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█▀░░░ ░░░▀█
█▀░░ PsyCZ group was formed in spring 2001 by its first three members ... ░░▀█
█▀░ But as every group grows and gets new members, new people joined PsyCZ ░▀█
█▀░ to help us in our mission. Our main common loved genere was psychedelic ░▀█
█▀░ ... of course, but everone of us likes several more genres. This caused, ░▀█
█▀░ that several members began to demand releasing other music styles such ░▀█
█▀░ as ambient, drum&bass and few more ... So we realized, that our original ░▀█
█▀░ name PsyCZ is a little uncomfortable, because it highlights our psy - ░▀█
█▀░ sight. After few days of debates we decided to found new sub-group ... ░▀█
█▀░ and here we are ... PsyCZ_NP will bring you plenty of non psychedelic ░▀█
█▀░ music ... especially ambient, but some other genres are planned too. ░▀█
█▀░ Why did we decide for non-psy? Changing of the group name isn't possible ░▀█
█▀░ so possibilities we had was only adding a suffix to current group name ░▀█
█▀░░ ... so have chosen non-psy, because it's clearest and most fluent ... ░░▀█
█▀░░░ ░░░▀█
█▀░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ Keep the spirit! ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░▀█
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█▀║ ║▀█
█▀║ Move D - Pop for Dwoozle ║▀█
█▀║ ║▀█
█▀║ ┌════════════════════════════════════════════════════════════════════════┐ ║▀█
█▀║ ║▀█
█▀║ Artist: Move D ║▀█
█▀║ Album: Pop for Dwoozle ║▀█
█▀║ ║▀█
█▀║ ┌════════════════════════════════════════════════════════════════════════┐ ║▀█
█▀║ : : ║▀█
█▀║ Ripper........: Astra ║▀█
█▀║ Supplier......: JunPei ║▀█
█▀║ Genre.........: Ambient ║▀█
█▀║ Style.........: Modern, emotional, funky Chill-Out ║▀█
█▀║ Ripp.With.....: Exact Audio Copy ║▀█
█▀║ Encode.With...: Lame 3.95.1 APS ║▀█
█▀║ Quality.......: VBRkbps / 44,1kHz / Joint-Stereo ║▀█
█▀║ Company(Label): FAX +49-69/450464 ║▀█
█▀║ CatalogNr.....: PS 08/105 ║▀█
█▀║ Url...........: www.source-records.com ║▀█
█▀║ Date..........: 27.02.2004 ║▀█
█▀║ StreetDate....: 15.01.2004 ║▀█
█▀║ Type..........: Album ║▀█
█▀║ Source........: CDDA ║▀█
█▀║ Tracks........: 12 ║▀█
█▀║ Playtime......: 62:02 min ║▀█
█▀║ Size..........: 81,4 MB ║▀█
█▀║ ║▀█
█▀║ ┌═════════════════════════════[ ReleaseNotes ]═══════════════════════════┐ ║▀█
█▀║ : : ║▀█
█▀║ Quite some time has passed since the successful "Kunststoff (Source ║▀█
█▀║ Records)" and "Solitaire (FAX)" by Move D were released. The CD "Pop ║▀█
█▀║ for Dwoozle" is inspired by David's son Dan who was born 1997. ║▀█
█▀║ Silence, crawling, prickling, clarity, David's own memories of ║▀█
█▀║ childhood, lullabies, elegance, reduction, emotion.. are associations ║▀█
█▀║ and themes of the new CD. Music for children and children who have ║▀█
█▀║ children. New to David's sound, besides the nice guitars which appear ║▀█
█▀║ sorted, is the contribution of his son to some of the songs.. but he ║▀█
█▀║ only did it for the money.. :-) Music which is in context with ║▀█
█▀║ Chill-Out and Ambient ... sounds groovy, fallen in love, playful, ║▀█
█▀║ thoughtful and doesn't use its innovative force as a gimmick.. just as ║▀█
█▀║ a natural method of style. ║▀█
█▀║ ║▀█
█▀║ (www.namlook.de) ║▀█
█▀║ ║▀█
█▀║ Artist Info: ║▀█
█▀║ ║▀█
█▀║ m o v e d ║▀█
█▀║ Born Heidelberg, 1966. ║▀█
█▀║ ║▀█
█▀║ "I always get the feeling that I'm not fashionable at all. And that's ║▀█
█▀║ not the point of it anyway. All I can say about my music is this is me ║▀█
█▀║ and hope other people share the same ideas." David Moufang ║▀█
█▀║ ║▀█
█▀║ If talent converted into record sales, David Moufang would be a very ║▀█
█▀║ rich man. His records with partner Jonas Grossmann as Deep Space ║▀█
█▀║ Network and his own solo releases as Move D are among the furthest ║▀█
█▀║ outreaches of techno's push towards the stars. ║▀█
