out of LA and straight into the ████
████ fluorescent bounce of West LondonÆs 2-step, ████
████ massaging the darker edge of CroydonÆs dub ████
████ roots, and D&BÆs otherworldly and sci-fi ████
████ sonics, while simultaneously moving through ████
████ the grit of DetroitÆs mechanic grooves, and ████
████ into the freewheeling vibe of Berghain. Yet, ████
████ all the while, he maintains BrainfeederÆs ████
████ spirit of wild experimentalism and - as the ████
████ title of his "We Are You In The Future" ████
████ suggests - sense of futurism at the forefront, ████
████ with each of the albumÆs unpredictable tracks. ████
████ ████
████ ôI want to be known as someone that always ████
████ surprises. I think some people have started to ████
████ accept that. ThatÆs my favorite position to be ████
████ in.ö ████
████ ████
████ In more ways than one, Ghost People stands as ████
████ a tour diary from MartynÆs globe-spanning ████
████ schedule over the last two years. While the ████
████ intensely detailed and layered precision of ████
████ his sound stays the same, the album soars from ████
████ the depths of Great LengthsÆ insularity, and ████
████ heads for the dancefloor, giving hints of the ████
████ sounds and memories heÆs picked up along the ████
████ way. Ghost People walks a tightrope between ████
████ joyful liberation and deep speculation, as ████
████ heard in the spaciousness and atmosphere of ████
████ "Bauplan", or the sublime wanderings of "I Saw ████
████ You At Tule Lake", in contrast to the duality ████
████ of "Popgun" (which nods back and looks forward ████
████ simultaneously) or the warehouse-suited ████
████ "Horror Vacui". ████
████ ████
████ ô'Ghost People' is also about being on the ████
████ road for a long time, and seeing how you cope ████
████ with situations. I try to zen my way through ████
████ it, and just stay focused on my music.ö ████
████ ████
████ ████
████ URL: n/a ████
████ ████
████ ████
████ ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ MAiL: oma@never-ever.com ▓ │▀▀▀█▓▄▄ █████
█▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█
██▄██▀ ▀██▄██
████▀ The only thing that really matters is music!!! ▀████
▀██▓ ▓██▀
▀██▓▄ ▄▓██▀
.▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀
. ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ .
▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀
▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀
▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .