Danielle_De_Niese-Beauty_of_The_Baroque-2011-EiTheLMP3
- Section
-
MP3/FLAC
- Group
- EiTheLMP3
- Size
- 0 B
- Files
- 0
- Date
- 2012-02-04
NFO
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▄ ▀▀ ███▓ ███▓▀▀ ▄▄█▓▀ ███▓ ▄███▓▀ EiTheLMP3 ███▓ ▄
███▓▄▄ ▀▀ ▀███▌ ███▓ ▐███▓▌ presents... ███▓ ▄
▄█▀▀ ▀▀▓▄ ███▓ ▀███▓▄ ▄██▓▀▄▄▓▀
▐█▌ ▀▀███▓ ▀▀▀██▄▄▄ ▄▄▄▓▀▀█▄▒▀▀
▀▀▄ ▀▀▄ ▀▀▀▀▀▀█▀▀ ▄▀ ░
▀ ■ ▄ ▄
Danielle De Niese-Beauty of The Baroque
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▀█▄█▀█▄ I n f o s ▀▀▀▀▀▀█████▀▓▓▀▀
░░ ▀▀█▓▄ ■ ▄▄▀▀ ░░
▒▒░ ▀▀ ▄ ▄ ▄ ▀▀ ░▒▒
▓▓▒ ░ ▀ ▄ ▄▄▄▓▓ ■ ░ ▒▓▓
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██▓ ▓ Supplier ... : EiTheLMP3.TEAM ▓ ██▓
██▓ ▓ Ripper ..... : EiTheLMP3.TEAM ▓ ██▓
██▓ ▓ Release Date : 03-Feb-2012 ▓ ██▓
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██▓ ▓ Source ..... : CDDA ▓ ██▓
██▓ ▓ Grabber .... : Exact Audio Copy V1.0 Beta 3 Win32 ▓ ██▓
██▓ ▓ Encoder .... : LAME v3.98.4 FINAL x86 ▓ ██▓
██▓ ▓ Quality .... : VBRkpbs/44,1KHz/Joint-Stereo ▓ ██▓
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██▓ ▓ Artist ..... : Danielle De Niese ▓ ██▓
██▓ ▓ Title ...... : Beauty of The Baroque ▓ ██▓
██▓ ▓ Music Genre. : Classical ▓ ██▓
██▓ ▓ Record Label : Universal Music ▓ ██▓
██▓ ▓ Internet URL : www.universalmusic.com/ ▓ ██▓
██▓ ▓ Release Year : 2011 ▓ ██▓
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▀▀██▀███▓▓▀▀▀▀▀▀ R e l e a s e . N o t e s ▄█▀█▄█▀
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██▓ ▓ http://tinyurl.com/88x96dw ▓ ██▓
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██▓ ▓ The talent of Danielle de Niese was already evident by the ▓ ██▓
██▓ ▓ age of eight: the Australian-born, American soprano grew ▓ ██▓
██▓ ▓ up singing Purcell and Bach, and as a teenager seeking out ▓ ██▓
██▓ ▓ music suited to her youthful instrument, she was attracted ▓ ██▓
██▓ ▓ to the melodic simplicity and the orchestral sparseness ▓ ██▓
██▓ ▓ typical of the Baroque. It helped her enormously to be ▓ ██▓
██▓ ▓ already thoroughly grounded in music theory upon entering ▓ ██▓
██▓ ▓ New YorkÆs Mannes College of Music, where she was soon ▓ ██▓
██▓ ▓ immersed in Baroque performance practice. Her musical and ▓ ██▓
██▓ ▓ intellectual curiosity has remained insatiable, the result ▓ ██▓
██▓ ▓ being the exceptionally broad frame of reference that ▓ ██▓
██▓ ▓ anchors her performances today. ▓ ██▓
██▓ ▓ ▓ ██▓
██▓ ▓ Danielle de Niese constantly bears in mind the BaroqueÆs ▓ ██▓
██▓ ▓ emphasis on ôharmony in its purest essence. In the scores ▓ ██▓
██▓ ▓ the music wasnÆt entirely notated û that æskeletonÆ meant ▓ ██▓
██▓ ▓ that it could be reinterpreted, rewritten, so it always ▓ ██▓
██▓ ▓ had a fresh approach. Baroque music has a repetitive, ▓ ██▓
██▓ ▓ strophic nature, often with reiterated passages calling ▓ ██▓
██▓ ▓ for ornamentation. That was the very æbonesÆ of musical ▓ ██▓
██▓ ▓ style at the time, and in effect it was the birth of the ▓ ██▓
██▓ ▓ form of the common song we all know today.ö ▓ ██▓
