Eddie_Gale-Eddie_Gales_Ghetto_Music-Reissue-Vinyl-2003-JCE

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MP3/FLAC
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JCE
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55,24 MB
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5
Date
2004-03-31

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  ███▄░                       Proudly Presents :                         ▄███
 ▄ ▀███▄                     Eddie Gale - Eddie Gale's Ghetto Music   ░▄▓██▀ ▄
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  ▓▓████▀       MODE..........: Joint-Stereo                          ▀▓████▓
 ▐▓███▀░        DATE.RiPPED...: Feb-07-2004                             ▀████▌
 ▓███▌▄█▄       DATE.RELEASED.: 000-00-2003                           ▄█▄▐███▓
 ▓███░▀▐█▌      RELEASE.SiZE..: 55,2 MB                              ▐█▌▀ ████
 ▐▓██▌▄█▀       TRACKS........: 05                                    ▀█▄▐███▌
 ░▀██▓▀         SOURCE........: Vinyl                                   ▀██▓▀░
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    █ NR  TRACKNAME                                                  TiME █
    ▓                                                                     ▓
    █ 01  The Rain                                                  06:26 █
    █ 02  Fulton Street                                             06:49 █
    █ 03  A Understanding                                           07:35 █
    █ 04  A Walk With Thee                                          06:05 █
    █ 05  The Coming Of Gwilu                                       13:17 █
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    ▓                                                     TOTAL 40:12 min ▓
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    ▓                                                                     ▓
    ▓        "THE ENTIRE PLANET EARTH IS A GHETTO IN RELATIONSHIP         ▓
    ▓        TO THE REST OF THE UNIVERSE" -eddie gale 1970                ▓
    ▓                                                                     ▓
    ▓                                                                     ▓
    ▓                                                                     ▓
    ▓        taken from http://www.eddiegale.com                          ▓
    ▓                                                                     ▓
    ▓        -----                                                        ▓
    ▓                                                                     ▓
    ▓        EDDIE GALE was born in Brooklyn, New York in 1941            ▓
    ▓        where he recalls listening to gospel and blues with          ▓
    ▓        his family at an early age. As he remembers, "This           ▓
    ▓        was the beginning of my music career. I often                ▓
    ▓        participated in neighborhood singing groups where I          ▓
    ▓        developed a fondness for vocal ensembles." GALE              ▓
    ▓        joined the marching band of the local scouting troop.        ▓
    ▓        There he learned to play the horn and marched in             ▓
    ▓        parades for many years. His early jazz education             ▓
    ▓        included trumpet lessons from the great KENNY DORHAM         ▓
    ▓        and others as well as serious woodshedding. There            ▓
    ▓        were many after-hour jam sessions where he had the           ▓
    ▓        opportunity to sit in with such musicians as CEDAR           ▓
    ▓        WALTON, WILBUR WARE, ART TAYLOR, ART BLAKELY, MAX            ▓
    ▓        ROACH, JACKIE MACLEAN, ILLINOIS JACQUET, SONNY STITT,        ▓
    ▓        CECIL PAYNE, MATTHEW G, SCOBY STROMAN, WYNTON KELLY,         ▓
    ▓        RANDY WESTON, WILLIE JONES AND PIANIST ERROL CLARK           ▓
    ▓        (who knew GALE from the BOY SCOUTS marching band). "I        ▓
    ▓        remember spending many hours with my friends who were        ▓
    ▓        into jazz music and we would listen to all the               ▓
    ▓        recordings that we could get our hands on. This is           ▓
    ▓        where I fell in love with the different trumpet              ▓
    ▓        styles such as LOUIS ARMSTRONG, ROY ELDRIDGE,                ▓
    ▓        CLIFFORD BROWN, KENNY DORHAM, MILES DAVIS, DIZZY             ▓
    ▓        GILLESPIE, CLARK TERRY, ART FARMER, WEBSTER YOUNG and        ▓
