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ÝÄÄÄÄÄÄ Release Info ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÞÝ ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ Ý ÄÄÄÄÄÄÄÄ Þ
Þ
Þ
Originally released : 2011
Release date : 11-11-2011
Album name : Bad As Me
Artist : Tom Waits
Ripped by : Team EOS
Genre : Rock
Label : Anti
Encoding Software : Lame EOS
Quality : -V 0
Tracks : 14
Size of Files : 76,8 MB
Ä Track list ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄ Ä Ä
01 02:15 Chicago
02 03:24 Raised Right Men
03 04:14 Talking At The Same Time
04 02:42 Get Lost
05 03:43 Face To The Highway
06 03:14 Pay Me
07 02:49 Back In The Crowd
08 03:10 Bad As Me
09 03:41 Kiss Me
10 04:05 Satisfied
11 02:56 Last Leaf
12 03:57 Hell Broke Luce
13 04:27 New Year's Eve
14 02:47 After You Die
Total time: 47:24 min
Ä Release notes ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄ Ä Ä
Bad as Me is Tom Waits' first collection of new
material in seven years. He and Kathleen Brennan --
wife, co-songwriter, and production partner -- have, at
the latter's insistence, come up with a tight-knit
collection of short tunes, the longest is just over
four minutes. This is a quick, insistent, and woolly
aural road trip full of compelling stops and starts.
While he's kept his sonic experimentation -- especially
with percussion tracks -- Waits has returned to blues,
rockabilly, rhythm & blues, and jazz as source
material. Instead of sprawl and squall, we get chug and
choogle. For "Chicago" -- via Clint Maedgen's saxes,
Keith Richards' (who appears sporadically here) and
Marc Ribot's guitars, son Casey Waits' drums, dad's
banjo, percussion and piano, and Charlie Musselwhite's
harmonica (he appears numerous times here, too) -- we
get a 21st century take on vintage R&B. Indeed, one can
picture Big Joe Turner fronting this clattering rush of
grit and groove, and this album is all about groove.
Augie Meyers appears on Vox organ and Flea on bass to
guide Waits' tablas and vocals on "Raised Right Men," a
12-bar stagger filled with delightful lyrical clichés
from an America that has passed on into myth -- Waits
does nothing to de-mystify this; he just makes it
greasy and danceable. The slow, spooky "Talking at the
Same Time" is still in blues form albeit with ska-
styled horns to make things more exotic, as Waits waxes
about the current state of economic affairs. He
showcases history's circular nature as he bridges our
national narrative from 1929-1941, and up to the
present day: "Well its hard times for some/For others
its sweet/Someone makes money when theres blood in
the street...Well we bailed out all the
millionaires/They got the fruit/We got the rind..."
Rockabilly rears its head on "Get Lost," with David
Hidalgo strutting a solid '50s guitar snarl above the
horns. Dawn Harms' violin and Patrick Warren's
keyboards add textural dimension to Hidalgo's and
Ribot's arid guitars on the apocalyptic blues of "Face
to the Highway," with Waits offering startling,
contrasting images in gorgeous rhymes. This track, and
the two proceeding ones -- the forlorn carny ballad
"Pay Me" and the wasted lover's plea in the West Texas
mariachi of "Back in the Crowd" -- set up the latter
half of the record, where there are more hard-edged
blues and rockers, such as the spiky stomping title
track, the cracked guitar ramble in "Satisfied," and
the clattering, percussive anti-war rant "Hell Broke
Luce" (sic). Between each of these songs are ballads.
In the jazzy nightclub blues of "Kiss Me" and the
country-ish folk of "Last Leaf" lie lineage traces to
Waits' earliest material: the latter features Richards
in a delightfully ruined vocal duet. Indeed, even the
set-closer "New Year's Eve," with Hidalgo's guitars and
accordion in one of Waits' signature saloon songs,
quotes from "Auld Lang Syne" in the song's waning
moments to send the platter off on a bittersweet,
nostalgic note, reminding the listener of Waits' use of
"Waltzing Matilda" in "Tom Traubert's Blues" all those
years ago. Brennan's instincts were dead-on: it was
time for a set of brief, tightly written and arranged
songs -- something we haven't actually heard from
Waits. Bad as Me is an aural portrait of all the places
he's traveled as a recording artist, which is, in and
of itself, illuminating and thoroughly enjoyable.
Ä Contact ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄ Ä Ä
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