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░ ▓█████████▓▓█▀ [ J U S T F U N . P R E S E N T S ] ▐█▄██▓▀
▐███▓██▀▀▓▀░ ██▓▓█▀▀
░ ▓████▓▌ ░ Artist.......: Jimmy Smith ▐▓▀▀
▓ ▐█████▓█ Album........: Prayer Meetin ▀ ░
▀█▄▓████▓▓▄█▀ Genre........: Jazz ░▓ ▌
▄▀██▓██▓▓▀ Language.....: English ░▓░▐▓
▓▓▄▀█▓▓▓▀ Label........: Blue Note ░▓░ █▓▌
▐█▓▓ ▀▓ Catnr........: n/a ░▓▓▓ ▐█▓▓
▓█▓▌ URL..........: n/a ▓░ ███▓▓[z0o]░
▐██░ ░ ░ ▄ ░▄▄▄▄▓▄▄▓████▓▓▄▄▄▄▓▄▄
▀▓█░▄ ▌ ░▓░ [ R E L E A S E . I N F O ] ▓░ ▓▀▓█████████████▓▓▓▀
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░▓▓░ ▐█▓▓ ░ ░▓▓░ source......: CDDA ░▓▓ ▐███████▓▓▌ ░
░░ ███▓▓ ▓▓░▓░ playtime....: 55:20 min ░▓▓░ ▓███▀ ▀▓█▓▓ ░
▄▄▄▄▄▓▄▄▓████▓▓▄▄▄▄░▄▄ rip.date....: Apr-03-2004 ▓ ▐█▓▀ ░ ░▀█▓▌
▀▓█████████████▓▓▓▀ str.date....: Mar-30-2004 ░▓░ █▀ ░░▓▓▓ ▀▓
░ ▀▓██████▓██▓▓▀ ▓░ ripper......: JusT TeaM ▓▓ ▀░ ░ ░ ░▓░ ░▀
▀▓█████▓▓▓ ░░▓ grabber.....: EAC v.0.95 prebeta 4 ░▓▓░▓▓▓▓ ▓▓▓░
░ ▐███████▓▓▌░▓▓▓░ encoder.....: LAME v.3.90.3 Modified ░▓▓▓▓▓ ▓░▓▓░░ ░
▓███▀ ▀▓█▓▓ ▓░░ size........: 76,8 MB ░▒░ ░▓░ ░
▐█▓▀ ░░ ▀█▓▌░ quality.....: VBR/44,1Hz/Joint-Stereo ░ ▒
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░ ▄█▒████████▓▓▀ ▀▓██▓███▓▄
▄▓██░██████▓▓█▀ [ T R A C K . L I S T I N G ] ▀▀▀▓██▓▌
▓█████████▓▓█▀ ▐█▄██▓▀
▐███▓██▀▀▓▀░ ██▓▓█▀▀
▓████▓▌ ░ track title time ▐▓▀▀
▓████▓▌ ▀ ░▌
▓████▓▌ 01. prayer meetin 05:44 ▓▌
▓████▓▌ 02. i almost lost my mind 09:25 ▓▌
▓████▓▌ 03. stone cold dead in the market 03:44 ▓▌
▓████▓▌ 04. when the saints go marching in 06:12 ▓▌
▓████▓▌ 05. red top 07:37 ▓▌
▓████▓▌ 06. picnickin' 06:31 ▓▌
▓████▓▌ 07. lonesome road 08:53 ▓▌
▓████▓▌ 08. smith walk 07:14 ▓▌
▓████▓▌ ▓▌
▓████▓▌ [ A B O U T . T H i S . R E L E A S E ] ▓▌
▓████▓▌ ▓▌
▓████▓▌ Playing piano-style single-note lines on his ▓▌
▓████▓▌ Hammond B-3 organ, Jimmy Smith revolutionized the ▓▌
▓████▓▌ use of the instrument in a jazz combo setting in ▓▌
▓████▓▌ the mid-'50s and early '60s, and arguably his best ▓▌
▓████▓▌ albums for Blue Note during this period were the ▓▌
▓████▓▌ ones he did with tenor sax player Stanley ▓▌
▓████▓▌ Turrentine. Recorded on February 8, 1963, at Van ▓▌
▓████▓▌ Gelder Studio in New Jersey, and featuring Quentin ▓▌
▓████▓▌ Warren on guitar and Donald Bailey on drums in ▓▌
▓████▓▌ addition to Smith and Turrentine, Prayer Meetin' is ▓▌
▓████▓▌ a delight from start to finish. Forming a perfect ▓▌
▓████▓▌ closure to Smith's trio of albums with Turrentine ▓▌
▓████▓▌ (Midnight Special and Back at the Chicken Shack ▓▌
▓████▓▌ were both released in 1960), Prayer Meetin' was the ▓▌
▓████▓▌ last of four albums Smith recorded in a week to ▓▌
▓████▓▌ finish off his Blue Note contract before leaving ▓▌