    ▓        BOOKER LITTLE, and developed a fondness for HARRY            ▓
    ▓        JAMES, DONALD BYRD, LEE MORGAN, BLUE MITCHELL,               ▓
    ▓        FREDDIE HUBBARD, CHET BAKER and BILL HARDMAN. In the         ▓
    ▓        circle of musicians who I developed around, it was           ▓
    ▓        important to know how to jam on the tunes of MONK,           ▓
    ▓        MILES, CHARLIE PARKER, and SONNY ROLLINS, on and on,         ▓
    ▓        in order to be able to æsit inÆ. Then came the ænew          ▓
    ▓        thingÆ by JOHN COLTRANE, CECIL TAYLOR, SUN RA,               ▓
    ▓        ORNETTE COLEMAN, ALBERT AYLER, ERIC DOLPHY, CHARLIE          ▓
    ▓        MINGUS, ARCHIE SHEPP, and JACKIE MACLEAN. MAX ROACH          ▓
    ▓        turned me on to a gig which featured voices from my          ▓
    ▓        GHETTO MUSIC album. When I thanked him, he told me           ▓
    ▓        that I was one of the first musicians to ever thank          ▓
    ▓        him. One evening, SONNY ROLLINS and I stood looking          ▓
    ▓        out his window overlooking the city discussing music         ▓
    ▓        and the idea of playing together."                           ▓
    ▓                                                                     ▓
    ▓        In the early æ60s, GALE was introduced to SUN RA by          ▓
    ▓        DRUMMER SCOBY STROMAN. EDDIE found SUN RA very               ▓
    ▓        intriguing. He spent many hours exposed to SUN RAÆs          ▓
    ▓        philosophy about music and life. As EDDIE explains,          ▓
    ▓        "Playing with SUN RA is a great experience--from the         ▓
    ▓        known to the unknown. You play ideas on your                 ▓
    ▓        instrument that you never imagine. His music provoked        ▓
    ▓        me to explore the use of trills, for instance, and           ▓
    ▓        the placement of whole tones and then a space                ▓
    ▓        chord--ideas you do not find in the exercise books.          ▓
    ▓        Traveling with SUN RA is also interesting. He had me         ▓
    ▓        play the role of straw boss one time and it required         ▓
    ▓        me to pay one of the musicians to not play on a              ▓
    ▓        particular job. SUN RA, the master psychologist."            ▓
    ▓                                                                     ▓
    ▓        There were many recordings, rehearsals, and different        ▓
    ▓        performances and it was difficult to keep track of           ▓
    ▓        them and who performed on which album. In those days,        ▓
    ▓        the recordings were produced on SUNNYÆS label, SATURN        ▓
    ▓        based in Chicago.                                            ▓
    ▓                                                                     ▓
    ▓        SUN RA gave GALE the position in the band that was           ▓
    ▓        right next to the piano because SUN RA thought this          ▓
    ▓        would help EDDIE develop the avant garde trumpet             ▓
    ▓        style that complemented SUNNYÆs music. There were            ▓
    ▓        times, as GALE recalls, when he tried to join with           ▓
    ▓        the other brass players and was simply told to return        ▓
    ▓        to his spot near the piano. SUN RA, the                      ▓
    ▓        disciplinarian.                                              ▓
    ▓                                                                     ▓
    ▓        JOHN GILMORE, MARSHALL ALLEN, and PAT PATRICK helped         ▓
    ▓        GALE to be able to play in the ARKESTRA in the               ▓
    ▓        beginning. SUN RA dubbed GALE the original avant             ▓
    ▓        garde trumpeter. GALE first met SUN RAÆs family in           ▓
    ▓        the early æ90s when he went to Birmingham, Alabama           ▓
    ▓        during SUN RAÆs last days on the planet.                     ▓
    ▓                                                                     ▓
    ▓        During the mid æ60s, GALE went on to perform and             ▓
    ▓        record with piano great CECIL TAYLOR, where GALE             ▓
    ▓        learned more about different musical structures and          ▓
    ▓        presentations that were reminiscent of classical             ▓
    ▓        performances. According to GALE, "TAYLOR first heard         ▓
