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░░ ██░ *Django Reinhardt ▀██
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██░ *Verve Jazz Masters 38 Presents ███
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░██ 01 Nuages 03:16 ██
░██ 02 DaphnΘ 03:11 ██
░██ 03 Souvenirs 02:45 ██
░██ 04 Honeysuckle Rose 02:56 ██
░██ 05 Please Be Kind 02:47 ██
░██ 06 H.C.Q. Strut 02:58 ██
░██ 07 Love's Melody 03:10 ██
░██ (MΘlodie Au CrΘpuscule) ██
░██ 08 Sweet Georgia Brown 03:08 ██
░██ 09 The Man I Love 03:13 ██
░██ 10 Belleville 03:00 ██
░██ 11 Liza 02:54 ██
░██ (All The Clouds'll Roll Away) ██
░██ 12 Vous Et Moi 03:13 ██
░██ 13 Djangology 03:06 ██
░██ 14 Anniversary Song 03:36 ██
░██ 15 Swing 48 02:47 ██
░██ 16 Night And Day 02:52 ██
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▓██ .size: 47,5 MB .total time: 48:52 Min ██ ░
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░▓█ *Updated and fully remastered Italian Edition * ██
░▓█ *(being sold in Rome currently) of some of * ██
░▓█ *Reinhardt's greatest Jazz tunes! * ██
░▓█ * * ██
░▓█ *It is always interesting to find out who has * ██
░▓█ *inspired our favorite musicians. It helps us get* ██
░▓█ *a better feel for why they play the way they do,* ██
░▓█ *and allows us to trace certain aspects of their * ██
░▓█ *music to their influences. It's the reason why * ██
░▓█ *you own a Meters album or listen to Robert * ██
░▓█ *Johnson. You've heard their names, in most * ██
░▓█ *cases, because of who they influenced. By the * ██
░▓█ *same token, if you are looking to follow the * ██
░▓█ *path of an improvisational guitarist, there is * ██
░▓█ *one name you will definitely become familiar * ██
░▓█ *with: Django Reinhardt. * ██
░▓█ * * ██
░▓█ *Django's name seems to be getting dropped by * ██
░▓█ *everyone lately, in part spurred by the success * ██
░▓█ *of the Woody Allen flick, "Sweet and Lowdown," * ██
░▓█ *which depicts a fictional swing guitarist of * ██
░▓█ *Django's era who is haunted by the beauty of * ██
░▓█ *Reinhardt's playing. Besides the film, recent * ██
░▓█ *interviews and articles with prominent musicians* ██
░▓█ *(notably Trey Anastasio) have found that * ██
░▓█ *Django's style is still confounding and changing* ██
░▓█ *artists today. * ██
░▓█ * * ██
░▓█ *Django Reinhardt has been an influence on guitar* ██
░▓█ *ever since he picked it up, although he was * ██
░▓█ *lucky to be able to do that ever again after his* ██
░▓█ *accident. On November 2, 1928, a fire began in * ██
░▓█ *Django's caravan, leaving him badly scalded and * ██
░▓█ *rendering his left hand, and his future as a * ██
░▓█ *guitarist, seemingly in shambles. At 18, * ██
░▓█ *Django's ability was so promising that news of * ██
░▓█ *the accident is said to have caused his Gypsy * ██
░▓█ *community to weep. Even then, his genius was * ██
░▓█ *obvious. * ██
░▓█ * * ██
░▓█ *But Django's passion for guitar could not be * ██
░▓█ *held back by such an obstacle. The burns on his * ██
░▓█ *body were an afterthought to Django. The pain * ██
░▓█ *that seared was not from his physical ailments, * ██
░▓█ *but the thought that he would never play again. * ██
░▓█ *Biographer Alain Antonietto offers evidence of * ██
░▓█ *his mindset then: * ██
░▓█ * * ██
░▓█ *Whenever his mother, who never left his bedside,* ██
░▓█ *asked him, "What are thinking about, Django?" He* ██
░▓█ *would reply, "My hand." * ██
░▓█ * * ██
░▓█ * * ██
░▓█ *For a year and a half, Django worked to rebuild * ██
░▓█ *his hand and eventually gained enough strength * ██
░▓█ *to play with confidence. The other digits, * ██
░▓█ *though partially paralyzed, were still of some * ██
