Tobias-Leaning_Over_Backwards-(Retail)-2011-wWs
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- Date
- 2011-11-19
NFO
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███▌ Artist .......: Tobias ▀▓███▄▄
███ Title ........: Leaning Over Backwards ▀██▌
███ Genre ........: Techno ▐██
███ Label ........: Ostgut Ton ▓██
███ Language .....: English ███
███ Street Date ..: 2011-00-00 ███
███ Release Date .: 2011-11-18 ███
███ Quality ......: 236kbps 44100kHz Joint Stereo ███
███ Source .......: CDDA ███
███ Tracks .......: 12 ███
███ Size .........: 106.53 megs ███
███ Discs ........: 1 ███
███ Encoder ......: lame.exe -V0 --vbr-new ███
███ Grabber ......: EAC ███
███ ███
███ Url: http://www.myspace.com/tobiasfreund ███
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▄█▓▀ ░ ▀░ ▓▀▄▄▀▀▄ T R A C K L I S T I N G ▄▀▀▄▄▀▓ ░▀ ░ ▀▓█▄
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███ Track Title Time ███
███ 1. Girts [ 4:45 ] ███
███ 2. Party Town [ 6:55 ] ███
███ 3. Voices Told Me To Do That [ 2:56 ] ███
███ 4. Skippy [ 7:57 ] ███
███ 5. Zero Tolerance [ 4:29 ] ███
███ 6. Free No.1 [ 5:40 ] ███
███ 7. Leaning Over Backwards [ 6:51 ] ███
███ 8. Observing The Hypocrites [ 5:16 ] ███
███ 9. The Key [ 3:34 ] ███
███ 10. She Still Calls Me Mister [ 1:07 ] ███
███ 11. We Stick To The Plan [ 6:05 ] ███
███ 12. Now I Know [ 4:16 ] ███
███ ███
███ -------- ███
███ 00:59:51 ███
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▄█▓▀ ░ ▀░ ▓▀▄▄▀▀▄ R E L E A S E N O T E S ▄▀▀▄▄▀▓ ░▀ ░ ▀▓█▄
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███ ██▓
███ The debut album from Tobias Freund under his tobias. alias makes ███
███ for a great techno palate cleanser for Ostgut Ton after the warm ███
███ and fuzzy deep house of Steffi's Yours & Mine. If your idea of a ███
███ palate cleanser is swallowing sandpaper, that is. That's the ███
███ dominant texture on Leaning Over Backwards. Ever the ascetic, ███
███ for Leaning Over Backwards Freund abandons sequencer technology ███
███ in favour of an 808 and a Mini Pops. ███
███ ███
███ A man who's produced everything from dance floor bombs to ███
███ droning diatribes to spiky synth experiments under names like ███
███ Odd Machine, Pink Elln and Non Standard Institute, Leaning Over ███
███ Backwards is happily split down the middle by techno material ███
███ and synth experiments that don't fall too far from the sort of ███
███ kosmische revival touted by names like Dylan Ettinger or Stellar ███
███ Om Source. The album is at its heart consummate home-listening ███
███ techno, detailed and varied enough for even the most fickle of ███
███ attention spans. Opener "Girts" builds layer after layer of grey ███
███ crackle, a drum machine raucously fighting its way through the ███
███ wall of burlap, while "Party Town" sticks unnerving, FUBAR'd ███
███ vocal samples on top of a steampunk hop. Heading in a more ███
███ accessible direction, "Leaning Over Backwards" and "Free No. 1" ███
███ almost owe something to recent UK with their synth tangents and ███
███ lithe drum machine aerobics, the latter especially making the ███
███ most of space in an otherwise extremely claustrophobic record. ███
███ ███
███ "Skippy" is eight minutes of unrelenting, ultra-rigid kick drums ███
███ and endlessly repeating vocals (a voice saying "skippy" at a ███
███ frenetic clip) and would hold just as much water in a torture ███
███ chamber as on a dance floor. Thankfully, Freund balances out ███
███ those moments of extremity with tracks of wanderlust beauty, ███
███ like the perpetual chime cycle of "Voices Told Me to Do ███
███ That"ùwhere the repetitive pattern begins to feel uncomfortably ███
███ vicelike by the track's endùor the synth-drone experiment ███
███ "Observing the Hypocrites" which wears itself down into ███
███ intimidating low-frequency hum. ███
███ ███
███ Tracks like that are a big reason why the debut tobias. album ███
███ feels like a triumph for a man who's spent a career making ███
███ mostly "difficult" music. It shouldn't come as a surpriseùwe ███
███ already knew the man who made Non Standard Institute Plays Non ███
███ Standards was the same responsible for "Can't Fight This ███
███ Feeling," after allùbut it doesn't make it any less of an ███
███ achievement. tobias. has given Ostgut a remarkable album that ███
███ has its finger in nearly every pie within reach but feels ███
███ unremittingly focused at the same time. It recalls Thomas ███
███ Fehlmann's Gute Luft in its joyful appropriation of all sorts of ███
███ techno trends and ideas into one unified palette, but does it ███
███ with a steely resolve that sucks all the transparent ███
███ sentimentalism out and replaces it with brutal but inspiring ███
███ functionalism. Grey never sounded so lustrous. ███
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▓██ All electronic music groups and to our friends from ▓██
▓██ iTS + 320 + SiBERiA + FAM + EMM ██▌
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