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: : release no ( 7147 ) \ rating |
: : \_____. |
: : artist (Future Bound ) | .---. |
: : title (Live Studio Mix / ATM Cover CD #59) | 0 | | |
: : record label (ATM Magazine (ATMMAG59) ) | 9 | | |
: : genre (Drum & Bass ) | 8 |%%%| |
: : release date (2004/04/22) | 7 |%%%| |
: : street date (2004/04/??) | 6 |%%%| |
: : | 5 |%%%| |
: : media type vinyl ( ) tape ( ) cd (x) radio ( ) | 4 |%%%| |
: : cover sfv m3u cover ( ) sfv (x) m3u ( ) cue (x) | 3 |%%%| |
: : | 2 |%%%| |
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: : :.: (01 tracks) (52:49 min) ( 66.7 mb) | `---' |
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nr times track titles
.----^-------^----------------------------------------------------------------.
| Mixed By Future Bound, featuring MC E-LL |
| 01 0:00 Future Bound & Jaquan - Blind Cobblers Thumb [Viper]|
| 02 2:58 Gridlok - Heatwave [Violence]|
| 03 5:25 DJ Clipz - Jiggy Man [Full Cycle]|
| 04 7:31 DJ SS, Twisted Individual & MC Skibadee - |
| Deal With The Matter [Formation]|
| 05 11:43 Keaton & Hive - Bring It On [Violence]|
| 06 14:33 Kaos, Karl K & Jae Kennedy - Studio 54 [Human Imprint]|
| 07 17:04 Baron & Total Science - Monkey See, Monkey Do [Baron Inc]|
| 08 20:06 J Majik & Wickaman - Scooby Doo [Infrared]|
| 09 22:54 Concept 2 - Discology [Liftin' Spirits]|
| 10 27:50 Future Bound, J Majik & Wickaman - Mr. Hunger [Infrared]|
| 11 30:39 The Cookie Monsters - Roadrunner [Viper]|
| 12 33:07 Dillinja - Time Out [Valve]|
| 13 35:15 Concord Dawn - Tonite (Pendulum Remix) [Function]|
| 14 36:59 Future Bound & Codek - Pied Piper [Infrared]|
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| | | |
| | Taken from ATM Magazine #59 | |
| | | |
| | Future Bound's cover CD represents a | |
| | primetime, peak-of-the-night selection. | |
| | "The mix is a collection of tracks I've been | |
| | playing out from the last 6-12 months", he | |
| | explains. "There's some tracks from myself, a | |
| | few exclusives from Viper and Infrared. I | |
| | could have kept it all brand new but I didn't | |
| | want to do that". Keeping the lyrics toasty | |
| | is Sheffield-based MC E-LL. "I play out with | |
| | him quite regularly, he's a great MC, he | |
| | knows how to hype a crowd and the most | |
| | important thing is he knows when to fucking | |
| | shut up!", he jokes. | |
| | | |
| | More info on ATM: http://www.atm-mag.com | |
| | | |
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.-----------------------------------------------------------------------------.
| |
| This release may contain copyrighted material, however SOUR guarantees |
| that this material was at least available to one person "on the street" |
| and that the possession of this material is in no way privileged. |
| |
| SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to |
| the internet drum'n'bass public since summer 1999. Originally a small |
| operation, we have now reached levels of international acclaim. |
| |
| SOUR is dedicated to both the availability and promotion of music to the |
| public, and our rips are intended to reflect these ideals. Specifically: |
| |
| . SOUR is dedicated to the promotion of new music that is currently |
| available to buy. If you like something you hear, you are obliged to |
| attempt to purchase an original copy. |
| |
| . SOUR is dedicated to the promotion of old music that may no longer be |
| available to buy. |
| |
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass |
| worldwide! We provide a service where none is available, specifically in |
| many remote countries where traditional distributors can not afford to |
| target. Also, the availability of drum'n'bass in an easily accessible |
| form expands the potential for real world sales to people who may not |
| otherwise have considered buying drum'n'bass. |
| |
| . SOUR is dedicated to the expansion of the online and offline real world |
| scenes. With more listeners enjoying what they hear, clubs and venues can |
| only expect MORE people to attend events; DJ's can only expect MORE |
| people to pay to see THEM. |
| |
| By accident of today's current real world distribution arrangements, many |
| artists will find that SOUR releases IMPROVE their real world sales; |
| especially for items only on vinyl. This is the basis upon which SOUR |
| operates. |
| |
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[ sour productions(c) 2003 ]