█▀║ Moufang grew up in Heidelberg listening to his parents' collection of ║▀█
█▀║ early Pink Floyd and Kraftwerk records but the most overwhelming ║▀█
█▀║ influence on his childhood was outer space, the result of a trip to ║▀█
█▀║ the cinema with his father to see 2001: A Space Odyssey. "I was space ║▀█
█▀║ crazy as a child," Moufang told journalist Tony Marcus in 1995, "when ║▀█
█▀║ the other kids were riding around in their little cars I'd be building ║▀█
█▀║ my own spacecraft. I'd put in a small engine, put rubber on the wheels ║▀█
█▀║ so it made some noise and stand there with a walkie-talkie and my ║▀█
█▀║ headphones on. It was very techno..." ║▀█
█▀║ Moufang's grandmothers were both classical concert pianists. He can ║▀█
█▀║ still remember favourite childhood moments, sitting under the piano as ║▀█
█▀║ they played, surrounded and lost in sound. By the age of 12, he taken ║▀█
█▀║ up drums (he eventually went on to study classical percussion) and ║▀█
█▀║ took up the guitar a few years later, this time taking lessons from ║▀█
█▀║ two separate jazz guitar teachers. He played guitar in a band called ║▀█
█▀║ Rivers & Trains well into the '90s. Occasionally he even plied his ║▀█
█▀║ trade as a DJ, spinning electro, funk and jazz. ║▀█
█▀║ It wasn't until 1989 that he discovered techno when a friend of his, ║▀█
█▀║ D-Man, invited him to a club he was running in the industrial suburb ║▀█
█▀║ of Mannheim. When Moufang walked into the Milk Club that night - like ║▀█
█▀║ so many others before and after him - he discovered a scene that ║▀█
█▀║ changed his life. ║▀█
█▀║ Discovering Detroit, 808 State, Nexus 21 and the first stirrings of ║▀█
█▀║ ambient techno, Moufang became a committed clubber. Through D-Man, he ║▀█
█▀║ met Peter Wiederroth (Redagain P) who converted Moufang's nickname ║▀█
█▀║ "Mufti" into the more kinetic Move D. ║▀█
█▀║ Moufang's first records were made with Grossmann as Deep Space ║▀█
█▀║ Network. Their first two albums, EARTH TO INFINITY (1992) and BIG ║▀█
█▀║ ROOMS (1993) suggested a significant, unpredictable and innovative ║▀█
█▀║ talent which was confirmed by the release of HOMEWORKS (1993), a ║▀█
█▀║ Source Records compilation that included solo tracks such as "Pulsar" ║▀█
█▀║ and "I've Been On Drugs" alongside collaborations with D-Man. Ranging ║▀█
█▀║ from subtle, Detroit-inflected grooves to wired electronic jazz, ║▀█
█▀║ Moufang's music seemed to operate on ambience, slow motion and subdued ║▀█
█▀║ rhythm, a sound that was rooted, as Tony Marcus later pointed out, "in ║▀█
█▀║ the jazzy, laid-back but still hip-tugging tradition of Larry Heard, ║▀█
█▀║ Carl Craig's "Microlovr" or "The Wonders Of Wishing" and New York's ║▀█
█▀║ Burrell Brothers... listening to [Moufang's records] is like a sweet ║▀█
█▀║ and lazy adventure into sound, a space where time and stress are ║▀█
█▀║ suspended." ║▀█
█▀║ REAGENZ (1994), a collaboration with Space Time Continuum's Jonah ║▀█
█▀║ Sharp, was an astonishing fusion of beautiful, experimental ║▀█
█▀║ electronics that reached out to a point that even Detroit's most ║▀█
█▀║ visionary producers hadn't yet achieved. Recorded between Heidelberg ║▀█
█▀║ and San Francisco, it sounded like pianist Bill Evans might have if ║▀█
█▀║ he'd grown up surrounded by Star Trek instead of modal jazz. ║▀█
█▀║ Moufang's debut album, KUNSTSTOFF (1995), was equally remarkable. ║▀█
█▀║ Tracks such as "Soap Bubbles" and "In/Out" oscillated between soft, ║▀█
█▀║ dreamlike textures and the spiked electronics that Detroit was ║▀█
█▀║ beginning to explore. The glittering production surfaces were a legacy ║▀█
█▀║ of Moufang's days as a student at the School of Audio Engineering, but ║▀█
█▀║ the music they encompassed was equally compelling. It was an album ║▀█
█▀║ full of contrasts - between the jagged drugfloor grooves of, say, ║▀█