██▓ ▓ ▓ ██▓
██▓ ▓ The earliest pieces on this album, the Dowland songs, ▓ ██▓
██▓ ▓ romanticise the melancholy of love and communicate what ▓ ██▓
██▓ ▓ Danielle de Niese describes as ôa total immersion in ▓ ██▓
██▓ ▓ emotionsö. Dowland was vital to the soprano in planning ▓ ██▓
██▓ ▓ this programme û and still more so Bach, whose technical ▓ ██▓
██▓ ▓ challenges Danielle de Niese willingly embraces. Heard ▓ ██▓
██▓ ▓ here are two cantata arias that she finds immensely ▓ ██▓
██▓ ▓ rewarding with their different colours, the one very ▓ ██▓
██▓ ▓ pastoral in its floating line, the other ôoften quite ▓ ██▓
██▓ ▓ cheeky, and all about finding the line through text rather ▓ ██▓
██▓ ▓ than through the notes themselvesö. ▓ ██▓
██▓ ▓ ▓ ██▓
██▓ ▓ Among the Handel selections are familiar arias from Samson ▓ ██▓
██▓ ▓ and Serse. In ôLet the bright Seraphimö, the ôAö section ▓ ██▓
██▓ ▓ and its repeat (invigorated by the triumphant solo ▓ ██▓
██▓ ▓ trumpet) are separated by an exquisite ôBö section, with ▓ ██▓
██▓ ▓ reiterated string chords supporting the voiceÆs ▓ ██▓
██▓ ▓ description of angelic harps. Danielle de Niese views ▓ ██▓
██▓ ▓ SerseÆs universally beloved aria ôOmbra mai fuö (which she ▓ ██▓
██▓ ▓ sings in its original alto key) as a true ômarkerö of the ▓ ██▓
██▓ ▓ Baroque period. Eschewing the sentimentality frequently ▓ ██▓
██▓ ▓ burdening this piece in performance, she concentrates ▓ ██▓
██▓ ▓ instead on the text and on ôthe strength of simplicityö. ▓ ██▓
██▓ ▓ The other Handel works heard here are more off the beaten ▓ ██▓
██▓ ▓ track, particularly The Triumph of Time and Truth. When ▓ ██▓
██▓ ▓ investigating the composerÆs revisions of particular ▓ ██▓
██▓ ▓ pieces, Danielle de Niese found that he had twice returned ▓ ██▓
██▓ ▓ to his oratorio Il trionfo del Tempo e del Disinganno, the ▓ ██▓
██▓ ▓ second time reworking it in English. In examining BeautyÆs ▓ ██▓
██▓ ▓ aria ôGuardian angelsö, it was again a mesmerising purity ▓ ██▓
██▓ ▓ that captured her attention, but also the especially bare ▓ ██▓
██▓ ▓ accompaniment and, above all, the prayerful qualities of ▓ ██▓
██▓ ▓ the text. ▓ ██▓
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██▓ ▓ Musically memorable, while also recalling milestones in ▓ ██▓
██▓ ▓ Danielle de NieseÆs development as a Handelian, are the ▓ ██▓
██▓ ▓ aria of Galatea (Covent Garden debut, 2009) and the duet ▓ ██▓
██▓ ▓ from Rodelinda (role debut, Canadian Opera Company, 2005). ▓ ██▓
██▓ ▓ Greatly moved in Acis and Galatea by the heroineÆs ▓ ██▓
██▓ ▓ maturity and selflessness, Danielle de Niese invariably ▓ ██▓
██▓ ▓ found herself in tears when singing ôHeart, the seat of ▓ ██▓
██▓ ▓ soft delightö onstage at the Royal Opera House. Acis, ▓ ██▓
██▓ ▓ slain by the jealous Polyphemus, is released to Nature by ▓ ██▓
██▓ ▓ Galatea, who transforms him into a fountain û and how ▓ ██▓
██▓ ▓ ravishingly the waterÆs murmuring is projected both ▓ ██▓
██▓ ▓ vocally and in HandelÆs accompaniment. ▓ ██▓
██▓ ▓ ▓ ██▓
