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. __\ _ . \___/|_|__ \ \ \__/ /___\_ /_|_ ____|__ \ __
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- -- -----\____\ Disc0LjUS \______/ \____/ \_______/---- - ---- -
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: | | :
.: | * purchased > process3d > enc0ded | ::
.:: | released | :::.
.:::: |_____________________________________| :::::.
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> # Release <
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________________________________________________________
| |
| + |
| [#] _________ ______ _ _ ______|MEDIUM.NFORMATION|. . |
| |
| [>] source....... CDDA > Album . ...: |
| [>] effect....... Electronic :: |
| [>] style........ Disco, House .: |
| :: |
| [>] label........ Smalltown Supersound :: |
| [>] catalog.no... STS 221CD : |
| [>] year......... 2012 . |
| [+] street.date.. feb. 2012 |
| [+] release.date. feb.05.2012 |
| |
| [#] _ _ _ _______ ____________________|TIME&SPACE|. |
| |
| [>] drug.plateu.. 53:14 min |
| [>] drug.solution 96,2 mb per ml |
| [>] bulk.size.... 07 injections |
| |
| |
| [#] ___________________ __ ____ _|QUALITY.CONTROL|. |
| |
| [╗] encoder...... LAME 3.98.4 -V0 |
| [╗] quality...... avg/44.1kHz/Joint-Stereo |
|__._ _ _|__|
|::| |::|
| _____ _ _______ + REVIEW/INFOS + |::|
|_\_ \_____ __///__ / __ ____ ______| __
_/ / / / ____\_ / /_(_// / ___ ______ / _//_//.
. __\ \ \__ // / / / / // /_ // /:| ./
\\_\\___\ \_\________\______/____/\__________/ /\ _ /::|
. |::|:\_____\::::::::::::::::::::::::::::::/_____/_// /:::|
x |::|:::::::::::::::::::::::::::::::::::::::::::/____/::::|
|::| |::|
|::| |::|
|::| Hans-Peter Lindstrom isn't all that sure about |::|
|::| the record he's just made. "I think this album |::|
|::| might be hard for my label," he demurred in a |::|
|::| recent interview. "I think I've gone further out |::|
|::| than before, but I'm not sure if it's for the |::|
|::| best." |::|
|::| |::|
|::| It's an alarmingly frank confession from a man |::|
|::| whose last solo releases first track ran to a |::|
|::| whopping 29 minutes in length. But, to be fair, |::|
|::| the Norwegian producers been a sound judge of |::|
|::| quality over the course of a decade-long career |::|
|::| that began almost by accident. |::|
|::| |::|
|::| Lindstrom was a rock fan before turning his hand |::|
|::| to electronic music in the early-00s, scoring a |::|
|::| string of successes with remixes for the likes |::|
|::| of Franz Ferdinand and LCD Soundsystem. Later, |::|
|::| his self-penned productions suggested a crisply |::|
|::| modern take on the synth futurism of Vangelis |::|
|::| and Giorgio Moroder, plus the space disco sound |::|
|::| of 1970s DJs like Daniele Baldelli. |::|
|::| |::|
|::| The Oslo-born musician enjoyed further acclaim |::|
|::| for his releases with fellow producer Prins |::|
|::| Thomas, but his most accessible work to date |::|
|::| came with Real Life Is No Cool. Said 2010 set |::|
|::| collected tracks made with singer Christabelle, |::|
|::| who added pop jouissance to his panoramic |::|
|::| musical vision; it's since become something of a |::|
|::| cult classic. |::|
|::| |::|
|::| As the title would suggest, Six Cups of Rebel |::|
|::| puts him back in weirder territory, albeit of a |::|
|::| slightly differing stripe it's a record defined |::|
|::| by creeping anxiety and frustration, as evinced |::|
|::| by the stuck church-organ drone of opener No |::|
|::| Release, which is beat-free and leads you to |::|
|::| wonder what kind of grand architectural folly |::|
|::| Lindstrom has in mind here. |::|
|::| De Javu provides some reassurance with its |::|
|::| robo-George Clinton riffing and artfully |::|
|::| pitch-shifted, choppy house accents. But, again, |::|
|::| there's a darkly introspective feel at work |::|
|::| that's bolstered by an anguished, "can't get no |::|
|::| release" refrain that makes its entrance around |::|
|::| the five-minute mark. Magik is notable for some |::|
|::| eccentric vocals (a hallmark of the record), |::|
|::| before evil synths start flashing like |::|
|::| searchlights on a penitentiary compound. Then |::|
|::| the prog-tinged Quiet Place to Live lurches in |::|
|::| like a bout of cosmic seasickness, a wracked |::|
|::| voice declaring that "all I want is a quiet |::|
|::| place to live" over a spooked-sounding beat. |::|
|::| Call Me Anytime sounds queasier still; all |::|
|::| sozzled synthetic birdsong and freakshow sounds |::|
|::| that settle into a skittering house groove. But |::|
|::| Six Cups gets truly out-there with the |::|
|::| title-track's unappealing blend of acid squelch |::|
|::| and On the Corner-era jazz-funk, and the |::|
|::| 10-minute Hina, which is bookended by a pair of |::|
|::| drum solos and sounds like a purgatorial |::|
|::| inversion of The Field's sublime tension. |::|
|::| Points for trying something new, but it's hard |::|
|::| to disagree with Lindstroms own assessment of |::|
|::| the record as something of an experimental |::|
|::| misfire. |::|
|::| |. |
| .| |::|
|::| | .|
|. |. |::|
| | \ > mo'nfo www.allmusic.com/album/six-cu |::|
______|_____\__ |::|
( (.-----. __ )___í__ _ _ __:________.::|
\\\\\____í((_)/ | ! |::|
\__\________/ | TURN ON, TUNE IN, DROP OUT | |::|
`' `|::: `' | | |::|
_ _í_________|_ _ _ _|________:_ _
! |
| 01 No Release 05:16 |
| 02 De Javu 07:15 |
| 03 Magik 08:03 |
| 04 Quiet Place to Live 06:35 |
| 05 Call Me Anytime 09:44 |
| 06 Six Cups of Rebel 05:51 |
| 07 Hina 10:30 |
|__________________________________________________|
__________________________________________________
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| ... |
| :: #> pssst. |
| :: . |
| :: * for your consideration only * . |
| : ! not for p2p or public broadcast ! .: |
| > find the original - save the world < :: |
| . .::: |
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| ops of stable deathstar sized archives are |
| welcome to get in touch <3 |
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