    ▓        me during a loft jazz session where I was playing            ▓
    ▓        with SUN RA. TAYLORÆs method of teaching you his             ▓
    ▓        music allows you the space to improvise openly--it is        ▓
    ▓        built into his structures and themes." One example is        ▓
    ▓        the tune ENTER EVENING from the UNIT STRUCTURES              ▓
    ▓        album. This piece is also included in the SMITHSONIAN        ▓
    ▓        COLLECTION OF CLASSIC JAZZ. "C. T. had me perform the        ▓
    ▓        muted trumpet, as I recall, and it gave me the               ▓
    ▓        opportunity to express melodic ideas about the               ▓
    ▓        subject with a muted sound." Traveling and performing        ▓
    ▓        with CECIL offered the sophisticated edge. GALE first        ▓
    ▓        came to California when he performed in residence            ▓
    ▓        with the CECIL TAYLOR UNIT and played the BERKELEY           ▓
    ▓        JAZZ FESTIVAL, which also featured MILES DAVIS and           ▓
    ▓        CARMEN MCRAE.                                                ▓
    ▓                                                                     ▓
    ▓        BOOKER ERVIN first heard GALE while he was playing at        ▓
    ▓        SLUGÆS with CECIL TAYLOR. They later performed               ▓
    ▓        together at the East Cultural Center in New York.            ▓
    ▓                                                                     ▓
    ▓        GALE later recorded with ORGANIST LARRY YOUNG. As            ▓
    ▓        GALE remembers, "It was a different challenge. You           ▓
    ▓        had to do creative and avant garde type things with          ▓
    ▓        your solos over standard structures. The session was         ▓
    ▓        a lot of fun and it was exciting to play with LARRY          ▓
    ▓        YOUNG and JIMMY SPAULDING at the same time. YOUNG            ▓
    ▓        really pushed you with his organ and his unique              ▓
    ▓        sound."                                                      ▓
    ▓                                                                     ▓
    ▓        GALE had the opportunity to know and sit in with JOHN        ▓
    ▓        COLTRANE on many occasions. EDDIE developed a great          ▓
    ▓        admiration for COLTRANE at this time. Having a family        ▓
    ▓        at a young age, GALE often had to work during the day        ▓
    ▓        and play music at night. He lost several day jobs            ▓
    ▓        because he would take his horn and practice during           ▓
    ▓        lunch hour and would get back late, if at all. He            ▓
    ▓        found himself uptight one particular time and JOHN           ▓
    ▓        COLTRANE got his horn out of the pawn shop. COLTRANE         ▓
    ▓        told GALE to never stop playing the trumpet the way          ▓
    ▓        he played it. GALE missed a recording opportunity            ▓
    ▓        with JOHN COLTRANE on the ASCENSIONS album. He was           ▓
    ▓        out of touch with COLTRANE at that time and could not        ▓
    ▓        be reached. To GALE, JOHN COLTRANE represents the            ▓
    ▓        spiritual expression of music. GALE also received            ▓
    ▓        encouragement from JOHNÆs wife NAIMA. She encouraged         ▓
    ▓        him to listen to JOHN and assured him that JOHN would        ▓
    ▓        help him. One of GALEÆs most memorable performances          ▓
    ▓        was at THE HALF NOTE CLUB where GALE and JOHN GILMORE        ▓
    ▓        played with COLTRANE on a set that featured ELVIN            ▓
    ▓        JONES, MCCOY TYNER and JIMMY GARRISON.                       ▓
    ▓                                                                     ▓
    ▓        GALE was also a Brooklyn neighbor of the great               ▓
    ▓        pianist BUD POWELL, who encouraged him to keep               ▓
    ▓        playing music. GALE frequently visited with BUD and          ▓
    ▓        his wife BUTTERCUP at their home.                            ▓
    ▓                                                                     ▓
    ▓        Due to the efforts and belief of FRANCIS WOLFF in            ▓
    ▓        Eddie Gale, between 1968-69, GALE recorded two albums        ▓
