___ _ __ __
___/ (_)_________(_)___/ /__ ____ / /_
/ __ / / ___/ ___/ / __ / _ \/ __ \/ __/
/ /_/ / (__ |__ ) / /_/ / __/ / / / /_
\__,_/_/____/____/_/\__,_/\___/_/ /_/\__/
d i s s i d e n t
_______________________________________________________________________
a r t i s t : Dafeldecker/Kurzmann meet Drumm/eRikm/Dieb13/Noetinger
t i t l e : (green)
d a t e : 2003
l a b e l : charhizma 020
g e n r e : Avantgarde
r l s. d a t e : Jan/2003
t r a c k s : 05
b i t r a t e : 192kbps
s i z e : 82,4 MB
_______________________________________________________________________
werner dafeldecker: electronics, bass
christof kurzmann: g3, clarinet
1.) berlin1 (with kevin drumm: guitar synthesizer / eRikm:
electronics) 20:45
2.) graz1 (with kevin drumm: synthesizer & dieb13: turntables,
pd) 11:06
3.) wien1 (with kevin drumm: synthesizer & dieb13: turntables,
pd) 03:23
4.) berlin2 (with jerome noetinger: electroaccoustic devices)
09:28
5.) berlin3 (with kevin drumm: synthesizer & dieb13:
turntables, pd,jerome noetinger: electroaccoustic devices)
18:58
edited and mastered by christof kurzmann & werner dafeldecker
cover by m. fineder, v. winkler for D+, remixed by marion gerth
review:
three years ago, laptopper and clarinettist christof kurzmann┤s
first outing on his charhizma label, the bright orange
charhizma 002, teamed him with polwechsel┤s werner
dafeldeckeron double bass and electronics, and guests kevin
drumm, christian fennesz and jim o┤rourke. on it┤s belated
sequel, featuring the same art but this time in garrish
fluorescent green, dafeldecker and kurzmann are joined ba the
various electronic devices of drumm, erik m, dieb13 and jΘrome
noetinger. once moore sourced from concert recordings made in
berlin, graz and vienna in 2000 and 2001, the five tracks are
mixed together to form a continuous span of music, which is
sucked down a black hole after 48 minutes. eight minutes later
it rematerialises as the obligatory ghost track, that rounds
off the cd duration to exactly one hour. perhaps due to
kurzmann┤s affection for techno, which surfaces periodically in
his gently clicking loops, ist predecessor was misguidedly
described as ambient. the truth is, äambientô listening is not
good enough for appreciating this music┤s many subtleties. this
album is more focused, and not without ist lighter moments,
notably from marseille┤s erik m, who fires a volley of prepared
piano samples and what sounds like a hunting party into the
mix. elsewhere, the rich reedy tones of dafeldecker┤s bass and
the all too human flutters of kurzmann┤s disarmingly fragile
clarinet fit surprisingly well with noetinger┤s self-styled
primitive electronics and dieb13┤s grainy electronic turntable
drizzle.
07 03 dan warburton the wire
(http://www.charhizma.com/)
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01-berlin 1 [20:45]
02-graz 2 [11:06]
03-wien 1 [03:23]
04-berlin 2 [09:28]
05-berlin 3 [15:16]
-------
59:58 min
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