- Release Info -------------------------------------------------------------- -
Artist: Jimmy Gnecco
Album: The Heart: X Edition
Label: Bright Antenna
Playtime: 46:54 min
Genre: Rock
URL: http://www.jimmygnecco.com/
Rip date: 2011-11-17
Street date: 2011-11-15
Size: 84.62 MB
Type: Normal
Quality: 239 kbps / 4410Hz / Joint Stereo
- Release Notes ------------------------------------------------------------- -
"Any album by a band's vocalist going solo needs to justify its existence by
revealing some sort of personal vision, some characteristic that wouldn't be
found on work by the band.
Searching for that facet in The Heart is a frustrating process. Which is which
anyway? Jimmy Gnecco's band, Ours, has seen twelve members rotated since 1990,
with Gnecco himself seeming the only constant.
Ours, has seen twelve members rotated since 1990
In style, the sound is similar to Ours, especially in the moments where Gnecco
pushes his voice to the howling intensity for which he is best-known. But it
is in the moments where he relaxes, croons, and cajoles the listener that the
point of a solo album becomes clear. The buzz surrounding the album coalesces
on the names Jeff Buckley and Thom Yorke. The first of those is fair - the
near-falsetto upper range of Gnecco's voice does owe much to Buckley's. As for
Yorke, well, some of the phrasing bears a passing similarity, but little more
than that.
It's possible that there are so few mainstream male rock vocalists who sing
with full commitment to their lyrics that it's inevitable that those who do
are compared to each other. James Dean Bradfield or Dave Grohl might just have
easily been the names cited; they have the same utter conviction when they
deliver a line, whether they sound similar in any other way or not.
the same utter conviction when they deliver a line
It's not a case of over-emoted lyrics that makes Gnecco's songs interesting -
if creating a compelling vocal style were as simple as that, Michael Bolton
would win every time. Nor is it a case of posturing or image - Metallica's
James Hetfield covers much of the same vocal range, but does so from behind
such a swaggering wall of studied gruffness that there is almost never an
emotional connection with the lyrics he sings.
What Gnecco offers is something more intimate and honest. As seems obvious,
when you strip away the support mechanism of a band and producer, what remains
is inevitably more personal. Egotistical, it may be, the very act of deciding
to release a solo record involves a chunk of self-indulgence. In this case
though, the album stops short of outright megalomania, but there are
definitely moments where the opinion of a trusted bandmate would have been
useful.
the very act of deciding to release a solo record involves a chunk of
self-indulgence
The Heart, X Edition is one step further into the process of personal
gratification for Gnecco though, in that it is a selection of tracks from the
earlier version of the album. That original album, released in 2010, was an
overweight, meandering affair, fifteen tracks long. That he has culled it down
to nine of those original tracks (plus one new song), as well as enlisting the
services of a full band (the earlier version was mostly played by Gnecco
himself) suggests that he acknowledges the need of a second opinion on
occasion.
One with the clout needed to veto certain tracks. 'These Are My Hands' for
example, is a horrible, overwrought piece of sub-U2 landfill indie, designed
to be chanted at festivals and doing nothing to stretch Gnecco's vocal or
emotional range. Considering that the rest of the album features vocals so
honest and committed that they are its single defining feature, the track
sticks out starkly. Happily, it is the anomaly. Where Gnecco excels is in the
moments where he simply allows his vocal to convince with tone and melody,
without depending upon the crutch of anthemic vocal hooks and repetitions.
'The Heart's' gypsy guitar, handclaps and hispanic tone brings Jane's
Addiction to mind, as does 'Bells'. Something in the interplay between guitar
and bass in the latter goes one step further - sounding remarkably reminiscent
of Dave Navarro's solo album Trust No One, and of his various collaborations
with Flea. Intensity is the common link. 'Gravity', which fans of Ours will
know from live shows, is a sweet (yes, sweet) uplifting tune whose jaunty
melody conflicts somewhat with its plaintive (although hopeful) lyrics.
remarkably reminiscent of Dave Navarro's solo album Trust No One
Somewhere between the edgy New Jersey urban angst of his origins, and the
laid-back rock expansiveness of his current Los Angeles home, Gnecco will
eventually locate the sound that defines him. His voice, the most personal
part of that, is in the bag. His lyrics - intimate and honest, are not far off
either. What the album lacks, and it is ironic, is a producer. Someone to
define and develop the quintessence of the man's music. The Heart, X Edition
is too obviously haunted by the presence of both Steve Lilywhite and Rick
Rubin, both of whom have produced albums by Ours. It is the familiarity of the
production which draws all those confused comparisons being made by
tastemakers and rock writers."
- Track List ---------------------------------------------------------------- -
01. The Heart (x) ( 6:13)
02. Bring You Home (x) ( 3:00)
03. Mystery (x) ( 4:39)
04. Bells (x) ( 5:29)
05. Patiently Waiting (x) ( 3:03)
06. Days (x) ( 3:44)
07. These Are My Hands (x) ( 3:22)
08. Gravity (x) ( 3:48)
09. Take a Chance (x) ( 3:41)
10. Darling (x) ( 5:05)
11. Rest Your Soul (x) ( 4:50)
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