██▓ ▓ One of HandelÆs most affecting duets presents the ▓ ██▓
██▓ ▓ anguished parting of Rodelinda and her husband Bertarido. ▓ ██▓
██▓ ▓ Danielle de Niese traces its emotional impact largely to ▓ ██▓
██▓ ▓ the musicÆs harmonic component: ôYou feel that these two ▓ ██▓
██▓ ▓ interwoven souls are being pulled apart by harmony. ▓ ██▓
██▓ ▓ TheyÆre connected in the suspensions and dissonances, but ▓ ██▓
██▓ ▓ each time the music resolves, they separate. I feel the ▓ ██▓
██▓ ▓ tension is what binds them together. When they have to ▓ ██▓
██▓ ▓ accept letting go, the duet resolves into the minor key. ▓ ██▓
██▓ ▓ You can picture two people with hands entwined, being ▓ ██▓
██▓ ▓ forced apart.ö ▓ ██▓
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██▓ ▓ What a contrast between RodelindaÆs noble pair and the ▓ ██▓
██▓ ▓ protagonists of LÆincoronazione di Poppea! RomeÆs newly ▓ ██▓
██▓ ▓ crowned Empress, the ruthlessly ambitious Poppea, joins ▓ ██▓
██▓ ▓ the even more monstrous Nerone to end MonteverdiÆs opera ▓ ██▓
██▓ ▓ with a heart-stoppingly beautiful, apparently sincere love ▓ ██▓
██▓ ▓ duet. That seeming incongruity does not preoccupy Danielle ▓ ██▓
██▓ ▓ de Niese û ôBusenello, the librettist, didnÆt attempt to ▓ ██▓
██▓ ▓ make accurate historyö, and besides, ôTwo bad people make ▓ ██▓
██▓ ▓ one good couple!ö The duet moves continually from ▓ ██▓
██▓ ▓ dissonance to suspension and resolution. ôIt ends with a ▓ ██▓
██▓ ▓ unison,ö notes the singer, ôbecause these two people are ▓ ██▓
██▓ ▓ so synched in their intentions and desires that they ▓ ██▓
██▓ ▓ almost turn into one. Unlike Rodelinda, here you have ▓ ██▓
██▓ ▓ dissonance thatÆs meant to resolve. They push against each ▓ ██▓
██▓ ▓ other and then move into harmony again.ö ▓ ██▓
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██▓ ▓ The recital also includes one of MonteverdiÆs best-known ▓ ██▓
██▓ ▓ solo songs. Quel sguardo sdegnosetto captivates Danielle ▓ ██▓
██▓ ▓ de Niese both textually (the lover begging his disdainful ▓ ██▓
██▓ ▓ beloved to wound him with her eyes) and in the ▓ ██▓
██▓ ▓ accompanimentÆs underlying ciaccona. Entirely in keeping ▓ ██▓
██▓ ▓ with Baroque style, Danielle de Niese decided to outline ▓ ██▓
██▓ ▓ the rhythmic nature of the bare ciaccona, asking the ▓ ██▓
██▓ ▓ players to begin by improvising on its ritornello: first ▓ ██▓
██▓ ▓ guitar, then lutes, harp, cello, bass, and harpsichord. ▓ ██▓
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██▓ ▓ Far removed from that vigorous number is music requiring a ▓ ██▓
██▓ ▓ profound, inward-looking expressive solemnity: the opening ▓ ██▓
██▓ ▓ duet of PergolesiÆs Stabat Mater û ôincredibly haunting,ö ▓ ██▓
██▓ ▓ says Danielle de Niese, ôwith the series of suspensions ▓ ██▓
██▓ ▓ over the bass lineö; and the heroineÆs supremely moving ▓ ██▓
██▓ ▓ lament from PurcellÆs Dido and Aeneas, with ôthat ▓ ██▓
██▓ ▓ persistent D she sings on æRemember meÆ, like a bell ▓ ██▓
██▓ ▓ tollingö. ▓ ██▓