    ▓        as a leader for BLUE NOTE RECORDS--EDDIE GALEÆs              ▓
    ▓        GHETTO MUSIC and BLACK RHYTHM HAPPENING. The                 ▓
    ▓        personnel on the GHETTO MUSIC album included two bass        ▓
    ▓        players, JUDAH SAMUELS and TOKYO REID, and two               ▓
    ▓        drummers, T. SQUIRE HOLMAN and RICHARD HACKETT. The          ▓
    ▓        second album, BLACK RHYTHM HAPPENING, featured ELVIN         ▓
    ▓        JONES, JIMMY LYONS, MATTATHIAS PEARSON, and ROLAND           ▓
    ▓        ALEXANDER. Eleven voices were featured on both albums        ▓
    ▓        including CHUCK DAVIS (who later began his own dance         ▓
    ▓        troupe), FULUMI PRINCE (who later joined HARRY               ▓
    ▓        BELAFONTE), and MILDRED WESTON (former wife of RANDY         ▓
    ▓        WESTON). The music received rave reviews. GALE toured        ▓
    ▓        on the East coast with his 16-piece group which              ▓
    ▓        included on guitar his sister JOANNE STEVENS, who            ▓
    ▓        also wrote lyrics for some of the songs on both              ▓
    ▓        recordings.                                                  ▓
    ▓                                                                     ▓
    ▓        When his contract with BLUE NOTE ended, GALE                 ▓
    ▓        dismantled the group and moved to California,                ▓
    ▓        returning to STANFORD UNIVERSITY as                          ▓
    ▓        artist-in-residence. This project was arranged by            ▓
    ▓        poet JOHNNY SCOTT, radio personality BUFF POHAM, and         ▓
    ▓        STANFORD football star NATE KURTMAN. In 1971, GALE           ▓
    ▓        played with his own group during halftime at the             ▓
    ▓        STANFORD-CAL BIG GAME and also at the STANFORD               ▓
    ▓        MEMORIAL CHURCH.                                             ▓
    ▓                                                                     ▓
    ▓        At the conclusion of this project in 1972, GALE moved        ▓
    ▓        to San Jose, where he currently resides. In 1974, he         ▓
    ▓        received the honorary title SAN JOSEÆs AMBASSADOR OF         ▓
    ▓        JAZZ from then MAYOR NORM MINETA for his efforts to          ▓
    ▓        help bring jazz to San Jose. At this time he also            ▓
    ▓        began a Liberal Arts program with an emphasis on             ▓
    ▓        music at SAN JOSE STATE UNIVERSITY. GALE also serves         ▓
    ▓        as MUSIC AMBASSADOR for the ASSOCIATION OF WORLD             ▓
    ▓        CITIZENS in San Francisco.                                   ▓
    ▓                                                                     ▓
    ▓        Gale appears in WHOÆS WHO IN CALIFORNIA and was              ▓
    ▓        recently nominated to appears in WHOÆS WHO IN THE            ▓
    ▓        WORLD (1999). Gale was introduced to ASCAP (American         ▓
    ▓        Society of Composers, Authors and Publishers) by DR.         ▓
    ▓        BILLY TAYLOR and has been a member since 1969.               ▓
    ▓        Favorite projects: Annual Family Picnic, MusicianÆs          ▓
    ▓        Health Care Fund, Music in our Public Schools, Sickle        ▓
    ▓        Cell Youth Summer Camp, Students for World Peace,            ▓
    ▓        Tributes to SUN RA, JOHN COLTRANE and SCOBY STROMAN.         ▓
    ▓                                                                     ▓
    ▓        DISCOGRAPHY                                                  ▓
    ▓                                                                     ▓
    ▓        WITH SUN RA (side man)                                       ▓
    ▓        Secrets of the Sun (Saturn Records, 1965)                    ▓
    ▓        Lanquidity (Philly Jazz Records 1978)                        ▓
    ▓        The Other Side of the Sun (Sweet Earth Records, 1978)        ▓
    ▓        On Jupiter (Saturn, 1979)                                    ▓
    ▓        WITH CECIL TAYLOR (side man)                                 ▓
    ▓        Unit Structures (Blue Note Records, 1966, Enter              ▓
    ▓        Evening included in the Smithsonian Collection of            ▓
    ▓        Classic Jazz)                                                ▓
    ▓        WITH LARRY YOUNG (side man)                                  ▓
