Rodrigo_Y_Gabriela-Live_In_France-2011-MTD
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▀█████▓▌ MTD Proudly Presents ▐▓█████▀
[Info]
Artist : Rodrigo Y Gabriela
Album : Live in France
Label : ATO Records
Genre : Rock
Street Date : 2011-07-19
Quality : 259 kbps / 44.1kHz / Joint Stereo
Encoder : Lame 3.98.4 -V0
Size : 106.79MB
Time : 54:12 min
Url : http://www.amazon.com/Live-France-Rodrigo-Gabriela/
[Tracks]
1. Hanuman 4:48
2. Triveni 4:28
3. Chac Mool 1:10
4. Hora Zero 5:51
5. Santo Domingo 6:27
6. Gabriela Solo 4:11
7. Buster Voodoo 5:26
8. 11:11 5:16
9. Rodrigo Solo 6:32
10. Savitri 4:01
11. Tamacun 6:02
[Notes]
Given the sheer excitement and fiery acoustic guitar pyrotechnics that
Rodrigo y Gabriela generated with their first two studio albums, what
transpires on Live in France may not only dazzle, but astonish. Recorded in
five cities during their tour supporting 11:11, this 11-song set features
nine performances of cuts from that album, and a solo improvisation each.
The wah-wah pedal introduced on 11:11 is plentifully present here, used most
effectively by Gabriela as a powerful rhythmic element on "Hora Zero"
(written for Astor Piazzolla) and as a gnarly lead instrument on "Santo
Domingo" by Rodrigo (written for Michel Camilo). "Gabriela Solo" begins with
an intro to Jimi Hendrix's "Voodoo Chile," and indeed serves as an intro to
the duo's beautiful performance of the tune dedicated to him, "Buster
Voodoo." Hearing her percussive style, where intense polyrhythms are played
on the wood of the instrument as much as on the strings themselves, is a
mindblower. When Gabriela kicks the wah-wah pedal on, the entire track hits
stun. "Savitri" (inspired by John McLaughlin and Shakti) combines tango,
flamenco, and even Indian classical themes in a slightly different
arrangement than the studio version. Rodrigo's fluidity is matched modally
by Gabriela's seamless rhythmic interplay; she accents the ends of his lines
with the beginnings of new ones. Here too, the wah-wah pedal makes a
necessary appearance -- from both guitarists. Rodrigo's lead lines in the
middle eight are as hefty as they are hypnotic. The reading of "Hanuman"
(dedicated to Carlos Santana) highlights -- even more so than the studio
version -- the deep commitment of its subject to Afro-Cuban music in his own
approach to the guitar; knotty montunos and rumbas are sharply articulated
in both the front line and in the rhythmic pulse. If you already have the
studio recording and wonder whether purchasing this is necessary, the answer
is simply "yes." The spontaneity, improvisation, and interaction between the
audience and Rodrigo y Gabriela make Live in France a musical document that
exists on an entirely different level than its studio companion.
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