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██▓ ▓ This album was recorded with genuine unanimity of purpose. ▓ ██▓
██▓ ▓ Danielle de Niese is thrilled to be working for the first ▓ ██▓
██▓ ▓ time with Andreas Scholl while renewing her collaboration ▓ ██▓
██▓ ▓ with the wonderfully accomplished and enthusiastic players ▓ ██▓
██▓ ▓ of The English Concert. Harry Bicket, the ensembleÆs ▓ ██▓
██▓ ▓ artistic director, has conducted Danielle de NieseÆs ▓ ██▓
██▓ ▓ performances frequently since their 2005 Rodelinda. He is, ▓ ██▓
██▓ ▓ she says, ôa musicianÆs musicianö who ôgives you wings to ▓ ██▓
██▓ ▓ flyö. ▓ ██▓
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██▓ ▓ 01. Come Again; Sweet Love Doth Now Invite 02:42 ▓ ██▓
██▓ ▓ 02. What if I Never Speed 02:31 ▓ ██▓
██▓ ▓ 03. Ombra Mai Fu 02:54 ▓ ██▓
██▓ ▓ 04. Let The Bright Seraphim 05:35 ▓ ██▓
██▓ ▓ 05. Thy Hand,belinda...When I Am Laid in Earth 05:07 ▓ ██▓
██▓ ▓ 06. Heart, The Seat of Soft Delight 04:11 ▓ ██▓
██▓ ▓ 07. Pur Ti Miro 04:35 ▓ ██▓
██▓ ▓ 08. Quel Sguardo Sdegnosetto 03:02 ▓ ██▓
██▓ ▓ 09. Io T'abbraccio 06:53 ▓ ██▓
██▓ ▓ 10. Guardian Angels, Oh, Protect Me 06:00 ▓ ██▓
██▓ ▓ 11. Stabat Mater 03:56 ▓ ██▓
██▓ ▓ 12. Sich ⁿber Im Lieben 04:39 ▓ ██▓
██▓ ▓ 13. Schafe K÷nnen Sicher Weiden 04:45 ▓ ██▓
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██▓ ▓ TOTAL TiME ......................................... 56:50 ▓ ██▓
██▓ ▓ TOTAL TRACKS .......................................... 13 ▓ ██▓
██▓ ▓ TOTAL SiZE ....................................... 90,8 Mb ▓ ██▓
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██▓ ▓ More important than *WHO* we are is *WHAT* and *HOW* ▓ ██▓
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██▓ ▓ EiTheL does *NOT* officially support any public chat ▓ ██▓
██▓ ▓ channel. ▓ ██▓
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██▓ ▓ EiTheL welcomes the new suppliers and rippers from ▓ ██▓
██▓ ▓ around the globe that are joining us in 2011... ▓ ██▓
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██▓ ▓ ▄ ████▓▓▄ G r e e t s █████▓▓ ░ ░░ ▀
██▓ ▓ ▀▀▄▄▄▀▀██▓▓▄ ███▓▓▀▀ ▀ ▒ ▒▒░
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██▓ ▓ MNS ≈ TSP ≈ TGX ≈ iDC ≈ MiL ≈ FSP ≈ USF ▓ ██▓
██▓ ▓ NmE ≈ WLM ≈ tronik ≈ TALiON ≈ XPERT ≈ CRO ▓ ██▓
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██▓ ▓ & the rest of those who rip Quality music. ▓ ██▓
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██▓ ▒ ▄ .EiTheLMP3. ▀██▓▄
██▓ ░ ▄ ..2.0.1.1.. ███▓
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███░███████████▀▀▀▀▀▀▀▀▀▀███████▓▓▄▄▄▄▄ ▀▀▀▀▀▀█▀▀▀▀▀ ■
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▀███▓ ASCII.. ▐███▓▌ ▀
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▀▀█▄▄ ▄ ████▓▀████▓▓▀▀▀▀
▀▀█▄▄ █▄▄ ..fUM fOR ████▓▓▄
▄ ▀▀█▄▄ ██▓ ■ cHEMICAL ████▓▓▄ ▄
▄ ▀▀█▄▄ █▀█▓▓ rEACTION █████▓▓▀ ▄
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██▓ " you don't know what you've got 'till it's gone "
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