    ▓        Of Love and Peace (Blue Note Records, 1966)                  ▓
    ▓        AS A LEADER                                                  ▓
    ▓                                                                     ▓
    ▓        Eddie GaleÆs Ghetto Music (Blue Note Records, 1968)          ▓
    ▓        Black Rhythm Happening with Elvin Jones(Blue Note            ▓
    ▓        Records, 1969)                                               ▓
    ▓        Ghetto Summertime (single 45, Blue Note Records,             ▓
    ▓        1969)                                                        ▓
    ▓        Live in San Jose (Roof Top Records, 1987)                    ▓
    ▓        Quiet Times and Inner Peace (Roof Top Records, 1989)         ▓
    ▓        Live at the Knitting Factory (Roof Top Records, 1990)        ▓
    ▓        Rapping for Peace (single, Roof Top Records,1996)            ▓
    ▓        High Tech Emergency video (Professor Video, received         ▓
    ▓        a Tino Award, 1984)                                          ▓
    ▓        African Sunshine (single, Gross Records, 1976)               ▓
    ▓        A Minute with Miles (Mapleshade Records, Best Jazz           ▓
    ▓        Records for 1993, NY Village Voice)                          ▓
    ▓        Water Cave Blue (new age jazz, In Music Records,             ▓
    ▓        1997)                                                        ▓
    ▓        Quiet Times Inner Peace Orchestra (Life Force                ▓
    ▓        Records, 1995)                                               ▓
    ▓        A Tribute to Sun Ra (compilation, Eddie Gale and John        ▓
    ▓        Tchicai on An Island in Space, plus various artists,         ▓
    ▓        Rastascan Records, 1994)                                     ▓
    ▓        Rare Grooves (compilation, Black Rhythm Happening,           ▓
    ▓        Blue Note Records, 1997)                                     ▓
    ▓        The Project movie for TV, (music and acting for              ▓
    ▓        Korean Broadcast Systems, filmed in-part in San Jose,        ▓
    ▓        CA, 1996)                                                    ▓
    ▓        San Francisco Jazz FestivalÆs First TV commercial            ▓
    ▓        (acting, 1995)                                               ▓
    ▓        Through Unseen Places, an award winning video (poetry        ▓
    ▓        by Tony Gomez, music by Eddie Gale)                          ▓
    ▓        Eddie GaleÆs Ghetto Music was featured on the weekly         ▓
    ▓        Like It Is Show, on ABC Television, New York (1968)          ▓
    ▓        GaleÆs music was used in the short film DesignerÆs           ▓
    ▓        Approach by New York filmmaker Malcolm Whitman (late         ▓
    ▓        æ60s)                                                        ▓
    ▓        Eddie and his trumpet appeared in PC Magazines for an        ▓
    ▓        Epson 720dpi printer advertisement (over 1 million           ▓
    ▓        sold, 1994)                                                  ▓
    ▓                                                                     ▓
    ▓                                                                     ▓
    ▓                                                                     ▓
    ▓        enjoy                                                        ▓
    ▓                                                                     ▓
    ▓        this ones for my diggers with special shout outs to          ▓
    ▓        murk dnh ill and anau... keep schooling me yall.             ▓
    ▓                                                                     ▓
    ▓        pce to the lounge                                            ▓
    ▓        pce to my JCE fam worldwide                                  ▓
    ▓                                                                     ▓
    ▓        one.                                                         ▓
    ▓                                                                     ▓
    ▓        2kayFOURandJCEstillbeDIGGIN~                                 ▓
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 ▐▓██▓▀ ▀▀▓█████████▄▄  ▄▓▌ ▐█  █▌ GROUP·NFO ▐█  ▓▌ ▐▓▄  ▄▄▓████████▓▀▀ ▀▓███▌
 ████▌▄█▄   ▀▀███████▓█▓██   █▌ ▐█           ▓▌ ▐█   ███████████▓▀▀   ▄█▄▐▓███
 ▓███ ▀▐█▌      ▀▀▓██████▌   ▐█▄█▌           ▐█▄█▌   ▐▓██████▀▀      ▐█▌▀ ▓██▓
