Artist : Jean Claude Vannier
Title : Electro Rapide
Genre : Instrumental
Year : 2011
Date : 01/2012
Bitrate : VBR kbps
Tracks : 14
Label : Finders Keepers Records
Source : Vinyl
Encoder : Lame 3.98.4
Length : 24:24 min
Size : 42,0 MB
Tracklist:
----------
01.bombarde lamentation 02:15
02.l'ours paresseux 02:03
03.la girafe au ballon 02:28
04.claquez klaxons 01:33
05.aturnin et le vaca vaca 01:52
06.l'automne α barbΦs rochechouart 01:18
07.qu'est-ce qui fait courir les 01:57
crocodiles
08.la douleur de l'orchestre 00:56
09.thΦme 504 01:52
10.le ballet des accoucheuses 01:59
11.road to cuba 02:14
12.je m'appelle gΘraldine 01:18
13.l'ΘlΘphant Φquilibriste 01:39
14.bombarde lamentation 01:00
-------
24:24 min
Electro Rapide is a collection of rare
and unreleased archive material from the
studio archives of legendary French
orchestral pop composer Jean-Claude
Vannier. Taken from the period before
and during his revered creative
relationship with Serge Gainsbourg
(reaching their halcyon with 1971Æs
Histoire De Melody Nelson) these tracks
reveal a rare glimpse of VannierÆs self
-initiated instrumental projects that
were crowbarred between an airtight
studio diary as one of FranceÆs most in
demand arrangers and composers of the
post Mai-68 generation...
Alongside a handful of his
contemporaries and collaborators such as
Michel Colombier, Serge Gainsbourg,
Franτois de Roubaix, Brigitte Fontaine,
Claude Nougaro and Gerard Manset,
composer and orchestral arranger Jean-
Claude Vannier is globally recognised as
one of the key exponents of the Gallic
pop cognoscenti to make the significant
change from 60s yΘ-yΘ to the brooding
conceptual pop which defined the
following decade. His own masterworks,
Histoire De Melody Nelson and LÆEnfant
Assassin Des Mouches (both of which
benefited from the poetic prose of Serge
Gainsbourg), are two such productions
that continue to inspire and challenge
popular music as long as five decades
since they were first released to
moderate audiences in the early 1970s.
Electro Rapide is a collection of
similarly underexposed instrumental
works that combine a mixture of Jean-
Claude VannierÆs familiar trademark
motifs and stylings from his coveted
work for idiosyncratic French pop
vocalists (such as Fontaine, Nougaro,
Leonie and Anna St. Clair) with the
seldom heard experimental music for
ballets, fashion shows as well as his
infamous film music (such as the
soundtracks for Cannabis and La Horse).
http://www.finderskeepersrecords.com