█▀║ "Nimm 2" and the gentle, synthetic lullaby of "Beyond The Machine" or ║▀█
█▀║ between the pristine sounds Moufang conjured with and the haloes of ║▀█
█▀║ analogue noise which surrounded others. Amazingly pretty and wildly ║▀█
█▀║ innovative, KUNSTSTOFF remains one of the most accomplished techno ║▀█
█▀║ albums to emerge from Europe so far. ║▀█
█▀║ The collaborative ventures that followed - including EXPLORING THE ║▀█
█▀║ PSYCHEDELIC LANDSCAPE (1996) and A DAY IN THE LIVE (1997) with Pete ║▀█
█▀║ Namlook - preceded an experimental single for Sheffield's Warp label. ║▀█
█▀║ Moufang had been a big fan of the label's "bleep techno" output in the ║▀█
█▀║ early '90s and "Cymbelin" was, in some ways, a homage to that sound, ║▀█
█▀║ twisting beats and synths into a bass heavy groove. But the producer's ║▀█
█▀║ ability to soften almost any structure with aching prettiness ║▀█
█▀║ transformed the record into a unique fusion. ║▀█
█▀║ Another unique fusion was suggested by the release of CONJOINT (1997). ║▀█
█▀║ A collaboration between Moufang, jazz veteran Karl Berger, Jamie Hodge ║▀█
█▀║ (of Born Under A Rhyming Planet) and Gunter "Ruit" Kraus, it was ║▀█
█▀║ Moufang's most overtly jazzed outing so far, but provided spectacular ║▀█
█▀║ evidence of his growing abilities as a producer and composer. ║▀█
█▀║ Currently working on a number of new projects - including a new Deep ║▀█
█▀║ Space Network album and a second Conjoint album - Moufang continues to ║▀█
█▀║ explore the boundaries of electronic music. It remains to be seen ║▀█
█▀║ whether his talents will ever be recognised on a wider scale, but ║▀█
█▀║ those who have experienced his music at close range can testify to his ║▀█
█▀║ unequivocal - if as yet uncelebrated - genius. ║▀█
█▀║ ║▀█
█▀║ by Tim Barr ║▀█
█▀║ ║▀█
█▀║ (www.source-records.com) ║▀█
█▀║ ║▀█
█▀║ ┌══════════════════════════════[ Tracklist ]═════════════════════════════┐ ║▀█
█▀║ : : ║▀█
█▀║ 01. Put Your Ear to the Ground 02:03 ║▀█
█▀║ 02. Looking for Grasshoppers 04:15 ║▀█
█▀║ 03. Goofi 04:48 ║▀█
█▀║ 04. Insel Poel '97 / Berlin Von Seiner Schonsten Seite 03:44 ║▀█
█▀║ 05. Haheessh 04:20 ║▀█
█▀║ 06. The Tree / Travelling Without Moving 07:05 ║▀█
█▀║ 07. Will Funk for Food 00:34 ║▀█
█▀║ 08. Cacao Facil 03:21 ║▀█
█▀║ 09. Watching Trains (Zuge Gucken) 03:53 ║▀█
█▀║ 10. Uchi Soto Uki 06:16 ║▀█
█▀║ 11. Tonspur 11 20:17 ║▀█
█▀║ 12. Infinity 01:26 ║▀█
█▀║ ------- ║▀█
█▀║ 62:02 min ║▀█
█▀║ 81,4 MB ║▀█
█▀║ ║▀█
█▀║ ┌══════════════════════════════[ PsyCZNews ]═════════════════════════════┐ ║▀█
█▀║ : : ║▀█
█▀║ ║▀█
█▀║ You think you can help PsyCZ? Send us a word if you can provide 10Mbit+ ║▀█
█▀║ private dumps. 100mbit dumps for group usage also welcome and big ║▀█
█▀║ rewards given. ║▀█
█▀║ We are also looking for 100Mbit+ sites with "all years" releases to ║▀█
█▀║ affiliate with. Psychedelic,ethno,chill,ambient genre archive sites are ║▀█
█▀║ also welcome. ║▀█
█▀║ ║▀█
█▀║ Responsible rippers also needed: If you can supply us original CD/vinyl ║▀█
█▀║ or dj/live sets and rip it in excellent quality meet us at #psycz-temp ║▀█
█▀║ and msg OP. ║▀█
█▀║ ║▀█
█▀║ ┌═════════════════════════════[ PsyCZGoals ]═════════════════════════════┐ ║▀█
█▀║ : : ║▀█
█▀║ ║▀█
█▀║ As time goes by, the world matures. PsyCZ has matured and the scene has ║▀█
█▀║ matured. PsyCZ started releasing in VBR over two years ago, and was met ║▀█
█▀║ with skepticism. As time went by, more and more realised that VBR is ║▀█
█▀║ superiour to cbr 192. Finally, now in 2004, VBR is allowed by the scene. ║▀█
█▀║ PsyCZ will also in 2004 continue to bring you the finest psychedelic ║▀█
█▀║ trance music from around the world, as we have since 2001. ║▀█
█▀║ ║▀█
█▀╚════════════════════════════════════════════════════════════════════════════╝▀█
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