░▓█ *use to Django, for barring purposes. His * ██
░▓█ *accident had in fact forced Django to develop a * ██
░▓█ *unique style, one that will forever be studied * ██
░▓█ *and admired, but never reproduced. What followed* ██
░▓█ *after this joyous disposal of handicapped * ██
░▓█ *expectations is a story designed for volumes. In* ██
░▓█ *short, Django grew far beyond his inauspicious * ██
░▓█ *roots as a Gypsy guitarist. * ██
░▓█ * * ██
░▓█ *Jazz caught Django's attention early in his * ██
░▓█ *playing, because, as he explained to biographer * ██
░▓█ *Charles Delaunay, it "has a formal perfection * ██
░▓█ *and instrumental precision that I admire in * ██
░▓█ *classical music, but which popular music doesn't* ██
░▓█ *have." Classical music remained a heavy * ██
░▓█ *influence on Django throughout his career, * ██
░▓█ *though, with subtle references to works by * ██
░▓█ *Debussy and a version of Bach's "Concerto in D * ██
░▓█ *Minor" in his arsenal of melodies. But it was * ██
░▓█ *jazz that was in Django's heart. It was the only* ██
░▓█ *thing that would allow Django the freedom he * ██
░▓█ *needed. This passion might have made him a * ██
░▓█ *little overbearing, though. Violinist Stephane * ██
░▓█ *Grappelli, who began a twenty year partnership * ██
░▓█ *with Django in the early 30's, recalled that * ██
░▓█ *"sometimes it worked and sometimes it didn't, * ██
░▓█ *because as everyone knows, he was rather * ██
░▓█ *difficult . . . but we got on well, anyway . . .* ██
░▓█ *music came first." * ██
░▓█ * * ██
░▓█ *This allegiance with Grappelli led to the * ██
░▓█ *formation of the Quintette du Hot Club de * ██
░▓█ *France, which was Django's main vehicle for the * ██
░▓█ *majority of his career. Time away from the * ██
░▓█ *Quintette gave Django the opportunity to test * ██
░▓█ *his style on American soil, touring with Duke * ██
░▓█ *Ellington in 1946. Unfortunately, the reception * ██
░▓█ *was not as warm as he had expected. Django's * ██
░▓█ *tendency for drinking, showing up late or just * ██
░▓█ *plain disappearing might have had something to * ██
░▓█ *do with the brevity of his stint. The American * ██
░▓█ *critics at the time didn't take to Django much * ██
░▓█ *either. * ██
░▓█ * * ██
░▓█ *Luckily, though, jazz fanatics back then had * ██
░▓█ *developed the obsession with recording live * ██
░▓█ *music long before there was a taper's section. * ██
░▓█ *The shows Django played with Duke were recorded * ██
░▓█ *by a fanatic named George Steiner, who hung a * ██
░▓█ *microphone over the balcony at the Chicago Civic* ██
░▓█ *Center, capturing the work of the two legends in* ██
░▓█ *their element. * ██
░▓█ * * ██
░▓█ *It was a dream pairing for jazz lovers, though, * ██
░▓█ *and probably for Django (though the confident * ██
░▓█ *Reinhardt more than likely wondered why he * ██
░▓█ *hadn't been recognized sooner). Besides his * ██
░▓█ *Gypsy music roots and the classical background, * ██
░▓█ *Django had been drawing most of his influence * ██
░▓█ *from American jazz at the time. He went on to * ██
░▓█ *record several sides with Coleman Hawkins and * ██
░▓█ *drew from big band swing acts like Benny Goodman* ██
░▓█ *and later from the bebop movement. * ██
░▓█ * * ██
░▓█ *Oddly enough, though his own sound remained * ██
░▓█ *different from all jazz guitarists that followed* ██
░▓█ *him. Fred Sharp, who incidentally owns the * ██
░▓█ *guitar Django played on during his stint in * ██
░▓█ *Chicago with Duke, argues that "as far as his * ██
░▓█ *influence on non-Gypsies like Larry Coryell, Jim* ██
░▓█ *Hall, Joe Pass, Tal Farlow . . . they knew of * ██
