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: : _\ rippers /____.
: : release no ( 7100 ) \ rating |
: : \_____. |
: : artist (Various Artists ) | .---. |
: : title (Funk 21: The Album ) | 0 | | |
: : record label (Partisan (PARTFKC601) ) | 9 |%%%| |
: : genre (Drum & Bass ) | 8 |%%%| |
: : release date (2004/04/07) | 7 |%%%| |
: : street date (1998/??/??) | 6 |%%%| |
: : | 5 |%%%| |
: : media type vinyl ( ) tape ( ) cd (x) radio ( ) | 4 |%%%| |
: : cover sfv m3u cover ( ) sfv (x) m3u (x) cue ( ) | 3 |%%%| |
: : | 2 |%%%| |
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: : :.: (10 tracks) (2:18.53 min) (174.9 mb) | `---' |
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nr times track titles
.----^-------^----------------------------------------------------------------.
| Disc 1: Unmixed |
| 01 10:26 Tunduska - Blush Response |
| 02 6:18 Tertius & Professor Smalls - Wolf |
| 03 8:04 Selim & Steel - Ain't Who Ya No... Watcha No |
| 04 7:31 Organic Synthetic - Space Walkin' |
| 05 6:29 Seeka - Outpost (Justice Remix) |
| 06 6:42 Pariah - Trancer |
| 07 6:13 Seeka - Dialogue |
| 08 6:28 Tertius & Professor Smalls - 9th Episode |
| 09 9:09 Pariah - For Real |
| |
| Disc 2: Mixed By Pariah |
| 01 0:00 Organic Synthetic - Cosmos |
| 02 7:00 Selim & Steel - Steel's Theme |
| 03 12:42 Seeka - Outpost |
| 04 19:46 Tunduska - Blush Response |
| 05 27:21 Organic Synthetic - Space Walkin' |
| 06 33:05 Justice & Lab Rats - Side FX |
| 07 37:56 Pariah - Trancer |
| 08 43:19 Tertius & Professor Smalls - 9th Episode |
| 09 48:50 Tunduska - Comet Theory |
| 10 55:34 Pariah - For Real |
| 11 61:22 Tertius & Professor Smalls - Wolf |
| 12 66:15 Seeka - Dialogue |
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| | | |
| | Nice compilation from the Partisan offshoot | |
| | label. A little background information taken | |
| | from the inlay of the CD: | |
| | | |
| | Funk 21 is a Partisan protΘgΘ label. We hope | |
| | to draw attention to their consistently | |
| | impressive material and to their policy, like | |
| | your own, of giving opportunity to novice | |
| | artists as well as established names. Terry | |
| | Wilson, cherished as a dyed-in-the-wool | |
| | character by all that know him, is a 'make it | |
| | happen' man rather than an artist, a catalyst | |
| | who lives the music through his discoveries. | |
| | | |
| | When asked to commission remixes for his | |
| | friends UB40, Terry called on Icons (Blame & | |
| | Tony Justice), Grooverider, DJ Ron, Deep Blue | |
| | and Blame, Ellis Dee, Swan-E and Sunrise | |
| | Society. This lead to Ideal Distribution | |
| | approaching Terry for an Icons LP. He agreed, | |
| | in return for a label deal. Thus, thanks to | |
| | the support of Ideal owner Neil Macey, for | |
| | whom Terry has 'maximum time and admiration'. | |
| | | |
| | Funk 21 launched of in March 1997. The label | |
| | is run for love and to be part of 'something | |
| | his generation has done which the rest of all | |
| | the world admires'. He considers DJ Ron to be | |
| | his legal adviser, and soundboard, while | |
| | Randall, Grooverider, Justice and Cath (right | |
| | hand girl) are the select committee. | |
| | | |
| | After bumping into Sean Deep Blue at Danny | |
| | Tertius' studio, he decided to throw in his | |
| | lot with us. As he stated in Muzik Magazine | |
| | (Feb '98) 'There are no rules to the music. | |
| | The producers are the centre point, as they | |
| | are the ones who are making it. You can't | |
| | have a good label without good artists. I | |
| | tell them all I don't give a toss about | |
| | fashion. At least one person will like the | |
| | music, which makes it worthwhile. I just want | |
| | music with melody and compassion.' | |
| | | |
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.-----------------------------------------------------------------------------.
| |
| This release may contain copyrighted material, however SOUR guarantees |
| that this material was at least available to one person "on the street" |
| and that the possession of this material is in no way privileged. |
| |
| SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to |
| the internet drum'n'bass public since summer 1999. Originally a small |
| operation, we have now reached levels of international acclaim. |
| |
| SOUR is dedicated to both the availability and promotion of music to the |
| public, and our rips are intended to reflect these ideals. Specifically: |
| |
| . SOUR is dedicated to the promotion of new music that is currently |
| available to buy. If you like something you hear, you are obliged to |
| attempt to purchase an original copy. |
| |
| . SOUR is dedicated to the promotion of old music that may no longer be |
| available to buy. |
| |
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass |
| worldwide! We provide a service where none is available, specifically in |
| many remote countries where traditional distributors can not afford to |
| target. Also, the availability of drum'n'bass in an easily accessible |
| form expands the potential for real world sales to people who may not |
| otherwise have considered buying drum'n'bass. |
| |
| . SOUR is dedicated to the expansion of the online and offline real world |
| scenes. With more listeners enjoying what they hear, clubs and venues can |
| only expect MORE people to attend events; DJ's can only expect MORE |
| people to pay to see THEM. |
| |
| By accident of today's current real world distribution arrangements, many |
| artists will find that SOUR releases IMPROVE their real world sales; |
| especially for items only on vinyl. This is the basis upon which SOUR |
| operates. |
| |
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[ sour productions(c) 2003 ]