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┌────────────────────────────────────────────────────────────────────────────┐
│ │
│ Sandoz - God Bless the Conspiracy │
│ │
│ ┌────────────────────────────────────────────────────────────────────────┐ │
│ │
│ Artist: Sandoz │
│ Album: God Bless the Conspiracy │
│ │
│ ┌────────────────────────────────────────────────────────────────────────┐ │
│ : : │
│ Ripper........: saintVitus │
│ Supplier......: saintVitus │
│ Genre.........: Electronic │
│ Style.........: Ambient Psychedelia │
│ Ripp.With.....: EAC │
│ Encode.With...: Lame V3.92 │
│ Quality.......: VBRkbps / 44.1kHz / Joint-Stereo │
│ Company(Label): Alphaphone │
│ CatalogNr.....: AlphaCD2 │
│ Url...........: http://www.obsolete.com/sandoz │
│ ReleaseDate...: 17.03.2004 │
│ StoreDate.....: 00.00.1997 │
│ Type..........: Album │
│ Source........: CDDA │
│ Tracks........: 06 │
│ Playtime......: 68:03 min │
│ Size..........: 104,6 MB │
│ │
│ ┌─────────────────────────────[ ReleaseNotes ]───────────────────────────┐ │
│ : : │
│ Richard H. Kirk is nothing if not hyperkinetic. As his prolific recorded │
│ output has proven, he's rarely content to stay in one place, and despite │
│ some similarity between his various projects, for the most part his │
│ sonic canvases reveal numerous layers of complex and sophisticated │
│ programming. GOD BLESS THE CONSPIRACY might give those accustomed to │
│ previous Sandoz outings pause; these six long tracks might have the │
│ dance floor in mind, but between the dense silicon wafers beats a more │
│ cautionary heart. │
│ │
│ "Lights in the Sky" could easily be disguised as prime electronic │
│ Krautrock done '90s style. Then again, "Demonology" flaunts B.P.M.s │
│ straight off the Autobahn, headlights ablaze, sequencers revving their │
│ R.P.M.s into the red zone. Looking at the bigger picture, Kirk covers │
│ his bases fairly well--he's left the genre-defining bleep of DIGITAL │
│ LIFEFORMS behind to encompass more bits of mutant James Brown funk, │
│ albeit synthesized out of all recognition, on "Blow This Mother Up" and │
│ "Louisiana." Kirk remains one of our pre-eminent groovemasters, our man │
│ from Microchipville, cooly directing traffic at the intersection where │
│ Detroit techno, Motown, and Berlin meet. │
│ │
│ (Ripper's note: This series of albums by Sandoz is representative of │
│ Richard H Kirk's foray into dubby chillout sounds. Sandoz certainly │
│ keeps sounds reminiscent of his solo work and Cabaret Voltaire's later │
│ work, but the dub "riddim" is prevalent here. Highly recommended for │
│ anyone who likes Timewarp, Loop Guru, or any of the so-called "ambient │
│ psychedelic" genres. Kirk is most likely the founder of this sound.) │
│ │
│ │
│ ┌──────────────────────────────[ Tracklist ]─────────────────────────────┐ │
│ : : │
│ 01. Lights in the Sky 10:11 │
│ 02. Demonology 09:49 │
│ 03. Louisiana 10:09 │
│ 04. Levels 11:55 │
│ 05. Blow (this Mother Up) 10:08 │
│ 06. The Moon Rises 15:51 │
│ ------- │
│ 68:03 min │
│ 104,6 MB │
│ │
│ ┌──────────────────────────────[ PsyCZ News ]────────────────────────────┐ │
│ : : │
│ │
│ You think you can help PsyCZ? Send us a word if you can provide 10Mbit+ │
│ private dumps. 100mbit dumps for group usage also welcome and big │
│ rewards given. │
│ We are also looking for 100Mbit+ sites with "all years" releases to │
│ affiliate with. Psychedelic,ethno,chill,ambient genre archive sites are │
│ also welcome. │
│ │
│ Responsible rippers also needed: If you can supply us original CD/vinyl │
│ and msg OP. │
│ │
│ │
│ ┌─────────────────────────────[ PsyCZ Info ]─────────────────────────────┐ │
│ : : │
│ │
│ As time goes by, the world matures. PsyCZ has matured and the scene has │
│ matured. PsyCZ started releasing in VBR over two years ago, and was met │
│ with skepticism. As time went by, more and more realised that VBR is │
│ superiour to cbr 192. Finally, now in 2004, VBR is allowed by the scene. │
│ PsyCZ will also in 2004 continue to bring you the finest psychedelic │
│ trance music from around the world, as we have since 2001. │
│ │
│ │
└────────────────────────────────────────────────────────────────────────────┘
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