▓████▓▌ for Verve. The blues roots are obvious here, and ▓▌
▓████▓▌ the Smith-penned title track might even be called ▓▌
▓████▓▌ jazz-gospel, but the single most striking cut is a ▓▌
▓████▓▌ version of Ivory Joe Hunter's "I Almost Lost My ▓▌
▓████▓▌ Mind," with both Smith and Turrentine building ▓▌
▓████▓▌ wonderful solos, suggesting new pathways for organ ▓▌
▓████▓▌ and sax as complementary instruments. This release ▓▌
▓████▓▌ includes two additional tracks ("Lonesome Road" and ▓▌
▓████▓▌ "Smith Walk") recorded by the same personnel, ▓▌
▓████▓▌ augmented by bassist Sam Jones, in 1960. ▓▌
▓████▓▌ ▓▌
▓████▓▌ *************************************************** ▓▌
▓████▓▌ ▓▌
▓████▓▌ Though he never received any exaggerated title, ▓▌
▓████▓▌ Jimmy Smith certainly ruled the Hammond organ in ▓▌
▓████▓▌ the '50s and '60s. He revolutionized the ▓▌
▓████▓▌ instrument, showing it could be creatively used in ▓▌
▓████▓▌ a jazz context and popularized in the process. His ▓▌
▓████▓▌ Blue Note sessions from 1956 to 1963 were extremely ▓▌
▓████▓▌ influential and are highly recommended. Smith ▓▌
▓████▓▌ turned the organ into almost an ensemble itself. He ▓▌
▓████▓▌ provided walking bass lines with his feet, left ▓▌
▓████▓▌ hand chordal accompaniment, solo lines in the ▓▌
▓████▓▌ right, and a booming, funky presence that ▓▌
▓████▓▌ punctuated every song, particularly the up-tempo ▓▌
▓████▓▌ cuts. Smith turned the fusion of R&B, blues, and ▓▌
▓████▓▌ gospel influences with bebop references and devices ▓▌
▓████▓▌ into a jubilant, attractive sound that many others ▓▌
▓████▓▌ immediately absorbed before following in his ▓▌
▓████▓▌ footsteps. Smith initially learned piano both from ▓▌
▓████▓▌ his parents and on his own. He attended the ▓▌
▓████▓▌ Hamilton School of Music in 1948, and Ornstein ▓▌
▓████▓▌ School of Music in 1949 and 1950 in Philadelphia. ▓▌
▓████▓▌ Smith began playing the Hammond in 1951, and soon ▓▌
▓████▓▌ earned a great reputation that followed him to New ▓▌
▓████▓▌ York, where he debuted at the CafΘ Bohemia. A ▓▌
▓████▓▌ Birdland date and 1957 Newport Jazz Festival ▓▌
▓████▓▌ appearance launched Smith's career. He toured ▓▌
▓████▓▌ extensively through the '60s and '70s. His Blue ▓▌
▓████▓▌ Note recordings included superb collaborations with ▓▌
▓████▓▌ Kenny Burrell, Lee Morgan, Lou Donaldson, Tina ▓▌
▓████▓▌ Brooks, Jackie McLean, Ike Quebec, and Stanley ▓▌
▓████▓▌ Turrentine, among others. He also did several trio ▓▌
▓████▓▌ recordings, some which were a little bogged down by ▓▌
▓████▓▌ the excess length of some selections. Smith scored ▓▌
▓████▓▌ more hit albums on Verve from 1963 to 1972, many of ▓▌