░▓█ *Django but were more inspired by horn players * ██
░▓█ *rather than guitar players." Truly, Reinhardt is* ██
░▓█ *considered no less than a god by the Gypsy * ██
░▓█ *community. He has spawned a tremendous following* ██
░▓█ *in his own faction of the Gypsy culture, the * ██
░▓█ *Sinti's, who now hold major residence in areas * ██
░▓█ *of France and Holland. However, his effects have* ██
░▓█ *gone far beyond that. * ██
░▓█ * * ██
░▓█ *In a recent article in Downbeat Magazine, Trey * ██
░▓█ *Anastasio mentions Django as his favorite * ██
░▓█ *guitarist of all time. "He swings so hard, he's * ██
░▓█ *so melodic," notes Anastasio, one of growing * ██
░▓█ *number to appreciate his work. When asked by * ██
░▓█ *Rolling Stone to name some of his favorite * ██
░▓█ *guitarists, Jeff Beck mentions Django as "the * ██
░▓█ *one that stands out above all else." * ██
░▓█ * * ██
░▓█ *Jerry Garcia had a similar affection for his * ██
░▓█ *work. The connection between the two players is * ██
░▓█ *actually eerily similar. Both began their * ██
░▓█ *careers as banjo players, and both had accidents* ██
░▓█ *during their youth to their hands which forced * ██
░▓█ *them to change their style. Parallels aside, * ██
░▓█ *Garcia held Django in very high respects. In a * ██
░▓█ *1985 interview with Jas Obrecht, Garcia was * ██
░▓█ *asked whom he would play with if he could go * ██
░▓█ *back in time and jam with anyone. Jerry * ██
░▓█ *responded that he would "follow around Django * ██
░▓█ *Reinhardt, the Gypsy guitarist . . . most of * ██
░▓█ *what he plays is hard to understand, no matter * ██
░▓█ *how much I've listened to it." Garcia saw Django* ██
░▓█ *as the innovator that he was: "His technique is * ██
░▓█ *awesome. Even as good as players are today, * ██
░▓█ *nobody has come up to the state that he was * ██
░▓█ *playing at - that whole fullness of expression, * ██
░▓█ *the combination of having incredible speed and * ██
░▓█ *giving every note a specific personality." * ██
░▓█ * * ██
░▓█ *The list of guitarists that admire Reinhardt's * ██
░▓█ *playing goes beyond Anastasio, Beck and Garcia. * ██
░▓█ *Django's impact and influence on the history of * ██
░▓█ *guitar has made him a mythological figure in * ██
░▓█ *some regards. It's safe to say that the majority* ██
░▓█ *of guitar players that have studied their * ██
░▓█ *instrument have come across his work. Fred * ██
░▓█ *Sharp, the aforementioned longtime Django * ██
░▓█ *enthusiast and, notably, the guitar mentor to * ██
░▓█ *jazz legend Jim Hall, reinforces the legendary * ██
░▓█ *status of the Gypsy. "Django was apart from any * ██
░▓█ *player, then and now," Sharp affirms a sentiment* ██
░▓█ *echoed by long - time friend and playing partner* ██
░▓█ *Grappelli: "There can be many other fine * ██
░▓█ *guitarists, but there can never be another * ██
░▓█ *Reinhardt." * ██
░▓█ * * ██
░▓█ *What separated Django was his style. Every note * ██
░▓█ *rang true. His tone was remarkably clear and he * ██
░▓█ *voiced each phrase with passion. Besides that, * ██
░▓█ *his runs up the neck were taken at breakneck * ██
░▓█ *speeds, leaving even the most respected * ██
░▓█ *guitarist shaking his head in disbelief. Django * ██
░▓█ *is not just important because he was a great * ██
░▓█ *guitarist, but because he was unique. As horn * ██
░▓█ *players idolize Miles, drummers worship Max * ██
░▓█ *Roach, and bassists venerate Jaco Pastorious, * ██
░▓█ *guitarists revere Django. That is why he will * ██
░▓█ *continue to influence for centuries to come. * ██
░▓█ * * ██
░▓█ *Enjoy! * ██
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