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  ▀▓▓█▀                                                                 ▀▓█▓▀
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    █▓██▄   So you think you can contribute ? Then read below         ▄▓██▓
  ▄▓▀▐▓█▓▌                                                           ▐███▌▀▓▄
 ▐▓▌▄ ▓███                                                           ▓███ ▄▐█▌
 ░▀█▀▐███▓  - Supplying linux bnc shells to the group (for free).    ████▌▀█▀
   ░▄▓███▌    They should have 2mbit MINIMUM link.                   ▐███▓▄░
  ▄▓████▓     We are only interested in NON-HACKED/LEGAL shells.      █████▓▄░
 ▐▓████▀ ▄                                                           ▄ ▀█████▌
 ▐██▓▀ ▄ ▀  - Looking for Pre/Tues Rippers.                          ▀ ▄ ▀███▌
  ▓█▌ ▀▀▀█                                                           █▀▀▀ ▐█▓
  ▐▓█▄ ▀ █  - Supplying 100mbit+ Sites. (10mbit+ Internal).          █ ▀ ▄██▌
   ▀▓██▄ ▀                                                           ▀ ▄██▓▀
    ░▀██▓   - Legit Hardware Suppliers.                               ▓██▀░
   ▄   ▀█▌                                                           ▐█▀   ▄
  ██▓▄ ░▐█                                                           ▓▌░ ▄▓██
  ▐▌▀██▄█▌  Remember, we do this just for FUN. We are against any    ▐▓▄██▀▐▌░
  ▄█▄ ▀▓▀   profit or commercialisation of piracy. We BUY all our     ▀█▀ ▄█▄
 ▐█▀██▄▐▓   own releases with our own money, as we love all music.    █▌▄██▀▓▌
 ▓▌ ░▀██▌   The orignal is always the Best! And if you like this      ▐██▀ ░▐█
 ▐█▄   ▀    release, BUY it. We HAVE!                                  ▀   ▄█▌
  ▓██▄                                                                   ▄██▓
 ▄ ▀███▄                                                              ░▄███▀ ▄
 █ ▄ ▀▓█▌   CONTACT:                                                  ▐██▀ ▄ █
 █▄▄▄ ▐██                                                             ▓█▌ ▄▄▄█
 ▄ ▀ ▄██▓▌  There are always ways to contact us.                     ▐███▄ ▀ ▄
 ▀ ▄█████▌                                                           ▐▓████▄ ▀
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 ▓██▓ ▄▐█▌      ▄▄███████▌   ▐█▀█▌           ▐█▀▓▌   ▐██████▓▄▄      ▐█▌▄ ████
 ▓███▌▀█▀   ▄▄████████████   █▌ ▐█           █▌ ▐▓   ▓██████████▓▄▄   ▀█▀▐███▓
 ▐▓██▓▄ ▄▄█████████▓▀▀  ▀▓▌ ▐▓  █▌ GREETINGS ▐█  █▌ ▐█▀  ▀▀██████████▄▄ ▄████▌
  ██████████████▀▀       ▐█▄█▌ ▐█             █▌ ▐▓▄▓▌       ▀▀█████████████▓░
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     ▀▓█▀▀                                                          ░▀▀██▀░
  ▄▓▄ ░                                                                   ▄▓▄
 ▐█▀██▄▐▄  GROUP GREETS:                                              ▄▌▄██▀█▌
 ▓▌ ░▀███                                                             ███▀ ░▐▓
 ▐█▄   ▀   IGR WCR FTD KRBZ                                           ░▀   ▄█▌
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 ▄ ▀███▄                                                               ▄▓██▀ ▄
 █ ▄ ▀▓█▌                                                             ▐██▀ ▄ █
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 ▄ ▀ ▄███▌                                                           ▐███▄ ▀ ▄
 ▀ ▄▓████▌                                                           ▐▓████▄ ▀
  ▓█████▀                                                             ▀▓█████░
 ▐████▀      ▄                                                    ▄     ▀▓███▌
 ▓███▌▄█▄  ▄██▓▄                                                ▄██▓  ▄█▄▐████
 ███▓ ▀▐█▌▐▓██▌▀█▄           ▄▄██▄            ▄▓█▄▄           ▄▓▀▐██▌▐▓▌▀ ███▓
 ▐███▌▄█▀ ▓███ ▄▐█▌      ▄▄▓██████▓▄        ▄████████▄▄      ▐▓▌▄ ▓██ ▀▓▄▐███▌
  ▀██▓▀░  ████▌▀█▀   ▄▄█████████████▓░     ▓████████████▓▄▄   ▀█▀▐███  ░▀██▓▀
    ▀     ▐███▓▄ ▄▄▓█████████▀▀░▀▓███▌    ▐████▀ ▀▀▓████████▓▄▄ ▄▓██▌     ▀░
          ░██████████████▀▀░  ▄█▄▐███▓    ████▌▄█▄   ▀▀████████████▓░
            ▀████████▀▀      ▐█▌▀ ▓███    ▓███ ▀▐█▌      ▀▀████████▀
              ▀██▀▀           ▀▓▄▐██▓▌░   ▐███▌▄█▀           ▀▀█▓▀
                    BORNHOLME   ▀██▓▀      ▀▓██▀   REMORSE
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Files

PathSize
01-eddie_gale-sound_1-jce.mp38,85 MB
02-eddie_gale-sound_2-jce.mp39,37 MB
03-eddie_gale-sound_3-jce.mp310,41 MB
04-eddie_gale-sound_4-jce.mp38,36 MB
05-eddie_gale-sound_5-jce.mp318,25 MB