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| music for body and soul |______________________|| |
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|| release infos |
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| |
| + artist ........... Stephane Grappelli |
| + album ............ Live In Dublin, Ohio |
| + label ............ Starburst Records |
| + cat .............. 1014 |
| + year ............. 2000 |
| + genre ............ Jazz |
| + source ........... CDDA |
| + quality .......... VBRkbps / 44,1Khz / Joint-Stereo |
| + release date ..... 15.02.2004 |
| + size ............. 65,5 MB |
| + link ............. n/a |
.| |
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|| tracklist |
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| |
| 01.All Of Me 04:59 |
| 02.Star Eyes 04:21 |
| 03.Anything Goes 04:35 |
| 04.Don't Blame Me 05:08 |
| 05.Moonlight In Vermont 02:40 |
| 06.Caravan 07:21 |
| 07.It Might As Well Be Spring 04:57 |
| 08.Have You Me Miss Jones 04:06 |
| 09.Love Song 03:17 |
| 10.Sing Hallelujah 03:58 |
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| |
| (t!) total 45:22 min |
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|| release notes |
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| |
| Live in Dublin, Ohio |
| Stephane Grappelli : Starburst |
| |
| |
| One of the all-time great jazz violinists (ranking with Joe Venuti |
| and Stuff Smith as one of the big three of pre-bop), Stephane |
| Grappelli's longevity and consistently enthusiastic playing did a |
| great deal to establish the violin as a jazz instrument. He was |
| originally self-taught as both a violinist and a pianist, although |
| during 1924-28 he studied at the Paris Conservatoire. Grappelli |
| played in movie theaters and dance bands before meeting guitarist |
| Django Reinhardt in 1933. They hit it off musically from the start |
| even though their lifestyles (Grappelli was sophisticated while |
| Django was a gypsy) were very different. Together as the Quintet |
| of the Hot Club of France (comprised of violin, three acoustic |
| guitars and bass) during 1933-39 they produced a sensational |
| series of recordings and performances. During a London engagement |
| in 1939, World War II broke out. Reinhardt rashly decided to |
| return to France but Grappelli stayed in England, effectively |
| ending the group. The violinist soon teamed up with the young |
| pianist George Shearing in a new band that worked steadily through |
| the war. In 1946 Grappelli and Reinhardt had the first of several |
| reunions although they never worked together again on a regular |
| basis (despite many new recordings). Grappelli performed |
| throughout the 1950s and '60s in clubs throughout Europe and, |
| other than recordings with Duke Ellington (Violin Summit) and Joe |
| Venuti, he remained somewhat obscure in the U.S. until he began |
| regularly touring the world in the early '70s. Since then |
| Grappelli has been a constant traveller and a consistent |
| pollwinner, remaining very open-minded without altering his swing |
| style; he has recorded with David Grisman, Earl Hines, Bill |
| Coleman, Larry Coryell, Oscar Peterson, Jean Luc Ponty and McCoy |
| Tyner among many others. Active up until near the end, the |
| increasingly frail Grappelli remained at the top of his field even |
| when he was 89. His early recordings are all available on Classics |
| CDs and he recorded quite extensively during his final three |
| decades. |
| |
| |
| Stephane Grappelli - Violin |
| Louie Bellson - Drums |
| Phil Woods - Clarinet, Sax (Alto) |
| John Burr - Bass |
| Marc Fosset - Guitar |
| |
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|| group notes |
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| mbs is a new and free music lover association on the net. |
| we only share the music we love, with the people we like. |
| keep your mind, your body and your soul open. peace. |
| |
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