▓████▓▌ them featuring big bands and using fine ▓▌
▓████▓▌ arrangements from Oliver Nelson. These included the ▓▌
▓████▓▌ excellent Walk on the Wild Side. But Verve went to ▓▌
▓████▓▌ the well once too often for crossover dollars, ▓▌
▓████▓▌ loading down Smith's late-'60s album with hack rock ▓▌
▓████▓▌ covers. His '70s output was quite spotty, though ▓▌
▓████▓▌ Smith didn't stop touring, visiting Israel and ▓▌
▓████▓▌ Europe in 1974 and 1975. He and his wife opened a ▓▌
▓████▓▌ club in Los Angeles in the mid-'70s. Smith resumed ▓▌
▓████▓▌ touring in the early '80s, returning to New York in ▓▌
▓████▓▌ 1982 and 1983. He re-signed with Blue Note in 1985, ▓▌
▓████▓▌ and has done more representative dates for them and ▓▌
▓████▓▌ Milestone in the '90s. After a five-year layoff, ▓▌
▓████▓▌ Smith returned in early 2001 with the blues ▓▌
▓████▓▌ projects Fourmost Return and Dot Com Blues. ▓▌
▓████▓▌ ▓▌
░ ▓████▓▌ ▓▌
▓ ▐█████▓█ [ A B O U T . U S ] ▓▌
▀█▄▓████▓▓▄█▀ ▓▌
▀██▓██▓▓▀ Our group consists of many rippers who are music enthu- ▓▌
▀█▓▓▓▀ siasts. Justfun is releasing different kind of music like ▓▌
▀▓ indie rock, trip-hop, ethnic, jazz, french, brazilian ▓▌
░ electro and many more ... We will bring you the music ▓▌
░ we like and share it with the rest of the under- ▄ ▓▌
░ ground scene. If you have, like us, a passion for ▄▄█▌ ▓▌
░ music, don't hesitate to contact us ! ▄████▓▌ ▓▌
░ █████▀▀▀▀ ▓▌
░ GREETinGs : NuHS . Hit2000 . DGN . KSi . SEQ . CHR ░███ ▓▌
░ Om . rH . Fuffens . Remix . FMF . SB ██▌ ▓▌
Kw . LOGOS . iTs . i . ATM . aAF . ... ▓██ ▓▌
░ and all ppl who share music with us ! ▄▄▄██▌ ▓▌
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▄▓██▓██████▓▓█▀ [ C O N T A C T ] ▀▀▀▓██▓▌
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▐███▓██▀▀▓▀░ We're currently looking for : ██▓▓█▀▀
▓████▓▌ ░ - music enthusiast ppl buying cds on a regular basis. ▐▓▀▀
▓████▓▌ - ppl who can get promos or advanced rls. ▀ ░▌
░ ▓████▓▌ - Siteop who can provide at least 10mbits and ▓▌
▓ ▐█████▓█ 50gb++ for our archive. ▄ ▓▌
▀█▄▓████▓▓▄█▀ - People with skill and experience ▄▄█▌ ▓▌
▀██▓██▓▓▀ ... and everyone who wants to help in a ▄████▓▌ ▓▌
▀█▓▓▓▀ pleasant atmosphere our Just family. █████▀▀▀▀ ▓▌
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░ Share your forces with us ! ██▌ ▓▌
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░ ▀▓██████▓██▓▓▀ NFO and Layout proudly made in Quebec ░ ▀▓██████▓██▓▓▀
▀▓█████▓▓▓ by z0oy0rk ▀▓█████▓▓▓
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▓███▀ ▀▓█▓▓ [ J U S T F U N born in Apr. 2 0 0 0 ] ▓███▀ ▀▓█▓▓
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