Yannick_Franck--Memorabilia-2011-i8

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MP3/FLAC
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i8
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Date
2011-12-01

NFO

      a r t i s t : Yannick Franck
        t i t l e : Memorabilia
          d a t e : 2011
        l a b e l : Silken Tofu
        g e n r e : Ambient/Drone
  r l s.  d a t e : nov/2011
      t r a c k s : 07
    b i t r a t e : VBRkbps
          s i z e : 61,0 MB

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     "Yannick FranckÆs work is well documented on his personal
     site. He runs the Idiosyncratics label and is very active both
     as a solo performer and with his YERMO project. From what I
     can gather he seems to be branching out into new areas, more
     research based recording projects. Hopefully IÆll be able to
     review some of the outcomes in the near future.

     If you like his past work, youÆll enjoy this. But from what
     IÆve listened to in the past, IÆd say that this new album has
     a more refined or sophisticated quality and comes over as an
     exercise in restraint. In terms of technical resources, things
     are quite straightforward -the artist tells me that he mostly
     uses analogue gear, æprocessing samples of my own voice and
     real instruments, and of course some software based
     instruments as well, but used only as a part of the
     composition processÆ.

     Diving headlong into definitions, the music is ambient in some
     of the senses that Eno mentions in his Music for Airports
     liner note though there is a quality in the production that
     draws the listener in more than perhaps Eno envisaged. There
     are also ædark tendenciesÆ, a cinematic concern with
     atmosphere and mood brought about by the use of dense textural
     layers. There are six pieces û one or two of the titles giving
     away FranckÆs concern with the darker side, for example Urban
     Disease and Self Loading Defeat.

     So what are the most evident characteristics of the album as a
     whole? Restraint first and foremost, most evident in Vides
     Linja where the feeling is that of holding back from the big
     overpowering gesture or texture which would break the spell.

     Overall we find the same tonal (pitched) layered textures as
     in earlier works, a preference for the low to midrange, with
     the occasional gesture or contrasting layer, a light crackling
     and high frequency tones in Invott/Elements, a digitally
     modified birdscape in Helsingin Subterranean. We have looped
     pulses of timestretched instrumental sound offset with the
     occasional percussive flourish, as in Urban Disease. This
     piece had me travelling back to early Pink Floyd, waiting for
     a delicious Dave Gilmour solo to burst in. Very well balanced,
     high production standards, all evidence of a profesiional
     sound designer at work. Nothing too intrusive. IÆve heard
     music like this composed by less adept listeners which
     gradually starts to irritate as certain midrange frequencies
     are left running.

     Good use is made of the back to front perspective: normally
     youÆd play at spotting the clever use digital reverberation
     software, but in Invott/Elements and Helsingin Subterranean in
     particular the illusion of large mysterious spaces is
     beautifully fabricated û IÆm hearing the space and not the
     software, if that makes sense.

     A sense of narrative emerges at times, especially strong in
     The Answer which introduces background voices over (mostly
     pitched) modulating textural layers. The collage of these
     different nationalities speaking in English is offset by
     æstuffÆ crashing about in the background. Towards the end I
     could pick out what sounded like quotations from various
     films.

     The only track that did break the spell was Self Loading
     Defeat with its hint of synth and drum beats. But, and this
     probably says more about me than the music, I had inner
     visions of æbad thingsÆ being done to victims, perhaps
     inappropriately clad virgins locked up in some crypt or
     another. All this without the use of corny æscaryÆ clichΘs.

     The cleverest thing that Yannick has managed to do here is to
     make gentle statements within an idiom that doesnÆt really
     thrive on gentleness. In a very unique manner, the music
     manages to be dark without being harsh or unpleasant.

     Personally (yes, I know that my personal likes or dislikes are
     irrelevant) I liked this album the more I listened it. Yannick
     Franck strikes me as someone who knows what he wants and why
     he wants it. He also knows how to do it." James Wyness

     http://www.silkentofu.org/

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      01-Invott / Elements                                      [05:41]
      02-Urban Disease                                          [05:13]
      03-Viides Linja                                           [06:25]
      04-Helsingin Subterranean                                 [03:13]
      05-The Answer                                             [08:11]
      06-Self Loading Defeat                                    [06:47]
      07-Horsehead Nebula                                       [03:26]
                                                                -------
                                                                 38:56 min

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