VA-Commercial_Suicide_Compilation-SUICIDECD010-2011-sour
NFO
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: : release no ( 10884 ) \ rating |
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: : artist (VA ) | .---. |
: : title (Commercial Suicide Compilation ) | 0 |%%%| |
: : record label (Commercial Suicide (SUICIDECD010) ) | 9 |%%%| |
: : genre (Drum & Bass ) | 8 |%%%| |
: : release date (2012/01/17) | 7 |%%%| |
: : street date (2011/12/05) | 6 |%%%| |
: : | 5 |%%%| |
: : media type vinyl ( ) tape ( ) cd (x) radio ( ) | 4 |%%%| |
: : cover sfv m3u cover (x) sfv (x) m3u (x) cue ( ) | 3 |%%%| |
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: : :.: (13 tracks) (1:13:53 h) (127,3 mb) | `---' |
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nr times track titles
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| 01 5:14 Optiv - Midnight Nation |
| 02 4:56 Mindscape & Jade - Orion |
| 03 6:00 Gridlok - Enemies of the State |
| 04 4:48 Dub Phizix - Scum |
| 05 5:53 Break - Freak |
| 06 5:12 Calibre - Student Music |
| 07 5:59 Klute - Shy Piece |
| 08 5:41 Nymfo & State Of Mind - Roxy |
| 09 6:35 Seba - It aint the Weather |
| 10 5:13 Dakosa & Anile - Settle The Score |
| 11 5:56 S.P.Y - Bulldozer |
| 12 5:35 Cern feat Dose & Teknik - Huntsville |
| 13 6:51 Vicious Circle & Nocturnal - Last Chance Saloon |
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| | | |
| | With a scene increasingly dependent on the | |
| | over-sweetened candy of rave junk beats, this | |
| | compilation offers a window to know there is | |
| | genuine music of substance available for | |
| | those who want to savour it. For most, | |
| | Commercial Suicide has no equal and needs no | |
| | introduction. Klute s signature imprint, | |
| | established in 2001, has sustained a release | |
| | schedule which raised the bar in the drum and | |
| | bass world. The label s forward thinking | |
| | approach has been the incubator for some of | |
| | the most talented producers on the scene over | |
| | the last decade. Break, Calibre, Klute, Dub | |
| | Phizix, Vicious Circle: the list reads like a | |
| | who s who of contemporary drum and bass | |
| | production. After extensive market research | |
| | (i.e. being rewound at drum and bass events | |
| | from Toronto to Tokyo) the songs for this | |
| | compilation were selected and what results | |
| | are 13 of the best d&b tunes covering all | |
| | styles from established names to brand new up | |
| | and comers. A lot of things have changed in | |
| | the music business over the 10 years since | |
| | Commercial Suicide came into being. But one | |
| | thing has remained constant: a great | |
| | compilation can define a label and a scene or | |
| | an era. To that end, the label has taken on | |
| | the task of compiling an album that reflects | |
| | and defines where the Commercial Suicide | |
| | sound is in the year 2011. | |
| | | |
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| |
| This release may contain copyrighted material, however SOUR guarantees |
| that this material was at least available to one person "on the street" |
| and that the possession of this material is in no way privileged. |
| |
| SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to |
| the internet drum'n'bass public since summer 1999. Originally a small |
| operation, we have now reached levels of international acclaim. |
| |
| SOUR is dedicated to both the availability and promotion of music to the |
| public, and our rips are intended to reflect these ideals. Specifically: |
| |
| . SOUR is dedicated to the promotion of new music that is currently |
| available to buy. If you like something you hear, you are obliged to |
| attempt to purchase an original copy. |
| |
| . SOUR is dedicated to the promotion of old music that may no longer be |
| available to buy. |
| |
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass |
| worldwide! We provide a service where none is available, specifically in |
| many remote countries where traditional distributors can not afford to |
| target. Also, the availability of drum'n'bass in an easily accessible |
| form expands the potential for real world sales to people who may not |
| otherwise have considered buying drum'n'bass. |
| |
| . SOUR is dedicated to the expansion of the online and offline real world |
| scenes. With more listeners enjoying what they hear, clubs and venues can |
| only expect MORE people to attend events; DJ's can only expect MORE |
| people to pay to see THEM. |
| |
| By accident of today's current real world distribution arrangements, many |
| artists will find that SOUR releases IMPROVE their real world sales; |
| especially for items only on vinyl. This is the basis upon which SOUR |
| operates. |
| |
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[ sour productions(c) 1999-2012 ]
Files
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